Yasunari Kawabata

Available again, a newly translated collection of twenty-three stories from one of the most influential figures in modern Japanese literature. "He employs devices from those long poetic traditions in order to create in modern prose his remarkable effects: juxtaposition of image upon image to open up the depths of feeling lurking behind placid surface reality." Washington Post"We owe Martin Holman this insight, for in rendering these important early writings into English, it is he who has shown us that the author in his youth was already the mature Yasunari Kawabata." Japan TimesYasunari Kawabata is widely known for his innovative short stories, some called "palm-of-the-hand" stories short enough to fit into ones palm. This collection reflects Kawabata's keen perception, deceptive simplicity, and the deep melancholy that characterizes much of his work. The stories were written between 1923 and 1929, and many feature autobiographical events and themes that reflect the painful losses he experienced early in his life.

Nobel Prize winner Yasunari Kawabata's "Snow Country" is widely considered to be the writer's masterpiece: a powerful tale of wasted love set amid the desolate beauty of western Japan. At an isolated mountain hot spring, with snow blanketing every surface, Shimamura, a wealthy dilettante meets Komako, a lowly geisha. She gives herself to him fully and without remorse, despite knowing that their passion cannot last and that the affair can have only one outcome. In chronicling the course of this doomed romance, Kawabata has created a story for the ages -- a stunning novel dense in implication and exalting in its sadness.

With a restraint that barely conceals the ferocity of his characters' passions, one of Japan's great postwar novelists tells the luminous story of Kikuji and the tea party he attends with Mrs. Ota, the rival of his dead father's mistress. A tale of desire, regret, and sensual nostalgia, every gesture has a meaning, and even the most fleeting touch or casual utterance has the power to illuminate entire lives--sometimes in the same moment that it destroys them. Translated from the Japanese by Edward G. Seidensticker." A novel of exquisite artistry...rich suggestibility...and a story that is human, vivid and moving."--New York Herald TribuneKawabata is a poet of the gentlest shades, of the evanescent, the imperceptible. This is a tragedy in soft focus, but its passions are fierce."--Commonweal

From the Nobel Prize-winning author and acclaimed writer of Thousand Cranes comes the luminous chronicle of a match of the Japanese game Go played between a master and a younger, more modern challenger that serves as a suspenseful elegy for an entire society. Go is a game of strategy in which two players attempt to surround each other's black or white stones. Simple in its fundamentals, infinitely complex in its execution, Go is an essential expression of the Japanese spirit. And in his fictional chronicle of a match played between a revered and heretofore invincible Master and a younger, more modern challenger, Yasunari Kawabata captured the moment in which the immutable traditions of imperial Japan met the onslaught of the twentieth century. The competition between the Master of Go and his opponent, Otak , is waged over several months and layered in ceremony. But beneath the game's decorum lie tensions that consume not only the players themselves but their families and retainers--tensions that turn this particular contest into a duel that can only end in death. Luminous in its detail, both suspenseful and serene, The Master of Go is written with the poetic economy and psychological acumen that brought Kawabata the Nobel Prize for Literature. Translated from the Japanese by Edward G. Seidensticker