Zora Neale Hurston

A MOST ANTICIPATED BOOK FROM: Oprah Daily, Business Insider, Marie Claire, The Seattle Times, Lit Hub, Bustle, and New York Magazine's Vulture Introduction by New York Times bestselling author Henry Louis Gates Jr. Spanning more than 35 years of work, the first comprehensive collection of essays, criticism, and articles by the legendary author of the Harlem Renaissance, Zora Neale Hurston, showcasing the evolution of her distinctive style as an archivist and author." One of the greatest writers of our time."--Toni MorrisonYou Don't Know Us Negroes is the quintessential gathering of provocative essays from one of the world's most celebrated writers, Zora Neale Hurston. Spanning more than three decades and penned during the backdrop of the birth of the Harlem Renaissance, Montgomery bus boycott, desegregation of the military, and school integration, Hurston's writing articulates the beauty and authenticity of Black life as only she could. Collectively, these essays showcase the roles enslavement and Jim Crow have played in intensifying Black people's inner lives and culture rather than destroying it. She argues that in the process of surviving, Black people re-interpreted every aspect of American culture--"modif ying] the language, mode of food preparation, practice of medicine, and most certainly religion." White supremacy prevents the world from seeing or completely recognizing Black people in their full humanity and Hurston made it her job to lift the veil and reveal the heart and soul of the race. These pages reflect Hurston as the controversial figure she was--someone who stated that feminism is a mirage and that the integration of schools did not necessarily improve the education of Black students. Also covered is the sensational trial of Ruby McCollum, a wealthy Black woman convicted in 1952 for killing her lover, a white doctor. Demonstrating the breadth of this revered and influential writer's work, You Don't Know Us Negroes and Other Essays is an invaluable chronicle of a writer's development and a window into her world and mind.

From ‘one of the greatest writers of our time’ (Toni Morrison) – the author of Their Eyes Were Watching God and Barracoon – a collection of remarkable short stories from the Harlem Renaissance With a foreword by Tayari Jones, author of An American Marriage ‘Genius’ Alice Walker ‘Rigorous, convincing, dazzling’ Zadie Smith on Their Eyes Were Watching God In 1925, college student Zora Neale Hurston – the sole black student at Barnard College, New York – was living in the city, ‘desperately striving for a toe-hold on the world.’ During this period, she began writing short works that captured the zeitgeist of African American life and transformed her into one of the central figures of the Harlem Renaissance. Nearly a century later, this singular talent is recognised as one of the most influential and revered American artists of the modern period. Hitting a Straight Lick with a Crooked Stick is an outstanding collection of stories about love and migration, gender and class, racism and sexism that proudly reflect African American folk culture. Brought together for the first time in one volume, they include eight of Hurston’s ‘lost’ Harlem stories, which were found in forgotten periodicals and archives. These stories challenge conceptions of Hurston as an author of rural fiction and include gems that flash with her biting, satiric humour, as well as more serious tales reflective of the cultural currents of Hurston’s world. All are timeless classics that enrich our understanding and appreciation of this exceptional writer’s voice and her contributions to America’s literary traditions.

Da Zora Neale Hurston i 1937 utga sin roman om en kvinnes selvbevisste utvikling gjennom tre ekteskap, visste hverken hun eller hennes den gang få lesere at det skulle endre det amerikanske litteraturfeltet for godt. Forfatteren døde i 1960 glemt og begravet i en umerket grav, og boken kom ikke frem i offentligheten igjen før 1973. Da oppsøkte forfatteren av Purpurfargen, den da 29 år gamle Alice Walker det hun regner med er graven hennes. Hun satte opp et minnesmerke med påskriften «Genius of the South» og publiserte 2 år etter essayet “In Search of Zora Neale Hurston”. Dette var den spede starten på Hurstons vei tilbake. I dag er Blikket var vendt mot Gud obligatorisk for alle på videregående skole i USA og kommer i stadig nye opplag rundt i verden. Hovedpersonen Janie har fire etternavn i løpet av sitt liv. Det første etter bestemor, slaveetterkommeren, som oppdrar henne, de tre neste etter ektemennene. Hun er vakker med fyldig, skinnende svart og langt hår. Menn kan fort glemme seg når de ser den lange fletten nedover ryggen hennes. Vi er i Florida i 1920-årene og når vi først blir kjent med Janie er hun purung og ligger under et blomstrende pæretre og drømmer om skjønnhet og lykke. Hun blir langt fra lykkelig i sitt første, hastig inngåtte ekteskap, ei heller i det andre – men når Tea Cake kommer slentrende og sprer om seg med sang og solskinn, kan hun endelig føle at livet er fullt av kjærlighet og gyllent blomsterstøv. En dag driver insekter, slanger og alskens krypdyr, dessuten vaskebjørner, kattedyr og andre dyr østover, til og med indianerne drar i vei. Det er varsler om uvær, storm, oversvømmelse og katastrofe. Janie og Tea Cake kvier seg for å følge flokken, men en dag brister demningen ved den store innsjøen.

