Ward Blanton

Presented here for the first time in English is a remarkable screenplay about the apostle Paul by Pier Paolo Pasolini, legendary filmmaker, novelist, poet, and radical intellectual activist. Written between the appearance of his renowned film Teorema and the shocking, controversial Salò, or the 120 Days of Sodom, St Paul was deemed too risky for investors. At once a political intervention and cinematic breakthrough, the script forces a revolutionary transformation on the contemporary legacy of Paul. In Pasolini's kaleidoscope, we encounter fascistic movements, resistance fighters, and faltering revolutions, each of which reflects on aspects of the Pauline teachings. From Jerusalem to Wall Street and Greenwich Village, from the rise of SS troops to the death of Martin Luther King, Jr, here- as Alain Badiou writes in the foreword-"Paul's text crosses all these circumstances intact, as if it had foreseen them all." This is a key addition to the growing debate around St Paul and to the proliferation of literature centred on the current turn to religion in philosophy and critical theory, which embraces contemporary figures such as Alain Badiou, Slavoj Zizek and Giorgio Agamben.

Building on the themes established in the first two volumes of Paul and the Uprising of the Dead, Pauline Solidarity explores: (a) how the Pauline faction transforms relationships within the household unit in the new transnational family of God; (b) how dominant cultural conceptions of honor are rejected in the embrace of shame in the company of the crucified; (c) how vertical practices of patronage are replaced with a horizontal sibling-based political economy of grace; and (d) how the gospel of the Caesars is overcome by the lawlessness of the good news that is being assembled in an uprising of life among the left for dead. Along the way, many of the traditional themes associated with Paulinism (grace, justice, love, loyalty, sin, flesh, death, Jesus, spirit, life) are reexamined and understood as core components of a movement that was spreading among vanquished, colonized, oppressed, dispossessed, and enslaved peoples who were finding new (and treasonous) ways of organizing themselves in order to be life-giving and life-affirming, and in order to counter all the death-dealing structures of Roman imperialism.

Building on the themes established in the first two volumes of Paul and the Uprising of the Dead, Pauline Solidarity explores: (a) how the Pauline faction transforms relationships within the household unit in the new transnational family of God; (b) how dominant cultural conceptions of honor are rejected in the embrace of shame in the company of the crucified; (c) how vertical practices of patronage are replaced with a horizontal sibling-based political economy of grace; and (d) how the gospel of the Caesars is overcome by the lawlessness of the good news that is being assembled in an uprising of life among the left for dead. Along the way, many of the traditional themes associated with Paulinism (grace, justice, love, loyalty, sin, flesh, death, Jesus, spirit, life) are reexamined and understood as core components of a movement that was spreading among vanquished, colonized, oppressed, dispossessed, and enslaved peoples who were finding new (and treasonous) ways of organizing themselves in order to be life-giving and life-affirming, and in order to counter all the death-dealing structures of Roman imperialism.

An Insurrectionist Manifesto contains four insurrectionary gospels based on Martin Heidegger's philosophical model of the fourfold: earth and sky, gods and mortals. Challenging religious dogma and dominant philosophical theories, they offer a cooperative, world-affirming political theology that promotes new life through not resurrection but insurrection. The insurrection in these gospels unfolds as a series of miraculous yet worldly practices of vital affirmation. Since these routines do not rely on fantasies of escape, they engender intimate transformations of the self along the very coordinates from which they emerge. Enacting a comparative and contagious postsecular sensibility, these gospels draw on the work of Slavoj Zizek, Giorgio Agamben, Catherine Malabou, Francois Laruelle, Peter Sloterdijk, and Gilles Deleuze yet rejuvenate scholarship in continental philosophy, critical race theory, the new materialisms, speculative realism, and nonphilosophy. They think beyond the sovereign force of the one to initiate a radical politics "after" God.

An Insurrectionist Manifesto contains four insurrectionary gospels based on Martin Heidegger's philosophical model of the fourfold: earth and sky, gods and mortals. Challenging religious dogma and dominant philosophical theories, they offer a cooperative, world-affirming political theology that promotes new life through not resurrection but insurrection. The insurrection in these gospels unfolds as a series of miraculous yet worldly practices of vital affirmation. Since these routines do not rely on fantasies of escape, they engender intimate transformations of the self along the very coordinates from which they emerge. Enacting a comparative and contagious postsecular sensibility, these gospels draw on the work of Slavoj Zizek, Giorgio Agamben, Catherine Malabou, Francois Laruelle, Peter Sloterdijk, and Gilles Deleuze yet rejuvenate scholarship in continental philosophy, critical race theory, the new materialisms, speculative realism, and nonphilosophy. They think beyond the sovereign force of the one to initiate a radical politics "after" God.

