Wolfgang Mozart

V. A. Motsart pital osobuju ljubov k opernomu zhanru. "Ja zaviduju vsem, kto pishet opery. Ja gotov plakat, kogda slyshu opernuju ariju... Zhelanie pisat opery - moja idee fixe", - govoril kompozitor. Mnogie arii v silu svoej slozhnosti javljajutsja pokazatelem ispolnitelskogo masterstva vokalista. V izdanie voshli izbrannye zhenskie arii iz oper "Volshebnaja flejta", "Don Zhuan", "Svadba Figaro", "Zaida, "Pokhischenie iz seralja", "Miloserdie Tita", "Tak postupajut vse", "Direktor teatra", "Idomenej". Sbornik adresovan studentam muzykalnykh uchilisch i vuzov, professionalnym ispolniteljam. PredislovieA us der Oper "Die Zauberflote "/ From the opera "TheMagic Flute "/Iz opery "Volshebnaja flejta"Arie der Konigin der Nacht "Der Holle Rache kocht inmeinem Herzen..." /Aria of the Queen of the Night "Hell's Vengeance Boils inMy Heart..."/Arija Tsaritsy Nochi "Adskaja mest kipit v moemserdtse..." Arie der Pamina "Ach, ich fiihl's, es istverschwunden..."/Aria of Pamina "Oh, I Feel It's Gone..."/Arija Paminy "Akh, ja chuvstvuju, ono ischezlo..." Dall'opera "La nozze di Figaro" / From the opera "TheMarriage of Figaro" /Iz opery "Svadba Figaro"Recitativo ed aria di Susanna "Deh vieni, non tardar..."/ Recitative and aria of Susanna "Oh Come, Do NotDelay..." /Rechitativ i arija Sjuzanny "O pridi, ne medli..." Recitativo ed aria della Contessa "E Susanna nonvien..." /Recitative and aria of the Countess "AndSusannaDoesn't Come..." / Rechitativ i arija Grafini "ISjuzanna ne idet..." Aus der Oper "Zaide"/ From the oper "Zaide"/ Iz opery"Zaida"Arie der Zaide "Tiger! wetze nur die Klauen..." /Aria of Zaide "Tiger! Just Sharpen Your Claws..." /Arija Zaidy "Tigr! potochi lish kogti..." Wiegenlied der Zaide "Ruhe sanft, du holdes Leben..." /Lullaby of Zaide "Rest Peacefully, You Sweet Life..." /Kolybelnaja Zaidy "Sladko spi, ljubimyj"Dall'opera "Don Giovanni"/From the opera "DonGiovanni"/Iz opery "Don Zhuan" Aria di Donna Elvira"Ah, fuggi il traditor..." /Aria of Donna Elvira "Ah, Flee the Traitor..."/Arija Donny Elviry "Akh, begi ot predatelja..." Aria di Zerlina "Vedrai, carino..."/ Aria of Zerlina "You'llSee, Honey..."/Arija Tserliny "Uvidish, milyj..." Aria di Donna Anna "Or sai chi 1'onore" /Aria of Donna Anna "Now You Know Who theHonour..." /Arija Donny Anny "Teper ty znaesh, kto chest... "Aus der Oper "Die Entfiihrung aus dem Serail "/From the opera "The Abduction from the Seraglio" / Izopery "Pokhischenie iz seralja"Arie der Blonde "Welche Wonne, welche Lust..." /Aria of Blonde "What a Bliss, What a Desire..." /Arija Blondy "Kakoe blazhenstvo, kakoezhelane..." Dali'opera "La clemenza di Tito"/From the opera "TheClemency of Titus"/Iz opery "Miloserdie Tita"Aria di Vitellia "Deh, se piacer mi vuoi..." /Aria of Vitellia "Ah, If You Want Me to Like You..." /Arija Vitellin "Akh, esli khochesh mneponravitsja..." Dali'opera "Cost fan tutte" / From the opera "WomenAre Like That" /Iz opery "Tak postupajut vse"Aria di Fiordiligi "Come scoglio immoto resta" /Aria of Fiordiligi "As a Motionless Rock..." /Arija Fordilidzhi "Stoit, kak nepodvizhnajaskala..." Aus der Oper "Der Schauspieldirektor"/From the opera"The Impresario"/Iz opery "Direktor teatra"Rondo von Mademoiselle Silberklang "Bester Jiingling"/Rondo of Mademoiselle Silberklang "The Best YoungMan..." /Rondo Mademuazel Zilberklang "Luchshijjunosha..." Dali 'opera "Idomeneo "/ From the opera "Idomeneus "/Iz opery "Idomenej"Aria di Ilia "Padre, germani, addio" / Aria of Ilia "Father,Brothers, Farewell" /Arija Ilii "Otets, bratja, proschajte"Aria di Electra "Tutte nel cor vi sento" / Aria of Electra"All I Feel in My Heart," / Arija Elektry "Vse, chtochuvstvuju v serdtse"