"A deeply soulful novel that comprehends love and cruelty, and separates the big people from the small of heart, without ever losing sympathy for those unfortunates who don't know how to live properly." --Zadie SmithThe beloved Zora Neale Hurston Classic--a PBS Great American Read Top 100 Pick--now available in a special gift edition. Originally published in 1937, Their Eyes Were Watching God has become one of the most important and enduring works of modern American literature. Written with Zora Neale Hurston's singular wit and pathos, this Southern love story recounts Janie Crawford's "ripening from a vibrant, but voiceless, teenage girl into a woman with her finger on the trigger of her own destiny." A tale of awakening and independence featuring a strong female protagonist driven to fulfill her passions and ambitions, Their Eyes Were Watching God is a classic of the Harlem Renaissance and perhaps the most widely read and highly acclaimed novel in the canon of literature.

From "one of the greatest writers of our time" (Toni Morrison)--the author of Barracoon and Their Eyes Were Watching God--a collection of remarkable stories, including eight "lost" Harlem Renaissance tales now available to a wide audience for the first time. New York Times' Books to Watch for Buzzfeed's Most Anticipated Books Newsweek's Most Anticipated Books Forbes.com's Most Anticipated Books E 's Top Books to Read Glamour's Best Books Essence's Best Books by Black AuthorsIn 1925, Barnard student Zora Neale Hurston--the sole black student at the college--was living in New York, "desperately striving for a toe-hold on the world." During this period, she began writing short works that captured the zeitgeist of African American life and transformed her into one of the central figures of the Harlem Renaissance. Nearly a century later, this singular talent is recognized as one of the most influential and revered American artists of the modern period. Hitting a Straight Lick with a Crooked Stick is an outstanding collection of stories about love and migration, gender and class, racism and sexism that proudly reflect African American folk culture. Brought together for the first time in one volume, they include eight of Hurston's "lost" Harlem stories, which were found in forgotten periodicals and archives. These stories challenge conceptions of Hurston as an author of rural fiction and include gems that flash with her biting, satiric humor, as well as more serious tales reflective of the cultural currents of Hurston's world. All are timeless classics that enrich our understanding and appreciation of this exceptional writer's voice and her contributions to America's literary traditions.

Deeply-rooted in Southern culture, Three Plays: Lawing and Jawing, Forty Yards, and Woofing is a humorous look at the Black experience from three distinct perspectives. From a cantankerous judge to a stubborn husband, each story highlights the minutia and pressures of the daily grind. The first play, Lawing and Jawing, follows a Georgia judge as he engages with petty criminals and innocent bystanders. Regardless of guilt, each person is susceptible to his temperamental style of justice. In Forty Yards, a collegiate football game sparks a lively exchange between opposing players and fans, while Woofing centers a headstrong husband and his disgruntled wife. Although disparate stories, each play is connected by Hurston’s signature style and prose. By featuring regional speech and customs, she creates relatable characters in authentic scenarios. Like most of her catalog, the author depicts a genuine slice of life that’s familiar yet engaging. With an eye-catching new cover, and professionally typeset manuscript, this edition of Three Plays: Lawing and Jawing, Forty Yards, and Woofing is both modern and readable.

