William Shakespeare

Shakespeare's play correctly formatted by award winning author and poet, Walter Joseph Schenck, Jr.

"This is a practical handbook for the bereaved and their friends; how to live with grief, to express it or not, how to find your natural way through. The quotations from Neruda, Machado, Dickinson and others are beautifully chosen." -Coleman Barks, translator of The Essential Rumi

Venus and Adonis is a poem by William Shakespeare, written in 1592-93, with a plot based on passages from Ovid's Metamorphoses. It is a complex, kaleidoscopic work, using constantly shifting tone and perspective to present contrasting views of the nature of love. We are delighted to publish this classic book as part of our extensive Classic Library collection. Many of the books in our collection have been out of print for decades, and therefore have not been accessible to the general public. The aim of our publishing program is to facilitate rapid access to this vast reservoir of literature, and our view is that this is a significant literary work, which deserves to be brought back into print after many decades. The contents of the vast majority of titles in the Classic Library have been scanned from the original works. To ensure a high quality product, each title has been meticulously hand curated by our staff. Our philosophy has been guided by a desire to provide the reader with a book that is as close as possible to ownership of the original work. We hope that you will enjoy this wonderful classic work, and that for you it becomes an enriching experience.

The Life and Death of King John, a history play by William Shakespeare, dramatizes the reign of King John of England (ruled 1199-1216), son of Henry II of England and Eleanor of Aquitaine and father of Henry III of England. It is believed to have been written in the mid-1590s but was not published until it appeared in the First Folio in 1623. We are delighted to publish this classic book as part of our extensive Classic Library collection. Many of the books in our collection have been out of print for decades, and therefore have not been accessible to the general public. The aim of our publishing program is to facilitate rapid access to this vast reservoir of literature, and our view is that this is a significant literary work, which deserves to be brought back into print after many decades. The contents of the vast majority of titles in the Classic Library have been scanned from the original works. To ensure a high quality product, each title has been meticulously hand curated by our staff. Our philosophy has been guided by a desire to provide the reader with a book that is as close as possible to ownership of the original work. We hope that you will enjoy this wonderful classic work, and that for you it becomes an enriching experience.

If there ever has been a groundbreaking edition that likewise returns the reader to the original Shakespeare text, it will be the Applause Folio Texts. If there has ever been an accessible version of the Folio, it is this edition, set for the first time in modern fonts. The Folio is the source of all other editions. The Folio text forces us to re-examine the assumptions and prejudices which have encumbered over four hundred years of scholarship and performance. Notes refer the reader to subsequent editorial interventions, and offer the reader a multiplicity of interpretations. Notes also advise the reader on variations between Folios and Quartos. The heavy mascara of four centuries of Shakespearean glossing has by now glossed over the original countenance of Shakespeare's work. Never has there been a Folio available in modern reading fonts. While other complete Folio editions continue to trade simply on the facsimile appearance of the Elizabethan "look" none of them is easily and practically utilized in general Shakespeare studies or performances.

The Winter's Tale, one of Shakespeare's very late plays, is filled with improbabilities. Before the conclusion, one character comments that what we are about to see, "Were it but told you, should be hooted at / Like an old tale." It includes murderous passions, man-eating bears, princes and princesses in disguise, death by drowning and by grief, oracles, betrayal, and unexpected joy. Yet the play, which draws much of its power from Greek myth, is grounded in the everyday. A "winter's tale" is one told or read on a long winter's night. Paradoxically, this winter's tale is ideally seen rather than read-though the imagination can transform words into vivid action. Its shift from tragedy to comedy, disguises, and startling exits and transformations seem addressed to theater audiences. The authoritative edition of The Winter's Tale from The Folger Shakespeare Library, the trusted and widely used Shakespeare series for students and general readers, includes: -Freshly edited text based on the best early printed version of the play -Full explanatory notes conveniently placed on pages facing the text of the play -Scene-by-scene plot summaries -A key to the play's famous lines and phrases -An introduction to reading Shakespeare's language -An essay by a leading Shakespeare scholar providing a modern perspective on the play -Fresh images from the Folger Shakespeare Library's vast holdings of rare books -An annotated guide to further reading Essay by Stephen Orgel The Folger Shakespeare Library in Washington, DC, is home to the world's largest collection of Shakespeare's printed works, and a magnet for Shakespeare scholars from around the globe. In addition to exhibitions open to the public throughout the year, the Folger offers a full calendar of performances and programs. For more information, visit Folger.edu.

Eminent Shakespearean scholars Jonathan Bate and Eric Rasmussen provide a fresh new edition of this classic tragedy of politics and war, honor and love-along with more than a hundred pages of exclusive features, including: - an original Introduction to Troilus and Cressida - incisive scene-by-scene synopsis and analysis with vital facts about the work - commentary on past and current productions based on interviews with leading directors, actors, and designers - photographs of key RSC productions - an overview of Shakespeare's theatrical career and chronology of his plays Ideal for students, theater professionals, and general readers, these modern and accessible editions from the Royal Shakespeare Company set a new standard in Shakespearean literature for the twenty-first century.