W. A. Mozart composed his one and only ballet during his stay in Paris in September, 1777. It was J. G. Noverre (1727-1810), a dancer, choreographer, theorist and ballet reformer, who offered the composer to create a ballet. The all-stars premiere took place on June 11, 1778 in Paris at the Royal Academy of Music." The Little Nothings" ("Les petits riens") was performed only a few times during Mozart's lifetime. Since then, the ballet was forgotten for a long time, but it was revived at the beginning of the 20th century. This work contains no longer those innovative features for choreographers that were important for the first production, the ballet has become a history that arouses interest and inspires new interpretations of classics. The comic one-act ballet "Les petits riens" represents a farewell to the old style, the stylistics of the past. The ballet plot includes three miniature scenes. Scene 1: the shepherdesses catch Cupid with a net and imprison him in a cage. Scene 2: game of blind man's buff. Scene 3: Cupid makes two shepherdesses jealous of the third one, disguised as a shepherd, but she reveals her secret. The performance ends with diverse figures.

Concerto No. 20 in D Minor. For Piano and Orchestra. KV 466. Transcription for Two Pianos by A. Goldenweiser. Edited by M. Sokolov. One of the best known piano concertos by the great Austrian composer (with L. van Beethoven cadenzas). For students of music colleges and conservatoires, as well as for professional performers.

Kontsert dlja fortepiano s orkestrom No 21 (K. 467) do mazhor byl zavershen V. A. Motsartom v 1785 godu. Nastojaschee izdanie predstavljaet soboj perelozhenie kontserta dlja dvukh fortepiano, vypolnennoe nemetskim pianistom i pedagogom Gansom Bishoffom (1852-1889). Izdanie adresovano uchaschimsja starshikh klassov DMSh, studentam muzykalnykh uchilisch i vuzov, kontsertirujuschim pianistam.

Kontsert dlja fortepiano s orkestrom No 24 (K. 491) do minor byl sochinen V. A. Motsartom v 1786 godu. Nastojaschee izdanie predstavljaet soboj perelozhenie kontserta dlja dvukh fortepiano, vypolnennoe nemetskim pianistom i pedagogom Gansom Bishoffom (1852-1889). Izdanie adresovano uchaschimsja starshikh klassov DMSh, studentam muzykalnykh uchilisch i vuzov, kontsertirujuschim pianistam.

Predstavlennye v nastojaschem sbornike shest fortepiannykh sonat i tema s variatsijami byli napisany V. A. Motsartom (1756-1791) v raznoe vremja. Narjadu s drugimi klavirnymi sochinenijami velikogo avstrijskogo kompozitora oni polzujutsja populjarnostju v uchebnoj praktike v klasse fortepiannogo ansamblja. Izdanie adresovano uchenikam detskikh muzykalnykh shkol, a takzhe studentam muzykalnykh uchilisch. Sonata (K. 19d)AllegroMenuettoRondo. Allegretto - AdagioSonata (K. 357)AllegroAndante - Poco allegrettoSonata (K. 358)AllegroAdagioMolto prestoSonata (K. 381)AllegroAndanteAllegro moltoSonata (K. 497)Adagio - Allegro di moltoAndante(Allegro)Sonata (K. 521)AllegroAndanteAllegrettoTema s variatsijami (K. 501)

S. Rachmaninov. 3 romancesSpring torrentsSilence of the secret nightWhat happinessW. A. Mozart6 landlerAllegro

Music reader for violin. Music school middle and senior classes. Concertos. Issue 3ContentsVivaldi. Concerto in G minor (1st part) Zeitz. Concerto No. 2. op. 22 Mozart. The Small Concerto ( 2. & 3. parts from Serenade in D major K. 185)Bach. Concerto in E major (1st part)

W. A. Mozart. Fragment from the Symphony No. 40L van Beethoven. Fragment from the Symphony No 5G. Bizet. Couplets of Eskamilio from the opera Carmen?. Tchaikovsky. Dance of the Sugar plum fairy from the ballet Nutcracker? Tchaikovsky. Waltz from the ballet The Sleeping beauty

Complete collection of Mozart's Sonatas. For classes in music schools, students of music colleges and conservatories. A true musician, of course, needs to have all of Mozart's sonatas. This is just such a publication.

Don Zhuan - "veselaja drama" (ital. dramma giocoso) v dvukh aktakh V. A. Motsarta na libretto Lorentso da Ponte. Srednevekovaja ispanskaja legenda o "nakazannom razvratnike", obolstitele zhenschin Don Zhuane legla v osnovu mnozhestva teatralnykh predstavlenij - dramaticheskikh, muzykalnykh, narodnykh, kukolnykh, khoreograficheskikh. Don Zhuan u Motsarta - eto voploschenie bezrassudnoj otvagi, kipuchej energii, neistrebimogo optimizma i ljubvi k zhizni. Libretto prednaznacheno dlja solistov-vokalistov opernykh teatrov, studentov i pedagogov vokalnykh otdelenij, a takzhe vsem ljubiteljam opernogo iskusstva.

One of the best known violin concert works by the great Austrian composer. For students of music colleges and conservatories, as well as for professional performers.

