William Morris

The Wood Beyond the World is a fantasy novel by William Morris, perhaps the first modern fantasy writer to unite an imaginary world with the element of the supernatural, and thus the precursor of much of present-day fantasy literature. When the wife of Golden Walter betrays him for another man, he leaves home on a trading voyage to avoid the necessity of a feud with her family. His efforts are fruitless, as word comes to him enroute that his wife's clan has killed his father. As a storm then carries him to a faraway country, the effect of this news is merely to sunder his last ties to his homeland.

It is told that there was once a mighty river which ran south into the sea, and at the mouth thereof was a great and rich city, which had been builded and had waxed and thriven because of the great and most excellent haven which the river aforesaid made where it fell into the sea. And now it was like looking at a huge wood of barked and smoothened fir-trees when one saw the masts of the ships that lay in the said haven. But up in this river ran the flood of tide a long way, so that the biggest of dromonds and round-ships might fare up it, and oft they lay amid pleasant up-country places, with their yards all but touching the windows of the husbandman's stead, and their bowsprits thrusting forth amongst the middens, and the routing swine, and querulous hens.

Awhile ago there was a young man dwelling in a great and goodly city by the sea which had to name Langton on Holm. He was but of five and twenty winters, a fair-faced man, yellow-haired, tall and strong; rather wiser than foolisher than young men are mostly wont; a valiant youth, and a kind; not of many words but courteous of speech; no roisterer, nought masterful, but peaceable and knowing how to forbear: in a fray a perilous foe, and a trusty war-fellow. His father, with whom he was dwelling when this tale begins, was a great merchant, richer than a baron of the land, a head-man of the greatest of the Lineages of Langton, and a captain of the Porte; he was of the Lineage of the Goldings, therefore was he called Bartholomew Golden, and his son Golden Walter. Now ye may well deem that such a youngling as this was looked upon by all as a lucky man without a lack; but there was this flaw in his lot, whereas he had fallen into the toils of love of a woman exceeding fair, and had taken her to wife, she nought unwilling as it seemed.

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This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

William Morris (24 March 1834 - 3 October 1896) was an English textile designer, poet, novelist, translator, and socialist activist. Associated with the British Arts and Crafts Movement, he was a major contributor to the revival of traditional British textile arts and methods of production. His literary contributions helped to establish the modern fantasy genre, while he played a significant role in propagating the early socialist movement in Britain. Born in Walthamstow, Essex, to a wealthy middle-class family, Morris came under the strong influence of medievalism while studying Classics at Oxford University, there joining the Birmingham Set. After university, he trained as an architect, married Jane Burden, and developed close friendships with the Pre-Raphaelite artists Edward Burne-Jones and Dante Gabriel Rossetti and with the Neo-Gothic architect Philip Webb. Webb and Morris designed a family home, Red House, then in Kent, where the latter lived from 1859 to 1865, before moving to Bloomsbury, central London. In 1861, Morris founded a decorative arts firm with Burne-Jones, Rossetti, Webb, and others: the Morris, Marshall, Faulkner & Co. Becoming highly fashionable and much in demand, the firm profoundly influenced interior decoration throughout the Victorian period, with Morris designing tapestries, wallpaper, fabrics, furniture, and stained glass windows. In 1875, Morris assumed total control of the company, which was renamed Morris & Co.