Carlton Turner

The experiences of a diverse range of progressive theater and performance makers in their own words. Curated stories from over 75 interviews and informal exchanges offer insight into the field and point out limitations due to discrimination and unequal opportunity for performance artists in the United States over the past 55 years. In this work, performers, often unknown beyond their immediate audience, articulate diverse influences. They also reflect on how artists are educated and supported, what content is deemed valuable and how it is brought to bear, as well as which audiences are welcome and whether cross-community exchange is encouraged. The book's voices bring the reader from 1965 through the first wave of the covid-19 pandemic in 2020. They point to more diverse and inclusive practices and give hope for the future of the art.

The experiences of a diverse range of progressive theater and performance makers in their own words. Curated stories from over 75 interviews and informal exchanges offer insight into the field and point out limitations due to discrimination and unequal opportunity for performance artists in the United States over the past 55 years. In this work, performers, often unknown beyond their immediate audience, articulate diverse influences. They also reflect on how artists are educated and supported, what content is deemed valuable and how it is brought to bear, as well as which audiences are welcome and whether cross-community exchange is encouraged. The book's voices bring the reader from 1965 through the first wave of the covid-19 pandemic in 2020. They point to more diverse and inclusive practices and give hope for the future of the art.

Reflections for Lent, Holy Week and Easter is designed to enhance your spiritual journey through the season of Lent and into Easter, from Ash Wednesday to the Saturday of Easter Week. Covering Monday to Saturday each week, it offers reflections from respected Christian authors on a reading from the Common Worship Weekday Lectionary. Each day includes: • Full lectionary details for Morning Prayer • A reflection on one of the Bible readings • A Collect for the day This volume offers daily material taken from the Reflections for Daily Prayer 2025/26 annual edition. It is ideal for individuals and groups seeking a simple yet profound daily prayer companion throughout Lent. It also contains: • A simple form of Morning Prayer for Lent, Passiontide and Easter • A short form of Night Prayer (Compline) • An introduction to Lent by Mark Oakley • A guide to building daily prayer into daily life by Rachel Treweek

Caribbean Contextual Theology introduces readers to the robust theological conversations taking place in the Caribbean region since the early 1970s, and the region’s key theologians and texts. Attempting to bring a contextual theological gaze to what is a fascinating and often understated context, it offers readers an introduction to the unique and important contribution that a Caribbean theological lens can bring to the broader theological landscape.

The Church of England’s Lent theme for 2024, Watch and Pray invites us all to wait expectantly for God to meet us and sustain us through the storms and trials we all face. On the night he was betrayed, Jesus kneels in darkness in the Garden of Gethsemane. Though he pleads with his disciples, “Stay here with me … Watch and pray,” they all fall asleep, leaving him alone in his hour of deepest suffering. This Lent we are encouraged to draw on the wisdom of Black Spirituality, particularly the practice of “tarrying” (waiting) as a community to draw closer to Jesus and to each other. For each day of Lent, the Watch and Pray booklet offers a Bible verse, a short reflection, an idea for 'watching', and a prayer. It invites us to seek God in both familiar and unfamiliar places this Lent: in darkness and in quiet; in movement and migration; in the healing and transforming work of the Spirit; in the weeping of Holy Week and in the joy of Easter morning.

Bearing in mind the complex and multiple legacies of slavery and colonialism, particularly as they present themselves in the African Caribbean, Turner addresses what he sees as a fundamental but underexplored phenomenon: Self-Negation. He defines this as the tendency for persons living in the aftermath of slavery and colonialism to ""not"" like themselves, or to live with a dissonance in their identity. This problem is particularly seen in the relationship between the Church and African indigenous religious heritages within the region. Using the Bahamas as the site for qualitative research and theological reflection, he explores the complex relationship between the Church and Junkanoo, an African Caribbean street festival. Whilst Bahamians eagerly participate in both spheres, it is the common belief that Church is sacred and Junkanoo is secular, and the two should never mix. Turner theorizes that the theological root of the issue is the kinds of colonial hermeneutics that still inform church and cultural practices. Whilst Self-Negation is perpetuated by a hermeneutic of dichotomy, Turner proposes a counter, a hermeneutic of embrace, that takes African indigenous cultural heritages seriously and brings wholeness to the kinds of religious and cultural identities within postcolonial and post-slavery societies.

Bearing in mind the complex and multiple legacies of slavery and colonialism, particularly as they present themselves in the African Caribbean, Turner addresses what he sees as a fundamental but underexplored phenomenon: Self-Negation. He defines this as the tendency for persons living in the aftermath of slavery and colonialism to ""not"" like themselves, or to live with a dissonance in their identity. This problem is particularly seen in the relationship between the Church and African indigenous religious heritages within the region. Using the Bahamas as the site for qualitative research and theological reflection, he explores the complex relationship between the Church and Junkanoo, an African Caribbean street festival. Whilst Bahamians eagerly participate in both spheres, it is the common belief that Church is sacred and Junkanoo is secular, and the two should never mix. Turner theorizes that the theological root of the issue is the kinds of colonial hermeneutics that still inform church and cultural practices. Whilst Self-Negation is perpetuated by a hermeneutic of dichotomy, Turner proposes a counter, a hermeneutic of embrace, that takes African indigenous cultural heritages seriously and brings wholeness to the kinds of religious and cultural identities within postcolonial and post-slavery societies.