In the town of Eatonville, a dispute between former childhood friends leads to civil unrest and a criminal trial that forces everyone to choose sides. With vibrant supporting characters, De Turkey and De Law provides colorful commentary on romance, religion and a hunting trip gone wrong. Dave Carter and Jim Weston are both smitten by the beautiful Daisy Blunt. When Dave announces his intentions to capture a wild turkey on Daisy’s behalf, he’s immediately challenged by his estranged friend. Both men go hunting, but only one returns with details of a shocking theft and assault. As the story spreads, the town is consumed by the arrest and trial of the alleged turkey thief. De Turkey and De Law: A Comedy in Three Acts is an amusing tale about the inevitable pitfalls of pride and desire. Fans of Hurston will enjoy rich characters and a lively setting that detail extraordinary happenings in an ordinary town. With an eye-catching new cover, and professionally typeset manuscript, this edition of De Turkey and De Law is both modern and readable.

This story begins in Eatonville, Florida, on a Saturday afternoon with Jim and Dave fighting for Daisy's affection. An argument breaks out between two men, and Jim picks up a hock bone from a mule and knocks Dave out. Because of that Jim gets arrested and is held for trial in Joe Clarke's barn. When the trial begins the townspeople are divided along religious lines: Jim's Methodist supporters sit on one side of the church, Dave's Baptist supporters on the other. The issue to be decided at the trial is whether or not Jim has committed a crime.

From one of the greatest writers of our time (Toni Morrison)--the author of Barracoon and Their Eyes Were Watching God--a collection of remarkable stories, including eight lost Harlem Renaissance tales now available to a wide audience for the first time. In 1925, Barnard student Zora Neale Hurston--the sole black student at the college--was living in New York, desperately striving for a toe-hold on the world. During this period, she began writing short works that captured the zeitgeist of African American life and transformed her into one of the central figures of the Harlem Renaissance. Nearly a century later, this singular talent is recognized as one of the most influential and revered American artists of the modern period. Hitting a Straight Lick with a Crooked Stick is an outstanding collection of stories about love and migration, gender and class, racism and sexism that proudly reflect African American folk culture. Brought together for the first time in one volume, they include eight of Hurston's lost Harlem stories, which were found in forgotten periodicals and archives. These stories challenge conceptions of Hurston as an author of rural fiction and include gems that flash with her biting, satiric humor, as well as more serious tales reflective of the cultural currents of Hurston's world. All are timeless classics that enrich our understanding and appreciation of this exceptional writer's voice and her contributions to America's literary traditions.

From one of the greatest writers of our time (Toni Morrison)--the author of Barracoon and Their Eyes Were Watching God--a collection of remarkable stories, including eight lost Harlem Renaissance tales now available to a wide audience for the first time. In 1925, Barnard student Zora Neale Hurston--the sole black student at the college--was living in New York, desperately striving for a toe-hold on the world. During this period, she began writing short works that captured the zeitgeist of African American life and transformed her into one of the central figures of the Harlem Renaissance. Nearly a century later, this singular talent is recognized as one of the most influential and revered American artists of the modern period. Hitting a Straight Lick with a Crooked Stick is an outstanding collection of stories about love and migration, gender and class, racism and sexism that proudly reflect African American folk culture. Brought together for the first time in one volume, they include eight of Hurston's lost Harlem stories, which were found in forgotten periodicals and archives. These stories challenge conceptions of Hurston as an author of rural fiction and include gems that flash with her biting, satiric humor, as well as more serious tales reflective of the cultural currents of Hurston's world. All are timeless classics that enrich our understanding and appreciation of this exceptional writer's voice and her contributions to America's literary traditions.

From one of the greatest writers of our time (Toni Morrison)--the author of Barracoon and Their Eyes Were Watching God--a collection of remarkable stories, including eight lost Harlem Renaissance tales now available to a wide audience for the first time. In 1925, Barnard student Zora Neale Hurston--the sole black student at the college--was living in New York, desperately striving for a toe-hold on the world. During this period, she began writing short works that captured the zeitgeist of African American life and transformed her into one of the central figures of the Harlem Renaissance. Nearly a century later, this singular talent is recognized as one of the most influential and revered American artists of the modern period. Hitting a Straight Lick with a Crooked Stick is an outstanding collection of stories about love and migration, gender and class, racism and sexism that proudly reflect African American folk culture. Brought together for the first time in one volume, they include eight of Hurston's lost Harlem stories, which were found in forgotten periodicals and archives. These stories challenge conceptions of Hurston as an author of rural fiction and include gems that flash with her biting, satiric humor, as well as more serious tales reflective of the cultural currents of Hurston's world. All are timeless classics that enrich our understanding and appreciation of this exceptional writer's voice and her contributions to America's literary traditions.

