William Wordsworth

Reprint of the original, first published in 1858. The publishing house Anatiposi publishes historical books as reprints. Due to their age, these books may have missing pages or inferior quality. Our aim is to preserve these books and make them available to the public so that they do not get lost.

Reprint of the original, first published in 1858. The publishing house Anatiposi publishes historical books as reprints. Due to their age, these books may have missing pages or inferior quality. Our aim is to preserve these books and make them available to the public so that they do not get lost.

NEW PRINT WITH PROFESSIONAL TYPE-SET IN CONTRAST TO SCANNED PRINTS OFFERED BY OTHERS Lyrical Ballads, With Other Poems (Volume I): In Two Volumes, Vol. I. (Second Edition) This book is a result of an effort made by us towards making a contribution to the preservation and repair of original classic literature. In an attempt to preserve, improve and recreate the original content, we have worked towards: 1. Type-setting & Reformatting: The complete work has been re-designed via professional layout, formatting and type-setting tools to re-create the same edition with rich typography, graphics, high quality images, and table elements, giving our readers the feel of holding a fresh and newly reprinted and/or revised edition, as opposed to other scanned & printed (Optical Character Recognition - OCR) reproductions. 2. Correction of imperfections: As the work was re-created from the scratch, therefore, it was vetted to rectify certain conventional norms with regard to typographical mistakes, hyphenations, punctuations, blurred images, missing content/pages, and/or other related subject matters, upon our consideration. Every attempt was made to rectify the imperfections related to omitted constructs in the original edition via other references. However, a few of such imperfections which could not be rectified due to intentional\unintentional omission of content in the original edition, were inherited and preserved from the original work to maintain the authenticity and construct, relevant to the work.

NEW PRINT WITH PROFESSIONAL TYPE-SET IN CONTRAST TO SCANNED PRINTS OFFERED BY OTHERS Lyrical Ballads, With Other Poems (Volume II): In Two Volumes, Vol. II. (Second Edition) This book is a result of an effort made by us towards making a contribution to the preservation and repair of original classic literature. In an attempt to preserve, improve and recreate the original content, we have worked towards: 1. Type-setting & Reformatting: The complete work has been re-designed via professional layout, formatting and type-setting tools to re-create the same edition with rich typography, graphics, high quality images, and table elements, giving our readers the feel of holding a fresh and newly reprinted and/or revised edition, as opposed to other scanned & printed (Optical Character Recognition - OCR) reproductions. 2. Correction of imperfections: As the work was re-created from the scratch, therefore, it was vetted to rectify certain conventional norms with regard to typographical mistakes, hyphenations, punctuations, blurred images, missing content/pages, and/or other related subject matters, upon our consideration. Every attempt was made to rectify the imperfections related to omitted constructs in the original edition via other references. However, a few of such imperfections which could not be rectified due to intentional\unintentional omission of content in the original edition, were inherited and preserved from the original work to maintain the authenticity and construct, relevant to the work.

NEW PRINT WITH PROFESSIONAL TYPE-SET IN CONTRAST TO SCANNED PRINTS OFFERED BY OTHERS Lyrical Ballads, With Other Poems (Complete): Complete Edition Of Two Volumes, Vol. I. - II. (Second Edition) This book is a result of an effort made by us towards making a contribution to the preservation and repair of original classic literature. In an attempt to preserve, improve and recreate the original content, we have worked towards: 1. Type-setting & Reformatting: The complete work has been re-designed via professional layout, formatting and type-setting tools to re-create the same edition with rich typography, graphics, high quality images, and table elements, giving our readers the feel of holding a fresh and newly reprinted and/or revised edition, as opposed to other scanned & printed (Optical Character Recognition - OCR) reproductions. 2. Correction of imperfections: As the work was re-created from the scratch, therefore, it was vetted to rectify certain conventional norms with regard to typographical mistakes, hyphenations, punctuations, blurred images, missing content/pages, and/or other related subject matters, upon our consideration. Every attempt was made to rectify the imperfections related to omitted constructs in the original edition via other references. However, a few of such imperfections which could not be rectified due to intentional\unintentional omission of content in the original edition, were inherited and preserved from the original work to maintain the authenticity and construct, relevant to the work.

Reprint of the original, first published in 1859.

Reprint of the original, first published in 1859.

Reprint of the original, first published in 1859.

Reprint of the original, first published in 1859.

Samuel Taylor Coleridge and William Wordsworth's "Lyrical Ballads, with a Few Other Poems" is a compilation of their poetry. The poem is generally regarded as having started a new period in the history of poetry and is regarded as a cornerstone of the Romantic Movement in English literature. The book stood out for its creative use of common language as well as its emphasis on the lives and experiences of everyday people. It signaled a departure from the extremely artificial and polished vocabulary of earlier literary traditions and adopted a more casual, conversational tone. The writers of the anthology were not revealed until subsequent editions since they had first been published anonymously. The work was well received by critics, who hailed it for its uniqueness and its capacity to powerfully and movingly depict the spirit of ordinary life. The Romantic Movement, which stressed individuality, passion, and the beauty of nature, is said to have been founded on this book.

William Wordsworth's Guide to the Lakes gives a first-hand account of his feelings about the unique countryside that was the source of his inspiration. He addresses concerns that are relevant today, such as how the growing number of visitors, and the money they might bring, would affect such a small and vulnerable landscape. It is now understood that Wordsworth's notion of the Lake District as 'a sort of national property, in which every man has a right and interest who has an eye to perceive and a heart to enjoy', expressed in his Guide, gave a rationale for the foundation of the National Trust in 1895 and the establishment of the Lake District National Park in 1951. Furthermore, the 2017 nomination document for the Lake District as a World Heritage site quotes this phrase in recognition of Wordsworth's contribution to the idea that 'landscape has a value, and that everyone has a right to appreciate and enjoy it'. We can now see how Wordsworth's Guide has had a far-reaching influence on the modern concept of legally-protected landscape. First published in 1810 and repeatedly revised by its author over the ensuing twenty-five years, William Wordsworth's Guide to the Lakes has long been considered a crucial text for scholars of Romantic-era aesthetics, ecology, travel writing, and tourism.