Shakespeare's play is finally correctly formatted by award winning author, award-winning poet, award-winning biographer, Walter Joseph Schenck, Jr. Walter has created the Official Stage Formatting Series which follows the guidelines that he has established for all classic plays. "How To Correctly Format A Stage Play." Walter Schenck's series offers: 8.5 by 11 size. 1.5 inches from left edge. Character names centered in caps with .5 offset. Exit and enter directions on right side Stage Directions and Dialogue instructions properly placed. Dialogue Line Numbering. Courier 12 point font

Shakespeare's play is finally correctly formatted by award winning author, award-winning poet, award-winning biographer, Walter Joseph Schenck, Jr. Walter has created the Official Stage Formatting Series which follows the guidelines that he has established for all classic plays. "How To Correctly Format A Stage Play." Walter Schenck's series offers: 8.5 by 11 size. 1.5 inches from left edge. Character names centered in caps with .5 offset. Exit and enter directions on right side Stage Directions and Dialogue instructions properly placed. Dialogue Line Numbering. Courier 12 point font

In The Merchant of Venice, the path to marriage is hazardous. To win Portia, Bassanio must pass a test prescribed by her father's will, choosing correctly among three caskets or chests. If he fails, he may never marry at all. Bassanio and Portia also face a magnificent villain, the moneylender Shylock. In creating Shylock, Shakespeare seems to have shared in a widespread prejudice against Jews. Shylock would have been regarded as a villain because he was a Jew. Yet he gives such powerful expression to his alienation due to the hatred around him that, in many productions, he emerges as the hero. Portia is most remembered for her disguise as a lawyer, Balthazar, especially the speech in which she urges Shylock to show mercy that "droppeth as the gentle rain from heaven." The authoritative edition of The Merchant of Venice from The Folger Shakespeare Library, the trusted and widely used Shakespeare series for students and general readers, includes: -Freshly edited text based on the best early printed version of the play -Newly revised explanatory notes conveniently placed on pages facing the text of the play -Scene-by-scene plot summaries -A key to the play's famous lines and phrases -An introduction to reading Shakespeare's language -An essay by a leading Shakespeare scholar providing a modern perspective on the play -Fresh images from the Folger Shakespeare Library's vast holdings of rare books -An up-to-date annotated guide to further reading Essay by Alexander Leggatt The Folger Shakespeare Library in Washington, DC, is home to the world's largest collection of Shakespeare's printed works, and a magnet for Shakespeare scholars from around the globe. In addition to exhibitions open to the public throughout the year, the Folger offers a full calendar of performances and programs. For more information, visit Folger.edu.

Helena, a ward of the Countess of Rousillion, falls in love with the Countess's son, Bertram. Daughter of a famous doctor, and a skilled physician in her own right, Helena cures the King of France-who feared he was dying-and he grants her Bertram's hand as a reward. Bertram, however, offended by the inequality of the marriage, sets off for war, swearing he will not live with his wife until she can present him with a son, and with his own ring-two tasks which he believes impossible. However with the aid of a bed trick, Helena fulfils his tasks, Bertram realises the error of his ways, and they are reconciled.

Putting romance onstage, The Tempest gives us a magician, Prospero, a former duke of Milan who was displaced by his treacherous brother, Antonio. Prospero is exiled on an island, where his only companions are his daughter, Miranda, the spirit Ariel, and the monster Caliban. When his enemies are among those caught in a storm near the island, Prospero turns his power upon them through Ariel and other spirits. The characters exceed the roles of villains and heroes. Prospero seems heroic, yet he enslaves Caliban and has an appetite for revenge. Caliban seems to be a monster for attacking Miranda, but appears heroic in resisting Prospero, evoking the period of colonialism during which the play was written. Miranda's engagement to Ferdinand, the Prince of Naples and a member of the shipwrecked party, helps resolve the drama. The authoritative edition of The Tempest from The Folger Shakespeare Library, the trusted and widely used Shakespeare series for students and general readers, includes: -Freshly edited text based on the best early printed version of the play -Full explanatory notes conveniently placed on pages facing the text of the play -Scene-by-scene plot summaries -A key to the play's famous lines and phrases -An introduction to reading Shakespeare's language -An essay by a leading Shakespeare scholar providing a modern perspective on the play -Fresh images from the Folger Shakespeare Library's vast holdings of rare books -An annotated guide to further reading Essay by Barbara A. Mowat The Folger Shakespeare Library in Washington, DC, is home to the world's largest collection of Shakespeare's printed works, and a magnet for Shakespeare scholars from around the globe. In addition to exhibitions open to the public throughout the year, the Folger offers a full calendar of performances and programs. For more information, visit Folger.edu.

