William Giraldi

Evoking such classics as Elmer Gantry and The Day of the Locust, William Giraldi's About Face boldly transfers the perennial literary themes of celebrity, ambition, and obsession to twenty-first-century Boston. There we meet Val Face, a charismatic self-help guru who captivates multitudes with his uncanny ability to heal adherents using only the power of his words, the mysterious touch of his hands, and the transcendent beauty of his face. Assigned to write a profile of Val Face during his much-hyped New England tour, thirty-year-old impoverished journalist Seger Jovi pens a brutal hatchet job. But Seger, at once curious and incredulous, is soon sucked into the mystic's vortex of fame, becoming a devotee himself as he contends with the machinations and absurdities of Face's many protectors, from beefcake bodyguards to helicoptering handlers to Face's unwavering spouse, Nimble. At first unwilling to sacrifice his principles to fulfill his own ambition and rise from privation, then touched by Face's unexpected humanity, Seger oscillates between acting as Face's cynical foil and becoming his unlikely ally. Just as the exalted guru appears to be reaching the apex of his powers, danger threatens from the periphery in the form of an obsessive stalker who wants Face dead. To curb this stalker before he can do harm, Face's security team enlists the aid of Jackie Jaworski, an ex-Marine and resourceful Boston detective who moonlights as a novelist of thrillers. And so About Face, building to a denouement that will astonish readers, takes us into the convergence of violence and fame that has come to define so much of American popular culture over the last half-century. With its indelible array of characters, hypnotic pacing, and shocking conclusion--and "a mesmerizing prose style that is downright pyrotechnic in its brilliance" (Andre Dubus III)--About Face is a novel in the grand tradition that dances along the tenuous line between the sacred and the profane.

Evoking such classics as Elmer Gantry and The Day of the Locust, William Giraldi's About Face boldly transfers the perennial literary themes of celebrity, ambition, and obsession to twenty-first-century Boston. There we meet Val Face, a charismatic self-help guru who captivates multitudes with his uncanny ability to heal adherents using only the power of his words, the mysterious touch of his hands, and the transcendent beauty of his face. Assigned to write a profile of Val Face during his much-hyped New England tour, thirty-year-old impoverished journalist Seger Jovi pens a brutal hatchet job. But Seger, at once curious and incredulous, is soon sucked into the mystic's vortex of fame, becoming a devotee himself as he contends with the machinations and absurdities of Face's many protectors, from beefcake bodyguards to helicoptering handlers to Face's unwavering spouse, Nimble. At first unwilling to sacrifice his principles to fulfill his own ambition and rise from privation, then touched by Face's unexpected humanity, Seger oscillates between acting as Face's cynical foil and becoming his unlikely ally. Just as the exalted guru appears to be reaching the apex of his powers, danger threatens from the periphery in the form of an obsessive stalker who wants Face dead. To curb this stalker before he can do harm, Face's security team enlists the aid of Jackie Jaworski, an ex-Marine and resourceful Boston detective who moonlights as a novelist of thrillers. And so About Face, building to a denouement that will astonish readers, takes us into the convergence of violence and fame that has come to define so much of American popular culture over the last half-century. With its indelible array of characters, hypnotic pacing, and shocking conclusion--and "a mesmerizing prose style that is downright pyrotechnic in its brilliance" (Andre Dubus III)--About Face is a novel in the grand tradition that dances along the tenuous line between the sacred and the profane.

Wolves have come for the children of Keelut. Three children have been taken from this isolated Alaskan village, including the six-year-old son of Medora and Vernon Slone. Wolf expert Russell Core arrives in Keelut to investigate the killings and learns of the horrifying darkness at the heart of Medora. When her husband returns from a...

Over the last decade William Giraldi has established himself as a charismatic and uncompromising literary essayist, "a literature-besotted Midas of prose" (Cynthia Ozick). Now, American Audacity gathers a selection of his most powerful considerations of American writers and themes--a "gorgeous fury of language and sensibility" (Walter Kirn)--including an introductory call to arms for twenty-first-century American literature, and a new appreciation of James Baldwin's genius for nonfiction. With potent insights into the storied tradition of American letters, and written with a "commitment to the dynamism and dimensions of language," American Audacity considers giants from the past (Herman Melville, Edgar Allan Poe, Harper Lee, Denis Johnson), some of our most well-known living critics and novelists (Harold Bloom, Stanley Fish, Katie Roiphe, Cormac McCarthy, Allan Gurganus, Elizabeth Spencer), as well as those cultural-literary themes that have concerned Giraldi as an American novelist (bestsellers, the "problem" of Catholic fiction, the art of hate mail, and his viral essay on bibliophilia). Demanding that literature be audacious, and urgent in its convictions, American Audacity is itself an act of intellectual daring, a compendium shot through with Giraldi's "emboldened and emboldening critical voice" (Sven Birkerts). At a time when literature is threatened by ceaseless electronic bombardment, Giraldi argues that literature "must do what literature has always done: facilitate those silent spaces, remain steadfastly itself in its employment of slowness, interiority, grace, and in its marshaling of aesthetic sophistication and complexity." American Audacity is ultimately an assertion of intelligence and discernment from a maker of "perfectly paced prose" (The New Yorker), a book that reaffirms the pleasure and wisdom of the deepest literary values.

