Alex Gartenfeld

Rarely seen installation works that exemplify this pioneering artist’s critical focus on Black identity and Black feminism Showcasing a lesser-known aspect of Saar’s art, Betye Saar: Serious Moonlight provides new insights into her explorations of ritual, spirituality and cosmologies, as well as themes of the African diaspora. Featured here are significant installations created by Saar from 1980 to 1998, including Oasis (1984), a work that will be reconfigured at ICA Miami’s Saar exhibition for the first time in more than 30 years. With compelling scholarship and rich illustration—combining new installation photography and archival material—the monograph provides a fresh look at this significant artist’s critical and influential practice. Betye Saar: Serious Moonlight reinforces and celebrates Saar’s standing as a visionary artist, storyteller and mythmaker, and the ongoing significance and relevance of her work to the most pressing issues in America today. Betye Saar (born 1926) is renowned for pioneering Black feminism and West Coast assemblage in her visionary artistic practice, through dense, complexly referential objects. For over six decades, Saar’s work has led dialogues on race and gender, reflecting changing cultural and political contexts. Most recently, solo presentations have been hosted by the Museum of Modern Art, New York, and the Los Angeles County Museum of Art. Saar’s work was prominently featured in We Wanted a Revolution: Black Radical Women, 1965–85 at the Brooklyn Museum, New York, and in Soul of a Nation: Art in the Age of Black Power at Tate Modern, London, which traveled to Crystal Bridges Museum of American Art, Bentonville, Arkansas; Brooklyn Museum; The Broad, Los Angeles; and the M. H. de Young Memorial Museum, Fine Arts Museums of San Francisco.

For nearly six decades, Larry Bell has been capturing light - in glass, on paper, or with Mylar sheets. This book traces Bell's innovative experiments - from his roots in Venice Beach to this most recent forays into public sculpture. It pays special tribute to the architectural, spatial and design explorations Bell undertook during the 60s, 70s, and 80s - experiments that often took the form of ephemeral and immersive installations. Generously illustrated, this book reveals how Bell explored the technological possibilities made available in postwar America, and asserts his position as one of America's most adventurous living artists.

Donald Judd remains an important artist, whose radical ideas and work continue to provoke and influence the fields of art, architecture, and design. This book focuses on one of his first mature series of work, during an intense period when he was significantly moving away from accepted traditional styles through investigations of form and color. Featuring texts by renowned art historians and critics, Donald Judd: Paintings 1959-61 presents new scholarship on this canonical artist and demonstrates his ongoing influence.

The official catalogue for the 2018 New Museum Triennial, a global survey of today’s up-and-coming artists In 2018, the New Museum in New York presents its fourth Triennial, the museum’s signature survey of emerging artists from around the world. Curated by Gary Carrion-Murayari and Alex Gartenfeld, this edition of the much-anticipated exhibition - and the fully illustrated catalogue that accompanies it - features work by 26 artists and collectives from 19 countries, exploring a range of artistic practices. Though distinct in their approaches, these artists are connected by their deep engagement with their local context and a critical examination - and embrace - of the sense of internationalism that defines our time.