Charles Dickens

"Whether I shall turn out to be the hero of my own life, or whether that station will be held by anybody else, these pages must show." Published in 1850, David Copperfield is a novel by Charles Dickens. And it is often considered the story of Charles' own youth. In the story, David Copperfield journeys from an unhappy & impoverished childhood to the discovery of his vocation as a successful novelist. The novel is know for its memorable charactization throughout. One example is Emily, a lovely, graceful child. David falls in love with her as soon as he sees her. .

This beginning-part is not made out of anybody's head, you know. It's real. You must believe this beginning-part more than what comes after, else you won't understand how what comes after came to be written. You must believe it all; but you must believe this most, please. I am the editor of it. Bob Redforth (he's my cousin, and shaking the table on purpose) wanted to be the editor of it; but I said he shouldn't because he couldn't. He has no idea of being an editor.

Charles John Huffam Dickens (7 February 1812 - 9 June 1870) was an English writer and social critic. He created some of the world's best-known fictional characters and is regarded by many as the greatest novelist of the Victorian era. His works enjoyed unprecedented popularity during his lifetime, and by the 20th century critics and scholars had recognised him as a literary genius. His novels and short stories enjoy lasting popularity.

The present Government, having shown itself to be particularly clever in its management of Indictments for Conspiracy, cannot do better, we think (keeping in its administrative eye the pacification of some of its most influential and most unruly supporters), than indict the whole manufacturing interest of the country for a conspiracy against the agricultural interest. As the jury ought to be beyond impeachment, the panel might be chosen among the Duke of Buckingham's tenants, with the Duke of Buckingham himself as foreman; and, to the end that the country might be quite satisfied with the judge, and have ample security beforehand for his moderation and impartiality, it would be desirable, perhaps, to make such a slight change in the working of the law (a mere nothing to a Conservative Government, bent upon its end), as would enable the question to be tried before an Ecclesiastical Court, with the Bishop of Exeter presiding.

I am a Cheap Jack, and my own father's name was Willum Marigold. It was in his lifetime supposed by some that his name was William, but my own father always consistently said, No, it was Willum. On which point I content myself with looking at the argument this way: If a man is not allowed to know his own name in a free country, how much is he allowed to know in a land of slavery? As to looking at the argument through the medium of the Register, Willum Marigold come into the world before Registers come up much, -and went out of it too. They wouldn't have been greatly in his line neither, if they had chanced to come up before him. I was born on the Queen's highway, but it was the King's at that time. A doctor was fetched to my own mother by my own father, when it took place on a common; and in consequence of his being a very kind gentleman, and accepting no fee but a tea-tray, I was named Doctor, out of gratitude and compliment to him. There you have me.

Whoever would begin to be worried with letting Lodgings that wasn't a lone woman with a living to get is a thing inconceivable to me, my dear; excuse the familiarity, but it comes natural to me in my own little room, when wishing to open my mind to those that I can trust, and I should be truly thankful if they were all mankind, but such is not so, for have but a Furnished bill in the window and your watch on the mantelpiece, and farewell to it if you turn your back for but a second, however gentlemanly the manners; nor is being of your own sex any safeguard, as I have reason, in the form of sugar-tongs to know, for that lady (and a fine woman she was) got me to run for a glass of water, on the plea of going to be confined, which certainly turned out true, but it was in the Station-house. Number Eighty-one Norfolk Street, Strand-situated midway between the City and St. James's, and within five minutes' walk of the principal places of public amusement-is my address.

late Mr Waterton having, some time ago, expressed his opinion that ravens are gradually becoming extinct in England, I offered the few following words about my experience of these birds. The raven in this story is a compound of two great originals, of whom I was, at different times, the proud possessor. The first was in the bloom of his youth, when he was discovered in a modest retirement in London, by a friend of mine, and given to me. He had from the first, as Sir Hugh Evans says of Anne Page, 'good gifts', which he improved by study and attention in a most exemplary manner. He slept in a stable-generally on horseback-and so terrified a Newfoundland dog by his preternatural sagacity, that he has been known, by the mere superiority of his genius, to walk off unmolested with the dog's dinner, from before his face. He was rapidly rising in acquirements and virtues, when, in an evil hour, his stable was newly painted. He observed the workmen closely, saw that they were careful of the paint, and immediately burned to possess it. On their going to dinner, he ate up all they had left behind, consisting of a pound or two of white lead; and this youthful indiscretion terminated in death.