The Hero's Body is a memoir of what it means to be a modern man At just forty-seven years old, William Giraldi's father was killed in a horrific motorcycle accident. Writing here with searing honesty about grief, obsession, shame and identity, he looks back on three generations of men from the blue-collar town...

At just forty-seven years old, William Giraldi's father was killed in a horrific motorcycle crash while racing on a country road. This tragedy, which forever altered the young Giraldi and devastated his family, provides the pulse for The Hero's Body. In the tradition of Andre Dubus III's Townie, this is a deep-seeing investigation into two generations of men from the working-class town of Manville, New Jersey, including Giraldi's own forays into obsessive bodybuilding as a teenager desperate to be worthy of his family's pitiless, exacting codes of manhood. Lauded by The New Yorker for his "unrelenting, perfectly paced prose," Giraldi writes here with daring, searing honesty about the fragility and might of the American male. An unflinching memoir of luminous sorrow, a son's tale of a lost father and the ancient family strictures of extreme masculinity, The Hero's Body is a work of lasting beauty by one of our most fearless writers.

At just forty-seven years old, William Giraldi's father was killed in a horrific motorcycle crash while racing on a country road. This tragedy, which forever altered the young Giraldi and devastated his family, provides the pulse for The Hero's Body. In the tradition of Andre Dubus III's Townie, this is a deep-seeing investigation into two generations of men from the working-class town of Manville, New Jersey, including Giraldi's own forays into obsessive bodybuilding as a teenager desperate to be worthy of his family's pitiless, exacting codes of manhood. Lauded by The New Yorker for his "unrelenting, perfectly paced prose," Giraldi writes here with daring, searing honesty about the fragility and might of the American male. An unflinching memoir of luminous sorrow, a son's tale of a lost father and the ancient family strictures of extreme masculinity, The Hero's Body is a work of lasting beauty by one of our most fearless writers.

Edgar Allan Poe is perhaps America’s most famous writer. Adapted many times to the stage and screen and an inspiration to countless illustrators, graphic novelists, and musicians, his tales and poems remain a singular presence in popular culture. (His most famous poem inspired the name of the NFL’s Baltimore Ravens.) And then there is the matter of Poe’s literary influence. “How many things come out of Poe?” Jorge Luis Borges once asked. And yet Poe remains misunderstood, his works easily confused with the legend of a troubled genius. Now, in this annotated edition of selected tales and poems, Kevin J. Hayes debunks the Poe myth, enables a larger appreciation of Poe’s career and varied achievements, and investigates his weird afterlives. With color illustrations and photographs throughout, The Annotated Poe contains in-depth notes placed conveniently alongside the tales and poems to elucidate Poe’s sources, obscure words and passages, and literary, biographical, and historical allusions. Like Poe’s own marginalia, Hayes’s marginal notes accommodate “multitudinous opinion”: he explains his own views and interpretations as well as those of other writers and critics, including Poe himself. In his Foreword, William Giraldi provides a spirited introduction to the writer who produced such indelible masterpieces as “The Fall of the House of Usher,” “The Murders in the Rue Morgue,” and “The Black Cat.” The Annotated Poe offers much for both the professional and the general reader—but it will be especially prized by those who think of themselves as Poe aficionados.

Written with force and precision and grace (John Wilwol, New York Times Book Review) Hold the Dark is a taut and unforgettable journey into the heart of darkness (Dennis Lehane). At the start of another pitiless winter, wolves have taken three children from the remote Alaskan village of Keelut, including the six-year-old son of Medora and Vernon Slone. Wolf expert Russell Core is called in to investigate these killings and discovers an unholy truth harbored by Medora before she disappears. When her husband returns home to discover his boy dead and his wife missing, he begins a maniacal pursuit that cuts a bloody swath across the frozen landscape. With the help of a local police detective, Core attempts to find Medora before her husband does, setting in motion a deadly chain of events in this chilling, mysterious, and completely engaging novel (Tim O Brien) that marks the arrival of a major American writer."

Echoing a narrative line that includes Kurt Vonnegut and Joseph Heller, William Giraldi’s Busy Monsters has been hailed as one of the most exciting fiction debuts in years. Penned with a linguistic bravado that explores the diaphanous line between fiction and fact, this “very funny, very inventive début novel” (The New Yorker) has at last revived the great American picaresque tradition.