William Wilkie Collins

بين طيات صفحات "السيد بيرسي والملهم"، رحلةٌ آسرةٌ إلى دهاليز لندن الغامضة في القرن التاسع عشر. لن تُخمن نهاياتها، ولن تُصدق أحداثها. دكتورٌ غامض، تنبؤاتٌ مُحيّرة، وأسرارٌ تُحاك خلف جدرانٍ مُظلمة. هل هو مُعالجٌ خارقٌ أم دجّالٌ ماهر؟ اكتشف بنفسك حقيقة السيد بيرسي، في روايةٍ ستُبقيك مُعلقًا حتى الصفحة الأخيرة. قلم ويليام ويلكي كولينز الساحر يُعيدك إلى زمنٍ غنيّ بالغموض والإثارة.

Reproduction of the original. The publishing house Megali specialises in reproducing historical works in large print to make reading easier for people with impaired vision.

Reproduction of the original. The publishing house Megali specialises in reproducing historical works in large print to make reading easier for people with impaired vision.

Part of the Chiltern Classics range. The title, The Moonstone, refers to a brilliantly beautiful but flawed gem seized by a British officer in India. The officer brings it back to England as a family heirloom with a supposed curse placed upon it. The officer leaves the stone to his niece, Rachel Verinder, for her to inherit when she turns 18. This classic work by Wilkie Collins is an early example of the modern detective novel that set many of the ground rules of the genre. Chiltern are publishers of exquisitely crafted editions of the world’s finest classic literature. These beautiful books are a perfect mix of tradition and the very latest in printing techniques. With wonderful original, detailed and embossed covers, sparkling gilt edges, cream art paper, ribbon markers and stitched binding they are simply the most beautiful classics ever published.

Day of the month and year, November the thirtieth, one thousand eight hundred and thirty-five. London Time by the great clock of Saint Paul's, ten at night. All the lesser London churches strain their metallic throats. Some, flippantly begin before the heavy bell of the great cathedral; some, tardily begin three, four, half a dozen, strokes behind it; all are in sufficiently near accord, to leave a resonance in the air, as if the winged father who devours his children, had made a sounding sweep with his gigantic scythe in flying over the city.

In the autumn month of September, eighteen hundred and fifty-seven, wherein these presents bear date, two idle apprentices, exhausted by the long, hot summer, and the long, hot work it had brought with it, ran away from their employer. They were bound to a highly meritorious lady (named Literature), of fair credit and repute, though, it must be acknowledged, not quite so highly esteemed in the City as she might be. This is the more remarkable, as there is nothing against the respectable lady in that quarter, but quite the contrary; her family having rendered eminent service to many famous citizens of London. It may be sufficient to name Sir William Walworth, Lord Mayor under King Richard II., at the time of Wat Tyler's insurrection, and Sir Richard Whittington: which latter distinguished man and magistrate was doubtless indebted to the lady's family for the gift of his celebrated cat. There is also strong reason to suppose that they rang the Highgate bells for him with their own hands.

La historia tiene lugar en Inglaterra y gira en torno a una bella joven de la aristocracia llamada Rachel Verinder quien en el d a de su d cimo octavo aniversario recibe como legado un fabuloso diamante conocido como "la piedra lunar" (The moonstone).