Born in the Lake District and having spent much of his life there, Wordsworth--together with his compatriots Robert Southey and Samuel Taylor Coleridge--would become known as the Lake Poets, with much of their work being inspired by the area's landscapes and people. Within this volume, Wordsworth presents a fantastic travellers' guide to the Lake District, which he originally wrote during a time of fiscal need. "A Guide Through the District of the Lakes in the North of England" is a fantastic volume that will appeal equally to lovers of English poetry and geography alike. William Wordsworth (1770-1850) was an English Romantic poet famous for helping to usher in the Romantic Age in English literature with the publication of "Lyrical Ballads" (1798), which he co-wrote with Samuel Taylor Coleridge. His best known work is perhaps "The Prelude", a semi-autobiographical poem from his early years which was changed and expanded many times throughout his life. Wordsworth was poet laureate of Britain between 1843 until his death in 1850. Other notable works by this author include: "The Tables Turned", "The Thorn", and "Lines Composed A Few Miles above Tintern Abbey". Contents include: "View of the Country as Formed but it's Inhabitants", "Changes, and Rules of Taste for Preventing their Bad Effects", "Miscellaneous Observations", "Excursions to the Top of Scawffel and on the Banks of Ulswater", and "Ode. The Pass of Kirkstone". Many vintage books such as this are becoming increasingly scarce and expensive. We are republishing this volume now in an affordable, modern, high-quality edition complete with a description of the scenery, for the use of tourists and residents.

William Wordsworth (1770-1850) was an English Romantic poet famous for helping to usher in the Romantic Age in English literature with the publication of "Lyrical Ballads" (1798), which he co-wrote with Samuel Taylor Coleridge. All the poems of "Lyrical Ballads" are presented in this volume together with his 1807 work "Poems, in Two Volumes" and other assorted poems. Wordsworth's wonderful poesy is evocative of the sublime beauty of both nature and the everyday world, not to be missed by poetry lovers and fans of Romantic poetry in particular. The poems include: "To the Daisy", "Louisa", "Fidelity", "She was a Phantom of delight", "The Redbreast and the Butterfly", "The Sailor's Mother", "To the Small Celandine", "To the same Flower", "Character of the Happy Warrior", "The Horn of Egremont Castle", etc. Wordsworth was poet laureate of Britain between 1843 until his death in 1850. Other notable works by this author include: "The Tables Turned", "The Thorn", and "Lines Composed A Few Miles above Tintern Abbey".

Si bien las tem ticas luctuosas, oscuras y de horror estuvieron presentes en la poes a occidental desde sus mismos or genes, no ser a sino hasta el Romanticismo que el gusto por la oscuridad se generalizar a y pasar a a formar parte de la est tica de un movimiento entero. Partiendo de la balada de terror y sus escalofriantes escenas, el horror y los sentimientos m rbidos cautivar an a los autores rom nticos, tanto a los cultores de la poes a l rica como a los baladistas, y seguir an en lo sucesivo resultando una influencia insoslayable para las diferentes escuelas posrom nticas y para toda la posterior literatura de horror. Este volumen, que nos lleva de la balada alemana al decadentismo franc s, nos ofrece un panorama bastante completo de la importancia que estos temas tuvieron en las letras del siglo XIX. Los autores y obras incluidos en este recorrido son Gottfried B rger (las baladas Lenore y El cazador salvaje), J. W. von Goethe (El rey de los elfos, El pescador, La novia de Corinto y Danza macabra), Ludwig Tieck (Melancol a), Clemens Brentano (la balada de Lorelei), Adelbert von Chamisso (Deja descansar a los muertos y La moribunda), Joseph von Eichendorff (Di logo en el bosque y La noche), Wilhelm M ller (poemas de Viaje de invierno), Heinrich Heine (Lorelei y El doble), Eduard M rike (La sombra y Los fantasmas de Mummelsee), Mathilde Wesendonck (En el invernadero y Aflicciones), William Blake (Al Invierno y El Jard n del Amor), William Wordsworth (Pieza nocturna y Tejos), Samuel Taylor Coleridge (La balada del viejo marinero), Robert Southey (Mis d as entre los muertos han pasado y El obispo Hatto), Thomas Moore (El anillo y El escudo), Lord Byron (Oscuridad y El hechizo), P. B. Shelley (Himno a la Belleza Intelectual y Oda al Viento Oeste), John Keats (Oda a un ruise or y La Belle Dame sans Merci), Lord Tennyson (L grimas, vanas l grimas y Titono), Algernon Charles Swinburne (El jard n de Proserpina), Edgar Allan Poe (El cuervo, La durmiente, Solo y Ulalume), Giacomo Leopardi (poemas de sus Idilios y Cantos), Fran ois-Ren de Chateaubriand (obras de Cuadros de la naturaleza), Alphonse de Lamartine (varias de sus Meditaciones po ticas), Alfred de Vigny (La Desdicha), P trus Borel (Aislamiento), Alfred de Musset (dos de sus Noches), Th ophile Gautier (Lamento), C. M. Leconte de Lisle (El fr o viento de la noche y A un poeta muerto), Charles Baudelaire (piezas de Las flores del mal), St phane Mallarm (La siesta de un fauno) y Maurice Rollinat (poemas de Las neurosis).