Populjarnyj kontsert dlja klarneta s orkestrom velikogo avstrijskogo kompozitora. Prednaznachaetsja dlja studentov muzykalnykh uchilisch, konservatorij, a takzhe dlja kontsertnogo ispolnenija.

InhaltAn die Freude. Worte von J. UzOiseaux, si tous les ans... Paroles d' A. FerrandSei du mein Trost... Worte von J. HermesPassionslied????, liebe Zither... WarnungDer Zauberer. Worte von Chr. WeisseDie Alte. Worte von Fr. HagedornTrennungslied. Worte von ?. SchmidtA Is Luise die Briefe Hires imgetreuen Liebhabers verbrannte. Worte von G. BaumbergAn Chloe. Worte von J. JakobiDie kleine Spinnerin. Worte von I). JilgcrSehnsucht nach dem Fruhlinglm Fruhlingsanfang. Worte von Chr. SturmDas Kinderspiel. Worte von Chr. OverbeckDas Traumbild. Worte von L. Holty

Sbornik adresovan uchaschikhsja srednikh i starshikh klassov DMSh i DSHI.

145 mm x 205 mmRekviem Volfganga Amadeja Mozarta - odno iz samykh ispolnjaemykh sochinenij kompozitora i, bezuslovno, naibolee populjarnoe v mire proizvedenie etogo zhanra. Predlozhenie sochinit rekviem Mozart poluchil v ijule 1791 goda ot neizvestnogo litsa. Kak vyjasnilos vposledstvii, graf Frants fon Valzeg tsu Shtuppakh - ljubitel muzyki, igravshij na flejte i violoncheli, ustraivavshij v svoem dome kontserty i teatralnye predstavlenija, - zakazal kompozitoru (vozmozhno, ne bez podskazki znakomykh Mozarta, znavshikh o ego slozhnom materialnom polozhenii) messu v pamjat o svoej nedavno skonchavshejsja supruge. Objazatelnym punktom dogovora bylo sokhranenie zakazchikom inkognito - dazhe dlja samogo kompozitora. Pojavlenie takogo roda uslovij v kontrakte ne bylo v to vremja iskljuchitelnym sluchaem (nekotorye issledovateli, vprochem, vyskazyvajut predpolozhenie o tom, chto ob imeni zakazchika Mozart mog byt osvedomlen ili dogadyvatsja). Do svoej smerti 5 dekabrja 1791 goda Mozart, vypolnivshij s momenta poluchenija zakaza neskolko drugikh znachitelnykh rabot, uspel napisat Rekviem lish chastichno. Polnostju, vkljuchaja instrumentovku, im byla zavershena pervaja chast Requiem aeternam (bez Kyrie eleison). V fuge Kyrie eleison, a takzhe v chastjakh No. 2 (Dies irae), No.3 (Tuba mirum), No.4 (Rex tremendae), No.5 (Recordare), No.6 (Confutatis), No.8 (Domine Jesu) i No.9 (Hostias) byli, v prisuschej Mozartu manere (on imel obyknovenie fiksirovat ponachalu glavnoe v partiture, dobavljaja pozzhe vtorostepennye golosa), vypisany vokalnye partii i inogda tsifrovannyj bas, a takzhe namecheny instrumentalnye motivy vo vstuplenijakh, intermedijakh i inykh kharakternykh mestakh. V toj zhe manere sochineny Mozartom pervye vosem taktov sedmoj chasti (Lacrimosa): skripki i alty v pervykh dvukh taktakh i vokalnye partii s tsifrovannym basom v taktakh s 3-go po 8-j. Ostalnoe bylo dopolneno posle smerti Mozarta - po prosbe vdovy kompozitora - ego uchenikami. Naibolshij vklad v zavershenie sochinenija vnes Frants Ksaver Zjusmajr, sochinivshij polnostju chasti No. 10 (Sanctus), No. 11 (Benedictus) i No. 12 (Agnus Dei) - poslednjuju ot nachala do vstuplenija k Lux aeterna (ot etogo vstuplenija i do kontsa Zjusmajr polozhil tekst Lux aeterna na muzyku iz pervoj chasti). Takzhe Zjusmajr dopisal chast Lacrimosa i dopolnil orkestrovye golosa vo vsekh chastjakh, polzujas nametkami avtora. Vposledstvii byli najdeny nabroski Mozarta, v chastnosti k Benedictus - vozmozhno, oni tozhe imelis v rasporjazhenii Zjusmajra. V dopisyvanii orkestrovykh golosov prinimali uchastie takzhe Jozef Ajbler (Confutatis), Maksimilian Shtadler (Domine Jesu i Hostias) i Frants Frejshtedtler (fuga Kyrie eleison). V techenie vsego XX veka prodolzhalos utochnenie - s ispolzovaniem grafologicheskikh ekspertiz - dannykh o khode raboty nad Rekviemom. Izdanie adresovano dirizheram, muzykovedam, a takzhe shirokomu krugu ljubitelej muzyki. Soderzhanie:1. Requiem2. Dies irae3. Tuba mirum4. Rex tremendae5. Recordare6. Confutatis7. Lacrymosa8. Domine jesu9. Hostias10. Sanctus11. Benedictus12. Agnus dei