William Blake

""Illustrations of the Book of Job"" is a collection of 21 engravings created by the famous British poet and artist William Blake. The engravings were inspired by the biblical story of Job, a man who suffers immense loss and misfortune, but maintains his faith in God. Blake's illustrations depict scenes from the story, including Job's suffering, his conversations with his friends, and his encounter with God. The engravings are accompanied by passages from the Book of Job, as well as Blake's own commentary on the story. The book is considered a masterpiece of both religious and artistic expression, showcasing Blake's unique style and his ability to convey complex emotions through his art. It is a must-read for anyone interested in the intersection of art and religion, or in the work of one of the most renowned artists of the Romantic era. This Is A New Release Of The Original 1903 Edition. This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.

William Blake (28 November 1757 - 12 August 1827) was an English poet, painter, and printmaker. Largely unrecognised during his lifetime, Blake is now considered a seminal figure in the history of the poetry and visual arts of the Romantic Age. His visual artistry led one contemporary art critic to proclaim him "far and away the greatest artist Britain has ever produced". Although he lived in London his entire life except for three years spent in Felpham he produced a diverse and symbolically rich corpus, which embraced the imagination as "the body of God", or "Human existence itself". This edition includes the "Songs of Innocence and Experience" as well as "The Book of Thel".

William Blake's first biographer, Alexander Gilchrist, wanted to believe that Blake was a "new kind of man; and hence his was a new kind of art, and a new kind of poetry." However, what sets William Blake apart as a great poet and artist was not that he was so "new," but that he was so "old." He was a part of a mytho-poetic and Vatic tradition as old as poetry itself. Blake was heir to a mytho-poetic tradition that can be traced back to the very foundations of human thought and speech. The extraordinary in William Blake was not the "man," but his Vision and how he expressed it. But most (if not all) of Blake's contemporaries, and a great many since, wrote Blake's genius off as madness. Gilchrist explained, "it is only within that last century and a half that] the faculty of seeing visions could have been one to bring a man's sanity into question." But divine inspiration has always been the hallmark of mythological poetry and religious prophetic utterance, and Daemonic inspiration was even the source of Socrates' rationalism. It is realizing and perfecting the "visionary" component of the human mind, which is the central focus of most Visionary's work - sometimes to the point of alienating those do not share in the Visionary understanding. But Blake "claimed the possession of some powers only in a greater degree that all men possessed and which they undervalued in themselves & lost through love of sordid pursuits." The Visionary, while seen as extraordinary and a genius, is only a glimpse of what all human beings can experience for themselves. Blake's poetry needs to be read as the expression of a visionary genius who saw what others could not see. He is an enduring testament to the creative powers of the human mind. The book includes: Selected Poetry of William BlakeSongs of InnocenceSongs of ExperienceThe Book of ThelThe Marriage of Heaven and HellAll Religions are OneThere is NO Natural ReligionThe Book of UrizenJerusalemSelected Letters of William Blake

Blake's notebooks after his death disclose an unfinished poem titled "The Everlasting Gospel." The message of the poem is enduring, and presents a humanist document with few parallels and perhaps no predecessors. Blake's personality was seen by his contemporaries as part genius, part na f-just the combination to touch areas of sensibility remote from the rest of us. But in fact good and evil are not at all remote, they are simply removed from our daily considerations. To live with such consciousness, and with such conviction to shout against the platitudes of our lives, may be possible only for such a personality. Blake's ability to step outside the conventional thinking of his day (and of ours) gave him a point of view from which he could critically re-evaluate cherished values and expectations of the Christian tradition, such as good and evil.