BY ONE OF THE MOST INFLUENTIAL WRITERS OF THE TWENTIETH CENTURY With a new introduction by JESMYN WARD 'Fierce, insightful and often devilishly funny' COLIN GRANT, GUARDIAN 'One of the greatest writers of our time' TONI MORRISON 'A bold and beautiful book' CARL SANDBURG Born on the wrong side of the creek, John Buddy Pearson, the son of a slave, has come a long way since his shoeless days. With some schooling, a job and marriage to clever Lucy Potts, his fortunes are looking up. But, unable to resist the lure of women or a fight, he's forced to flee town or face life on the chain gang. John finds himself in Sanford, Florida, and sends for Lucy and the children. There, he discovers a talent for preaching, and, with the support of his wife, becomes pastor of Zion Hope Church, rousing his congregation with his fervent sermons. He is now a pillar of the community, respected and popular. Before long, though, he is praying for his own sins - for his powers of persuasion aren't limited to the pulpit and the town won't stand for his philandering ways. Originally published in 1934, this is Zora Neale Hurston's first novel.

With a new introduction by JESMYN WARD'Warm, witty, imaginative . . . A rich and winning book' NEW YORKER 'Devilishly funny and academically solid: delicious mixture' MAYA ANGELOU'One of the greatest writers of our time' TONI MORRISONFirst published in 1942 at the height of her popularity, Dust Tracks on a Road is Zora Neale Hurston's candid, exuberant account of her rise from childhood poverty in the rural South to a prominent place among the leading artists and intellectuals of the Harlem Renaissance. As compelling as her acclaimed fiction, Hurston's literary self-portrait offers a revealing, often audacious glimpse into the life - public and private - of an extraordinary artist, anthropologist, chronicler and champion of the black experience in America. Full of the wit and wisdom of a proud, spirited woman who started off low and climbed high: 'I have been in Sorrow's kitchen and licked out all the pots. Then I have stood on the peaky mountain wrapped in rainbows with a harp and a sword in my hands'.

Abducted from Africa, sold in America. “A deeply affecting record of an extraordinary life”- Daily Telegraph A major literary event: a newly published work from the author of the American classic Their Eyes Were Watching God, with a foreword from Pulitzer Prize-winning author Alice Walker. The true story of one of the last-known survivors of the Atlantic slave trade. In August 1931, famed anthropologist Zora Neale Hurston travelled to Alabama to visit ninety-year-old Cudjo Lewis, a former slave. Over three months, Cudjo shared heart-rending memories of his childhood in Africa; the horrors of being captured – fifty years after slavery was outlawed – and held in the Ouidah barracoons for selection by American slavers; the harrowing ordeal of the Middle Passage aboard the Clotilda with over one hundred other souls; and the years he spent in slavery. Barracoon brings to life Cudjo’s singular voice in an invaluable contribution to history and culture, a work as poignant as it is profound.