The Tragedy of Julius Caesar is a tragedy by William Shakespeare, believed to have been written in 1599. It is one of several plays written by Shakespeare based on true events from Roman history, which also include Coriolanus and Antony and Cleopatra

BONUS: Two Stage Play Format RenderingsShakespeare's play correctly formatted by award winning author, award-winning poet, Award-winning biographer, Walter Joseph Schenck, Jr. Walter has created the Official Stage Formatting Series which follows the guidelines that he has established for all classic plays. "How To Correctly Format A Stage Play." Walter Schenck's series offers:8.5 by 11 size.1.5 inches from left edge. Character names centered in caps with .5 offset. Exit and enter directions on right sideStage Directions and Dialogue instructions properly placed. Dialogue Line Numbering. Courier 12 point font

The Merry Wives of Windsor is a comedy by William Shakespeare first published in 1602, though believed to have been written in or before 1597. The Windsor of the play's title is a reference to the town of Windsor, also the location of Windsor Castle, in Berkshire, England. Though nominally set in the reign of Henry IV, the play makes no pretense to exist outside contemporary Elizabethan era English middle class life. It features the character Sir John Falstaff, the fat knight who had previously been featured in Henry IV, Part 1 and Part 2. It has been adapted for the opera on several occasions. - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - The printed books from Literary Domain Publishing are made on white quality paper with the size of 6x9 - the Shakespearan plays with a large font size of 12. Most of the books by Literary Domain Publishing are Public Domain and are "re-published" in order to make the books more readily available to the modern era. A commentary is usually supplied so a reader can quickly pre-view to see if it is worthwhile to invest the time in reading the book. It also gives an accurate book review by a qualified source or reader.

Richard II is one of Shakespeare's finest works: lucid, eloquent, and boldly structured. It can be seen as a tragedy, or a historical play, or a political drama, or as one part of a vast dramatic cycle which helped to generate England's national identity. Today, to some of us, Richard II may appear conservative; but, in Shakespeare's day, it could appear subversive: 'I am Richard II', declared an indignant Queen Elizabeth. Numerous recent revivals in the theatre and on screen have demonstrated the enduring power and poignancy of this drama of the downfall of an egoistic but pitiable monarch.

Henry IV, Part 1 is a history play by William Shakespeare, believed to have been written no later than 1597. It is the second play in Shakespeare's tetralogy dealing with the successive reigns of Richard II, Henry IV (two plays, including Henry IV, Part 2), and Henry V. Henry IV, Part 1 depicts a span of history that begins with Hotspur's battle at Homildon in Northumberland against Douglas late in 1402 and ends with the defeat of the rebels at Shrewsbury in the middle of 1403. From the start, it has been an extremely popular play both with the public and critics. -------------------------------------------------------- The printed books from Literary Domain Publishing are made on white quality paper with the size of 6x9 - the Shakespearan plays with a large font size of 12. Most of the books by Literary Domain Publishing are Public Domain and are "re-published" in order to make the books more readily available to the modern era. A commentary is usually supplied so a reader can quickly pre-view to see if it is worthwhile to invest the time in reading the book. It also gives an accurate book review by a qualified source or reader.

In the Duke's absence from Vienna, his strict deputy Angelo revives an ancient law forbidding sex outside marriage. The young Claudio, whose fianc e is pregnant, is condemned to death by the law. His sister Isabella, soon to become a nun, pleads with Lord Angelo for her brother's life. But her purity so excites Angelo that he offers her a monstrous bargain - he will save Claudio if Isabella will visit him that night.

Shakespeare's play is finally correctly formatted by award winning author, award-winning poet, award-winning biographer, award-winning playwright, Walter Joseph Schenck, Jr. Walter has created the Official Stage Formatting Series which follows the guidelines that he has established for all classic plays. "How To Correctly Format A Stage Play." Walter Schenck's series offers:8.5 by 11 size.1.5 inches from left edge. Character names centered in caps with .5 offset. Exit and enter directions on right sideStage Directions and Dialogue instructions properly placed. Dialogue Line Numbering. Courier 12 point font

Shakespeare's play correctly formatted by award winning author, award-winning poet, Award-winning biographer, Walter Joseph Schenck, Jr. Walter has created the Official Stage Formatting Series which follows the guidelines that he has established for all classic plays. "How To Correctly Format A Stage Play." Walter Schenck's series offers:8.5 by 11 size.1.5 inches from left edge. Character names centered in caps with .5 offset. Exit and enter directions on right sideStage Directions and Dialogue instructions properly placed. Dialogue Line Numbering. Courier 12 point font