After Dark is a collection of six short stories by Wilkie Collins, first published in 1856. It was the author's first collection of short stories. Five of the stories were previously published in Household Words, a magazine edited by Charles Dickens. The stories are linked by a narrative framework. At the beginning and end of the book are "Leaves from Leah's Diary" William Kerby, a travelling portrait-painter, is in danger of losing his sight, and is required by his doctor to cease painting for a while. His wife Leah realizes that destitution threatens. He is a good story-teller, and Leah has the idea of writing down his stories and publishing them. Each story has a prologue, which was added to the original story that appeared in Household Words. Contents: "The Traveller's Story of a Terribly Strange Bed", first published as "A Terribly Strange Bed" in Household Words in 1852. "The Lawyer's Story of a Stolen Letter", first published as "The Fourth Poor Traveller" in "The Seven Poor Travellers", a group of stories by several authors in the Christmas 1854 edition of Household Words. "The French Governess's Story of Sister Rose", first published as "Sister Rose" in Household Words in April 1855. "The Angler's Story of the Lady of Glenwith Grange", first published in this volume. "The Nun's Story of Gabriel's Marriage", first published as "Gabriel's Marriage" in Household Words in April 1853. "The Professor's Story of the Yellow Mask", first published as "The Yellow Mask" in Household Words in July 1855. William Wilkie Collins (8 January 1824 - 23 September 1889) was an English novelist, playwright, and short story writer. His best-known works are The Woman in White (1859), No Name (1862), Armadale (1866) and The Moonstone (1868). The last is considered the first modern English detective novel. Born into the family of painter William Collins in London, he lived with his family in Italy and France as a child and learned French and Italian. He worked as a clerk for a tea merchant. After his first novel, Antonina, was published in 1850, he met Charles Dickens, who became a close friend, mentor and collaborator. Some of Collins's works were first published in Dickens' journals All the Year Round and Household Words and the two collaborated on drama and fiction. Collins published his best known works in the 1860s, achieved financial stability and an international reputation. During that time he began suffering from gout. After taking opium for the pain, he developed an addiction. During the 1870s and 1880s the quality of his writing declined along with his health. Collins was critical of the institution of marriage and never married; he split his time between Caroline Graves, except for a two-year separation, and his common-law wife Martha Rudd, with whom he had three children. Collins died at 82 Wimpole Street, following a paralytic stroke. He is buried in Kensal Green Cemetery, West London. His headstone describes him as the author of The Woman in White. Caroline Graves died in 1895 and was buried with Collins. Martha Rudd died in 1919.

After Dark is a collection of six short stories by Wilkie Collins, first published in 1856. It was the author's first collection of short stories. Five of the stories were previously published in Household Words, a magazine edited by Charles Dickens.... William Wilkie Collins (8 January 1824 - 23 September 1889) was an English novelist, playwright, and short story writer. His best-known works are The Woman in White (1859), No Name (1862), Armadale (1866) and The Moonstone (1868). The last is considered the first modern English detective novel. Born into the family of painter William Collins in London, he lived with his family in Italy and France as a child and learned French and Italian. He worked as a clerk for a tea merchant. After his first novel, Antonina, was published in 1850, he met Charles Dickens, who became a close friend, mentor and collaborator. Some of Collins's works were first published in Dickens' journals All the Year Round and Household Words and the two collaborated on drama and fiction. Collins published his best known works in the 1860s, achieved financial stability and an international reputation. During that time he began suffering from gout. After taking opium for the pain, he developed an addiction. During the 1870s and 1880s the quality of his writing declined along with his health. Collins was critical of the institution of marriage and never married; he split his time between Caroline Graves, except for a two-year separation, and his common-law wife Martha Rudd, with whom he had three children. Collins was born at 11 New Cavendish Street, Marylebone, London, the son of a well-known Royal Academician landscape painter, William Collins and his wife, Harriet Geddes. Named after his father, he swiftly became known by his middle name, which honoured his godfather, David Wilkie. The family moved to Pond Street, Hampstead, in 1826. In 1828 Collins's brother Charles Allston Collins was born. Between 1829 and 1830, the Collins family moved twice, first to Hampstead Square and then to Porchester Terrace, Bayswater. Wilkie and Charles received their early education from their mother at home. The Collins family were deeply religious, and Collins's mother enforced strict church attendance on her sons, which Wilkie disliked. In 1835, Collins began attending school at the Maida Vale academy. From 1836 to 1838, he lived with his parents in Italy and France, which made a great impression on him. He learned Italian while the family was in Italy and began learning French, in which he would eventually become fluent. From 1838 to 1840, he attended the Reverend Cole's private boarding school in Highbury, where he was bullied by a boy who would force Collins to tell him a story before allowing him to go to sleep. "It was this brute who first awakened in me, his poor little victim, a power of which but for him I might never have been aware... When I left school I continued story telling for my own pleasure", Collins later said. In 1840 the family moved to 85 Oxford Terrace, Bayswater. In late 1840, he left school and was apprenticed as a clerk to the firm of tea merchants Antrobus & Co, owned by a friend of Wilkie's father. He disliked his clerical work but remained employed by the company for more than five years. Collins's first story The Last Stage Coachman, was published in the Illuminated Magazine in August 1843. In 1844 he travelled to Paris with Charles Ward. That same year he wrote his first novel, Iolani, or Tahiti as It Was; a Romance, which was submitted to Chapman and Hall but rejected in 1845. The novel remained unpublished during his lifetime. Collins said of it: "My youthful imagination ran riot among the noble savages, in scenes which caused the respectable British publisher to declare that it was impossible to put his name on the title page of such a novel."