William Brown

As soloist, master class teacher, and pianist of the world-renowned Beaux Arts Trio, Menahem Pressler can boast of four Grammy nominations, three honorary doctorates, more than 80 recordings, and lifetime achievement awards presented by France, Germany, and Israel. Former Pressler student William Brown traces the master's pianistic development through Rudiakov, Kestenberg, Vengerova, Casadesus, Petri, and Steuermann, blending techniques and traditions derived from Beethoven, Chopin, Liszt, and J. S. Bach. Brown presents Pressler's approach to performance and teaching, including technical exercises, principles of relaxation and total body involvement, and images to guide the pianist's creativity toward expressive interpretation. Insights from the author's own lessons, interviews with Pressler, and recollections of more than 100 Pressler students from the past 50 years are gathered in this text. Measure-by-measure lessons on 23 piano masterworks by, among others, Bach, Bartók, Debussy, and Ravel as well as transcriptions of Pressler's fingerings, hand redistributions, practicing guidelines, musical scores, and master class performances are included.

First published in 1984, Industrial Relations in the Future highlights probable developments in Britain’s system of industrial relations into the 1990s. It also provides a basis for further and detailed analysis and debate of issues central to the nation’s future. Written by distinguished scholars in their respective fields, the three main sections give reviews from three contrasting traditions- mainstream industrial relations, industrial sociology and management, and labour economics. These accounts are highly complementary in the ways in which, in each and every case, issues of collective bargaining, managerial strategy and union response, and the behaviour of governments are all set against a broad backcloth of economic, political, and social changes. The authors see the ultimate outcome as depending greatly on the policies and types of action of organised labour, managements and governments, and possibly of wider social movements as well. This book will be an essential read for scholars and researchers of labour economics, industrial sociology, economics, and public policy.

First published in 1984, Industrial Relations in the Future highlights probable developments in Britain’s system of industrial relations into the 1990s. It also provides a basis for further and detailed analysis and debate of issues central to the nation’s future. Written by distinguished scholars in their respective fields, the three main sections give reviews from three contrasting traditions- mainstream industrial relations, industrial sociology and management, and labour economics. These accounts are highly complementary in the ways in which, in each and every case, issues of collective bargaining, managerial strategy and union response, and the behaviour of governments are all set against a broad backcloth of economic, political, and social changes. The authors see the ultimate outcome as depending greatly on the policies and types of action of organised labour, managements and governments, and possibly of wider social movements as well. This book will be an essential read for scholars and researchers of labour economics, industrial sociology, economics, and public policy.

Brown and Fleming employ the twin discourses of critical race theory and posthumanism in order to expose how multinational platforms like Netflix play a role in both problematising and perpetuating deeply entrenched violences lurking within the intersections of racism, capitalism, and technology. The authors dive into the racialised world-building of shows like Stranger Things, Watchmen, Lovecraft Country, Sense8, The Twilight Zone, The O. A., Ad Vitam and DEVS, and through their groundbreaking media philosophy diagnose and confront the oppressive and racialising nature of streaming media at the end of the world, in the so-called Chthulucene (or ‘Chthulustream’). As Brown and Fleming demonstrate, streaming media can, at their best, liberate thought to confront overlapping infinite ontologies (∞O) that themselves offer a timely panacea and corrective to Object-Oriented-Ontology (OOO).

Brown and Fleming employ the twin discourses of critical race theory and posthumanism in order to expose how multinational platforms like Netflix play a role in both problematising and perpetuating deeply entrenched violences lurking within the intersections of racism, capitalism, and technology. The authors dive into the racialised world-building of shows like Stranger Things, Watchmen, Lovecraft Country, Sense8, The Twilight Zone, The O. A., Ad Vitam and DEVS, and through their groundbreaking media philosophy diagnose and confront the oppressive and racialising nature of streaming media at the end of the world, in the so-called Chthulucene (or 'Chthulustream'). As Brown and Fleming demonstrate, streaming media can, at their best, liberate thought to confront overlapping infinite ontologies (O) that themselves offer a timely panacea and corrective to Object-Oriented-Ontology (OOO).