One of the New York Times' Most Memorable Literary Moments of the Last 25 Years - New York Times Bestseller - TIME Magazine's Best Nonfiction Book of 2018 - New York Public Library's Best Book of 2018 - NPR's Book Concierge Best Book of 2018 - Economist Book of the Year - SELF.com's Best Books of 2018 - Audible's Best of the Year - BookRiot's Best Audio Books of 2018 - The Atlantic's Books Briefing: History, Reconsidered - Atlanta Journal Constitution, Best Southern Books 2018 - The Christian Science Monitor's Best Books 2018 - "A profound impact on Hurston's literary legacy."--New York Times"One of the greatest writers of our time."--Toni Morrison"Zora Neale Hurston's genius has once again produced a Maestrapiece."--Alice WalkerA major literary event: a newly published work from the author of the American classic Their Eyes Were Watching God, with a foreword from Pulitzer Prize-winning author Alice Walker, brilliantly illuminates the horror and injustices of slavery as it tells the true story of one of the last-known survivors of the Atlantic slave trade--abducted from Africa on the last "Black Cargo" ship to arrive in the United States. In 1927, Zora Neale Hurston went to Plateau, Alabama, just outside Mobile, to interview eighty-six-year-old Cudjo Lewis. Of the millions of men, women, and children transported from Africa to America as slaves, Cudjo was then the only person alive to tell the story of this integral part of the nation's history. Hurston was there to record Cudjo's firsthand account of the raid that led to his capture and bondage fifty years after the Atlantic slave trade was outlawed in the United States. In 1931, Hurston returned to Plateau, the African-centric community three miles from Mobile founded by Cudjo and other former slaves from his ship. Spending more than three months there, she talked in depth with Cudjo about the details of his life. During those weeks, the young writer and the elderly formerly enslaved man ate peaches and watermelon that grew in the backyard and talked about Cudjo's past--memories from his childhood in Africa, the horrors of being captured and held in a barracoon for selection by American slavers, the harrowing experience of the Middle Passage packed with more than 100 other souls aboard the Clotilda, and the years he spent in slavery until the end of the Civil War. Based on those interviews, featuring Cudjo's unique vernacular, and written from Hurston's perspective with the compassion and singular style that have made her one of the preeminent American authors of the twentieth-century, Barracoon masterfully illustrates the tragedy of slavery and of one life forever defined by it. Offering insight into the pernicious legacy that continues to haunt us all, black and white, this poignant and powerful work is an invaluable contribution to our shared history and culture.

Zora Neale Hurston's masterpiece is perhaps the most widely read and highly regarded novel in the entire canon of African American literature. Published as part of a beautifully designed series to mark the 40th anniversary of the Virago Modern Classics.

One of the New York Times' Most Memorable Literary Moments of the Last 25 Years - New York Times Bestseller - TIME Magazine's Best Nonfiction Book of 2018 - New York Public Library's Best Book of 2018 - NPR's Book Concierge Best Book of 2018 - Economist Book of the Year - SELF.com's Best Books of 2018 - Audible's Best of the Year - BookRiot's Best Audio Books of 2018 - The Atlantic's Books Briefing: History, Reconsidered - Atlanta Journal Constitution, Best Southern Books 2018 - The Christian Science Monitor's Best Books 2018 - "A profound impact on Hurston's literary legacy."--New York Times"One of the greatest writers of our time."--Toni Morrison"Zora Neale Hurston's genius has once again produced a Maestrapiece."--Alice WalkerA major literary event: a newly published work from the author of the American classic Their Eyes Were Watching God, with a foreword from Pulitzer Prize-winning author Alice Walker, brilliantly illuminates the horror and injustices of slavery as it tells the true story of one of the last-known survivors of the Atlantic slave trade--abducted from Africa on the last "Black Cargo" ship to arrive in the United States. In 1927, Zora Neale Hurston went to Plateau, Alabama, just outside Mobile, to interview eighty-six-year-old Cudjo Lewis. Of the millions of men, women, and children transported from Africa to America as slaves, Cudjo was then the only person alive to tell the story of this integral part of the nation's history. Hurston was there to record Cudjo's firsthand account of the raid that led to his capture and bondage fifty years after the Atlantic slave trade was outlawed in the United States. In 1931, Hurston returned to Plateau, the African-centric community three miles from Mobile founded by Cudjo and other former slaves from his ship. Spending more than three months there, she talked in depth with Cudjo about the details of his life. During those weeks, the young writer and the elderly formerly enslaved man ate peaches and watermelon that grew in the backyard and talked about Cudjo's past--memories from his childhood in Africa, the horrors of being captured and held in a barracoon for selection by American slavers, the harrowing experience of the Middle Passage packed with more than 100 other souls aboard the Clotilda, and the years he spent in slavery until the end of the Civil War. Based on those interviews, featuring Cudjo's unique vernacular, and written from Hurston's perspective with the compassion and singular style that have made her one of the preeminent American authors of the twentieth-century, Barracoon masterfully illustrates the tragedy of slavery and of one life forever defined by it. Offering insight into the pernicious legacy that continues to haunt us all, black and white, this poignant and powerful work is an invaluable contribution to our shared history and culture.