Andrew Taylor

Final novel in Andrew Taylor’s powerful Roth Trilogy: ‘With all due deference to its heavenly virtues, this is a hellishly good novel’ – Frances Fyfield, Sunday Express Janet Byfield has everything Wendy Appleyard lacks: she’s beautiful; she has a handsome husband, a clergyman on the verge of promotion; and most of all she has an adorable little daughter, Rosie. So when Wendy’s life falls apart, it’s to her oldest friend, Janet, that she turns. At first it seems as to Wendy as though nothing can touch the Byfields’ perfect existence in 1950s Cathedral Close, Rosington, but old sins gradually come back to haunt the present, and new sins are bred in their place. The shadow of death seeps through the Close, and only Wendy, the outsider looking in, is able to glimpse the truth. But can she grasp it’s twisted logic in time to prevent a tragedy whose roots lie buried deep in the past?

Thirty years ago, spending one's life in a large institution was, for most adults with developmental disabilities, the norm. Three decades later, theirs is a very different world. Deinstitutionalization has been heralded as bringing about a return to a life of ""community."" To support adults with developmental disabilities so that they might live in our communities, new social policies have been adopted. As a result, these individuals, those who were released from large institutions to return to the community and those who have never experienced life in a large institution, are confronted with a new reality. This book explores that new reality, focusing on the adults themselves and their experiences. The authors conducted one of the most extensive surveys of Canadian support services available for adults with developmental disabilities. Every province and territory contributed information on the services they offer, including how they are funded. After this initial survey, the authors visited five different regions of Canada where they conducted 141 in-depth interviews with the targeted adults, their families and support staff. The testimony of these men and women endorses a social ecological theory of empowerment-in-community, central to which is the normative idea of a textured life. By opening our communities to adults with developmental disabilities, we will enable them to transcend the ""world of disability"" and enhance the texture of their lives. Augmented by a concluding discussion on the implications of this study for social policy and social support, this new book will benefit all those concerned with helping individuals establish those textured lives.

This pioneering anthology of Middle English prologues and other excerpts from texts written between 1280 and 1520 is one of the largest collections of vernacular literary theory from the Middle Ages yet published and the first to focus attention on English literary theory before the sixteenth century. It edits, introduces, and glosses some sixty excerpts, all of which reflect on the problems and opportunities associated with writing in the "mother tongue" during a period of revolutionary change for the English language. The excerpts fall into three groups, illustrating the strategies used by medieval writers to establish their cultural authority, the ways they constructed audiences and readerships, and the models they offered for the process of reading. Taken together, the excerpts show how vernacular texts reflected and contributed to the formation of class, gender, professional, and national identity. They open windows onto late medieval debates on women's and popular literacy, on the use of the vernacular for religious instruction or Bible translation, on the complex metaphorical associations contained within the idea of the vernacular, and on the cultural and political role of the "courtly" writing associated with Chaucer and his successors. Besides the excerpts, the book contains five essays that propose new definitions of medieval literary theory, discuss the politics of Middle English writing, the relation of medieval book production to notions of authorship, and the status of the prologue as a genre, and compare the role of the medieval vernacular to that of postcolonial literatures. The book includes a substantial glossary that constitutes the first mapping of the language and terms of Middle English literary theory. The Idea of the Vernacular will be an invaluable asset not only to Middle English survey courses but to courses in English literary and cultural history and courses on the history of literary theory.

`Andrew Taylor digs deep to explore the tangled roots of sex, violence and religion. This is a fine thriller, with clues complex enough to tax a Morse.’ Reginald Hill Little Lucy Appleyard is snatched from her child minder’s on a cold winter afternoon, and the nightmare begins. When Eddie takes her home to beautiful, child-loving Angel, he knows he’s done the right thing. But Lucy’s not like their other visitors, and unwittingly she strikes through Angel’s defences to something both vulnerable and volatile at the core. To the outside world Lucy has disappeared into a black hole with no clues to her whereabouts…until the first grisly discovery in a London graveyard. More such finds are to follow, all at religious sites, and, in a city haunted by religion, what do these offerings signify? All that stands now between Lucy and the final sacrifice are a CID sergeant on the verge of disgrace and a woman cleric – Lucy’s parents – but how can they hope to halt the evil forces that are gathering around their innocent daughter?

'Andrew Taylor is a master story-teller' Daily Telegraph From the No.1 bestselling author of The Ashes of London and The Fire Court, this is the first instalment in the acclaimed Lydmouth seriesWorkmen in the small market town of Lydmouth are demolishing an old cottage. A sledgehammer smashes into what looks like a solid wall. Instead, layers of wallpaper conceal the door of a locked cupboard which holds a box - and in the box is the skeleton of a young baby. Items within the box suggest that the baby was entombed early in the nineteenth century, but when another man is also found dead, the evidence suggests that the baby's death is more recent and that a killer is on the loose. For Journalist Jill Francis, newly arrived from London, this looks like her first story to chase ... 'An excellent writer. He plots with care and intelligence and the solution to the mystery is satisfyingly chilling' The Times'The most under-rated crime writer in Britain today' Val McDermid 'There is no denying Taylor's talent, his prose exudes a quality uncommon among his contemporaries' Time Out