William H. Robinson

Popular perceptions of Vincent van Gogh (1853–1890) frequently envision the painter working before nature in an intense frenzy, yet the artist’s method was often controlled and deliberate. Van Gogh Repetitions is the first book to focus on the artist’s “repetitions,” a term he used to describe his process of producing more than one version of a composition. Van Gogh ultimately developed a conceptual framework that distinguished his répétitions from copies, études, tableaux, and décorations, balancing modernist aspirations toward originality with the creation of copies of his existing compositions. The artist’s practice of producing repetitions was far more extensive and vital to his creative process than is commonly recognized. In this groundbreaking and beautifully illustrated book, a series of essays considers the many unresolved issues and controversies surrounding the repetitions, including their origins, development, and meaning in van Gogh’s art. Technical and analytical examinations provide new insights into the artist’s working methods and approach to the creative process. Published in association with The Phillips Collection and the Cleveland Museum of Art Exhibition Schedule: The Phillips Collection(10/12/13–01/26/14) Cleveland Museum of Art(03/02/14–05/26/14)

The Mediterranean coast of France and Catalonia witnessed the rise and development of modern art over a century, from Cézanne in the 1860s to Matisse, Picasso and Klein in the 1950s and 1960s. These artists and the many more featured here discovered an inexhaustible source of inspiration in this storied region, whose glittering, languid sea stretches out towards the far horizon beneath brilliant azure skies. Indelibly associated with the classical past, this magical land of eternal spring and spiritual renewal came to signify a state of mind, and avant-garde artists sought to convey the vitality and élan it inspired in them through new paradigms of modernist invention.

Pablo Picasso's artistic output is astonishing in its ambition and variety. This handsome new publication examines a particular aspect of his legendary capacity for invention: his imaginative and original use of paper. He used it as a support for autonomous works, including etchings, prints and drawings, as well as for his papier-collé experiments of the 1910s and his revolutionary three-dimensional 'constructions', made of cardboard, paper and string. Sometimes, his use of paper was simply determined by circumstance: in occupied Paris, where art supplies were hard to come by, he ripped up paper tablecloths to make works of art. And, of course, his works on paper comprise the preparatory stages of some of his very greatest paintings, among them Les Demoiselles d'Avignon (1907) and Guernica (1937). With reproductions of more than 300 works of art and additional texts by Violette Andres, Stephen Coppel, Emmanuelle Hincelin, Christopher Lloyd, Johan Popelard and Claustre Rafart Planas, this sumptuous study reveals the myriad ways in which Picasso's genius seized the potential of paper at different stages throughout his career.

Few artistic moments are as instantly recognisable as Pablo Picasso's Blue Period, and from it La Vie (Life) has emerged as the culminating masterpiece. This book not only examines 'La Vie's' history and physical structure in unprecedented detail but also uses the painting as the touchstone for exploring a broad array of issues vital to modernist culture of the 19th and 20th centuries. Picasso and the Mysteries of Life uses new scientific studies of 'La Vie' to examine the artist's working method and the painting's enigmatic subject. Author William H. Robinson reconstructs the relationship between the painting's complex symbolism and the process of its creation, and in so doing breaks new ground in understanding the sources of Picasso's fertile imagination and his relationship to contemporary artists. La Vie emerges as a pivotal turning point in Picasso's development into the most innovative and influential painter of our time.

This account provides the first comprehensive coverage of the insect and other arthropod pests in the urban environment worldwide. Presented is a brief description, biology, and detailed information on the development, habits, and distribution of urban and public health pests. There are 570 illustrations to accompany some of the major pest species. The format is designed to serve as a ready-reference and to provide basic information on orders, families, and species. The species coverage is international and based on distribution in domestic and peridomestic habitats. The references are extensive and international, and cover key papers on species and groups. The introductory chapters overview the urban ecosystem and its key ecological components, and a review of the pests status and modern control strategies. The book will serve as a student textbook, professional training manual, and handbook for the pest control professionals, regulatory officials, and urban entomologists. It is organized alphabetically throughout.