William Mountfort

The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revolution of its own: digitization of epic proportions to preserve these invaluable works in the largest archive of its kind. Now for the first time these high-quality digital copies of original 18th century manuscripts are available in print, making them highly accessible to libraries, undergraduate students, and independent scholars. The eighteenth-century fascination with Greek and Roman antiquity followed the systematic excavation of the ruins at Pompeii and Herculaneum in southern Italy; and after 1750 a neoclassical style dominated all artistic fields. The titles here trace developments in mostly English-language works on painting, sculpture, architecture, music, theater, and other disciplines. Instructional works on musical instruments, catalogs of art objects, comic operas, and more are also included. ++++The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++Library of CongressN000092London: printed for W. Mears, 1724. 36p.; 12

The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revolution of its own: digitization of epic proportions to preserve these invaluable works in the largest archive of its kind. Now for the first time these high-quality digital copies of original 18th century manuscripts are available in print, making them highly accessible to libraries, undergraduate students, and independent scholars. Western literary study flows out of eighteenth-century works by Alexander Pope, Daniel Defoe, Henry Fielding, Frances Burney, Denis Diderot, Johann Gottfried Herder, Johann Wolfgang von Goethe, and others. Experience the birth of the modern novel, or compare the development of language using dictionaries and grammar discourses. ++++The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++British LibraryT054956Anonymous. By William Mountfort. P.67 misnumbered 27. With a half-title. London: printed for William Turner, and sold by John Nutt, 1705. 8],70, 2]p.; 4

In 1686, Mountfort married one of the attractive young actresses then appearing in London, Susanna Percival, and the Mountforts appeared together in a number of plays until his untimely death. Mountfort brought his first play, The Injured Lovers: or, The Ambitious Father, a tragedy, to be acted at Drury Lane early in February, 1688. The play was not a great success. Gildon mentions that it "did not succeed as the Author wish'd," 4] although the play was brilliantly cast, with Betterton, Mrs. Bracegirdle, and Mrs. Barry in chief parts. Mountfort himself played second lead to Betterton, and the comedians Leigh, Jevon, and Underhill appeared in boisterous roles. But this rather extravagant account of passion and thwarted love did not take. Such lines as the heroine's "Thy Antelina, she shall be the Pile / On which I'll burn, and as I burn I'll smile," reveals an uncertain poetic talent. In the prologue Mountfort manages more wit: JO. Hayne's Fate is now become my Share, For I'm a Poet, Marry'd, and a Player: The greatest of these Curses is the First; As for the latter Two, I know the worst ...

Title: The Injur'd Lovers: or, the Ambitious Father. A tragedy, etc. in five acts and in verse]. Publisher: British Library, Historical Print EditionsThe British Library is the national library of the United Kingdom. It is one of the world's largest research libraries holding over 150 million items in all known languages and formats: books, journals, newspapers, sound recordings, patents, maps, stamps, prints and much more. Its collections include around 14 million books, along with substantial additional collections of manuscripts and historical items dating back as far as 300 BC. The POETRY & DRAMA collection includes books from the British Library digitised by Microsoft. The books reflect the complex and changing role of literature in society, ranging from Bardic poetry to Victorian verse. Containing many classic works from important dramatists and poets, this collection has something for every lover of the stage and verse. ++++The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++ British Library Mountfort, William; 1688. 4 . 644.f.16.