Anne Barlow

Based in Izmir, Turkey, Cansu Çakar developed New Rarities during two residencies in St Ives in 2024. She became interested in representations of seashells, imagining them as both homes and graves. This led to an exploration of the shifting cultural value of natural resources – including Tyrian purple and Cornish tin – and the exploitation of landscapes and people through their extraction. Laboriously derived from murex sea snails, Tyrian purple was named for its origins in Tyre, a centre of the ancient civilisation of Phoenicia that spread from modern-day Lebanon to trade and settle across the Mediterranean. This rare dye has been used to colour many precious artefacts through time. In parallel, tin from Cornwall and Devon was also a valuable resource across the ancient world. It has even been suggested that the Phoenicians came to Cornwall in search of it, though there is no archaeological evidence for this. Çakar’s installation re-examines concepts of value, rarity and cultural heritage by speculatively tracing such ancient trade routes, real or imagined. Unfolding across a shell-like spiral of paper resembling an ancient map, it offers a story guided more by oral traditions than historical records.

ePDF and ePUB available open access under CC-BY-NC-ND licence. Recent legislative changes in England and Wales have eroded children’s ability to exercise their article 12 UNCRC rights to information, consultation and representation when parents separate. However, children’s voices may be heard through child-inclusive mediation (CIM). Considered from a children’s rights perspective, this book provides a critical socio-legal account of CIM practice. It draws on in-depth interviews with relationship professionals, mediators, parents and children, to consider the experiences, risks and benefits of CIM. It investigates obstacles to greater uptake of CIM and its role in improving children’s wellbeing and agency. Exploring the culture and practice changes necessary for a more routine application of CIM, the book demonstrates how reconceptualising CIM through a children’s rights framework could help to address barriers and improve outcomes for children.

This book is both a document of the development of the exhibition and a view into Nkanga's creative process. Starting with a poem written by Nkanga herself, it also includes an extensive selection of her photographs, which author Helon Habila has responded to in the form of a short fictional story. It features a selection of Nkanga's other bodies of work, including existing works such as The Weight of Scars 2015 and From Where I Stand 2015 as well as a new sculpture, performance and wall drawing. Nkanga's finished works are shown alongside preparatory drawings and in-progress photographs, with an interview with Nkanga offering further insights into her practice. Otobong Nkanga is one of the most exciting artists working today. She received a Special Mention at the 58th International Art Exhibition of La Biennale di Venezia and was awarded the 2015 Yanghyun Prize and the 2017 Belgian Art Prize, and in 2019 was the recipient of the Ultimas-Flemish Prize for culture. Tate

? The family justice system in England and Wales has undergone radical change over the past 20 years. A significant part of this shifting landscape has been an increasing emphasis on settling private family disputes out of court, which has been embraced by policy-makers, judges and practitioners alike and is promoted as an unqualified good. Mapping Paths to Family Justice: Resolving Family Disputes in Neoliberal Times examines the experiences of people taking part in out-of-court family dispute resolution in England and Wales. It addresses questions such as how participants’ experiences match up to the ideal; how recent changes to the legal system have affected people’s ability to access out-of-court dispute resolution; and what kind of outcomes are achieved in family dispute resolution. This book is the first study systematically to compare different forms of family dispute resolution. It explores people’s experiences of solicitor negotiations, mediation and collaborative law empirically by analyzing findings from a nationally representative survey, individual in-depth interviews with parties and practitioners, and recorded family dispute resolution processes. It considers these in the context of ongoing neoliberal reforms to the family justice system, drawing out conclusions and implications for policy and practice.

Unmarried heterosexual cohabitation is rapidly increasing in Britain and over a quarter of children are now born to unmarried cohabiting parents. This is not just an important change in the way we live in modern Britain; it is also a political and theoretical marker. Some commentators see cohabitation as evidence of selfish individualism and the breakdown of the family, while others see it as just a less institutionalised way in which people express commitment and build their families. Politically, 'stable' families are seen as crucial - but does stability simply mean marriage? At present the law in Britain retains important distinctions in the way it treats cohabiting and married families and this can have deleterious effects on the welfare of children and partners on cohabitation breakdown or death of a partner. Should the law be changed to reflect this changing social reality? Or should it - can it - be used to direct these changes? Using findings from their recent Nuffield Foundation funded study, which combines nationally representative data with in-depth qualitative work, the authors examine public attitudes about cohabitation and marriage, provide an analysis of who cohabits and who marries, and investigate the extent and nature of the 'common law marriage myth' (the false belief that cohabitants have similar legal rights to married couples). They then explore why people cohabit rather than marry, what the nature of their commitment is to one another and chart public attitudes to legal change. In the light of this evidence, the book then evaluates different options for legal reform.