Nietzsche and Freud saw Christianity as metaphysical escapism, with Nietzsche calling the religion a "Platonism for the masses" and faulting Paul the apostle for negating more immanent, material modes of thought and political solidarity. Integrating this debate with the philosophies of difference espoused by Gilles Deleuze, Michel Foucault, Jacques Derrida, Jacques Lacan, and Pier Paolo Pasolini, Ward Blanton argues that genealogical interventions into the political economies of Western cultural memory do not go far enough in relation to the imagined founder of Christianity. Blanton challenges the idea of Paulinism as a pop Platonic worldview or form of social control. He unearths in Pauline legacies otherwise repressed resources for new materialist spiritualities and new forms of radical political solidarity, liberating "religion" from inherited interpretive assumptions so philosophical thought can manifest in risky, radical freedom.

Nietzsche and Freud saw Christianity as metaphysical escapism, with Nietzsche calling the religion a "Platonism for the masses" and faulting Paul the apostle for negating more immanent, material modes of thought and political solidarity. Integrating this debate with the philosophies of difference espoused by Gilles Deleuze, Michel Foucault, Jacques Derrida, Jacques Lacan, and Pier Paolo Pasolini, Ward Blanton argues that genealogical interventions into the political economies of Western cultural memory do not go far enough in relation to the imagined founder of Christianity. Blanton challenges the idea of Paulinism as a pop Platonic worldview or form of social control. He unearths in Pauline legacies otherwise repressed resources for new materialist spiritualities and new forms of radical political solidarity, liberating "religion" from inherited interpretive assumptions so philosophical thought can manifest in risky, radical freedom.

The study of Jesus has rarely looked at its own scholarly context, at how the representation of Jesus might be shaped by those who study him. 'Jesus beyond Nationalism' examines how - since the beginnings of historical Jesus studies in the nineteenth century - representations of Jesus have been used to promote hegemonic or mono-cultural views. The ideology behind such representation has operated to deny difference in society, difference in terms of race, ethnicity, gender, and sexuality. Examining depictions of Jesus in a range of contexts - from the Russian Christ and Jesus as 'Holy Anarchist' to Jesus in Muslim thought - Jesus Beyond Nationalism reveals the politics behind the ways in which Jesus has been constructed and presented.

The study of Jesus has rarely looked at its own scholarly context, at how the representation of Jesus might be shaped by those who study him. 'Jesus beyond Nationalism' examines how - since the beginnings of historical Jesus studies in the nineteenth century - representations of Jesus have been used to promote hegemonic or mono-cultural views. The ideology behind such representation has operated to deny difference in society, difference in terms of race, ethnicity, gender, and sexuality. Examining depictions of Jesus in a range of contexts - from the Russian Christ and Jesus as 'Holy Anarchist' to Jesus in Muslim thought - Jesus Beyond Nationalism reveals the politics behind the ways in which Jesus has been constructed and presented.

Recent critical theory is curiously preoccupied with the metaphors and ideas of early Christianity, especially the religion of Paul. The haunting of secular thought by the very religion it seeks to overcome may seem surprising at first, but Ward Blanton argues that this recent return by theorists to the resources of early Christianity has precedent in modern and ostensibly secularizing philosophy, from Kant to Heidegger. "Displacing Christian Origins" traces the current critical engagement of Agamben, Derrida, and Zizek, among others, back to nineteenth- and early-twentieth-century philosophers of early Christianity. By comparing these crucial moments in the modern history of philosophy with exemplars of modern biblical scholarship - David Friedrich Strauss, Adolf Deissmann, and Albert Schweitzer - Blanton offers a new way for critical theory to construe the relationship between the modern past and the biblical traditions to which we seem to be drawn once again. An innovative contribution to the intellectual history of biblical exegesis, "Displacing Christian Origins" will promote informed and fruitful debate between religion and philosophy.

Recent critical theory is curiously preoccupied with the metaphors and ideas of early Christianity, especially the religion of Paul. The haunting of secular thought by the very religion it seeks to overcome may seem surprising at first, but Ward Blanton argues that this recent return by theorists to the resources of early Christianity has precedent in modern and ostensibly secularizing philosophy, from Kant to Heidegger. "Displacing Christian Origins" traces the current critical engagement of Agamben, Derrida, and Zizek, among others, back to nineteenth- and early-twentieth-century philosophers of early Christianity. By comparing these crucial moments in the modern history of philosophy with exemplars of modern biblical scholarship - David Friedrich Strauss, Adolf Deissmann, and Albert Schweitzer - Blanton offers a new way for critical theory to construe the relationship between the modern past and the biblical traditions to which we seem to be drawn once again. An innovative contribution to the intellectual history of biblical exegesis, "Displacing Christian Origins" will promote informed and fruitful debate between religion and philosophy.