Charles John Huffam Dickens (7 February 1812

Charles John Huffam Dickens (7 February 1812

The house's reputation for being haunted has caused it to become "an avoided house," and although the narrator decides to rent it for six months (from October to March) and live there with his spinster sister (Patty), they cannot retain any servants due to a plethora of bizarre house noises. Therefore, by mid-November, Patty suggests that she and John "take the house wholly and solely into our own hands" and live without servants, with the exception of Bottles the stable-man who is deaf and therefore not bothered by the haunted noises.

A Christmas Carol is the most famous, heart-warming and chilling festive story of them all. In these pages we meet Ebenezer Scrooge, whose name is synonymous with greed and parsimony: 'Every idiot who goes about with "Merry Christmas" on his lips, should be boiled with his own pudding, and buried with a stake of holly through his heart'. This attitude is soon challenged when the ghost of his old partner, Jacob Marley, returns from the grave to haunt him on Christmas Eve. Scrooge is then visited in turn by three spirits of Christmas Past, Present and Future, each one revealing the error of his ways and gradually melting the frozen heart of this old miser, leading him towards his redemption. On the journey we take with Scrooge we encounter a rich array of Dickensian characters including the poor Cratchit family with the ailing Tiny Tim and the generous and jolly Fezziwig. When Charles Dickens wrote A Christmas Carol in 1843 he fashioned an enduring gift to the world, capturing the essence of the love, kindness and generosity of the Christmas season. It is a timeless classic and the story’s uplifting magic remains as potent today as when it was first published.

Der Weihnachtsabend - Eine Geistergeschichte ist ein unver nderter, hochwertiger Nachdruck der Originalausgabe. Hansebooks ist Herausgeber von Literatur zu unterschiedlichen Themengebieten wie Forschung und Wissenschaft, Reisen und Expeditionen, Kochen und Ern hrung, Medizin und weiteren Genres. Der Schwerpunkt des Verlages liegt auf dem Erhalt historischer Literatur. Viele Werke historischer Schriftsteller und Wissenschaftler sind heute nur noch als Antiquit ten erh ltlich. Hansebooks verlegt diese B cher neu und tr gt damit zum Erhalt selten gewordener Literatur und historischem Wissen auch f r die Zukunft bei.

Beautiful Stories about Children is an unchanged, high-quality reprint of the original edition of 1898. Hansebooks is editor of the literature on different topic areas such as research and science, travel and expeditions, cooking and nutrition, medicine, and other genres. As a publisher we focus on the preservation of historical literature. Many works of historical writers and scientists are available today as antiques only. Hansebooks newly publishes these books and contributes to the preservation of literature which has become rare and historical knowledge for the future.

Great Expectations is Charles Dickens's thirteenth novel. It is his second novel, after David Copperfield, to be fully narrated in the first person. Great Expectations is a bildungsroman, or a coming-of-age novel, and it is a classic work of Victorian literature. It depicts the growth and personal development of an orphan named Pip. The novel was first published in serial form in Dickens's weekly periodical All the Year Round, from 1 December 1860 to August 1861. In October 1861, Chapman and Hall published the novel in three volumes. Dickens originally intended Great Expectations to be twice as long, but constraints imposed by the management of All the Year Round limited the novel's length. The novel is collected and dense, with a conciseness unusual for Dickens. According to G. K. Chesterton, Dickens penned Great Expectations in "the afternoon of his] life and fame." It was the penultimate novel Dickens completed, preceding Our Mutual Friend. It is set among the marshes of Kent and in London in the early to mid-1800s. The novel contains some of Dickens most memorable scenes, including its opening, in a graveyard, when the young orphan Pip is accosted by the escaped convict, Abel Magwitch. Great Expectations is a graphic book, full of extreme imagery, poverty, prison ships ("the hulks"), barriers and chains, and fights to the death. Upon its release, Thomas Carlyle spoke of "All that Pip's nonsense." Later, George Bernard Shaw praised the novel as "All of one piece and consistently truthfull." Dickens felt Great Expectations was his best work, calling it "a very fine idea," and was very sensitive to compliments from his friends: "Bulwer, who has been, as I think you know, extraordinarily taken by the book." Great Expectations has a colourful cast that has entered popular culture: the capricious Miss Havisham, the cold and beautiful Estella, Joe the kind and generous blacksmith, the dry and sycophantic Uncle Pumblechook, Mr. Jaggers, Wemmick with his dual personality, and the eloquent and wise friend, Herbert Pocket. Throughout the narrative, typical Dickensian themes emerge: wealth and poverty, love and rejection, and the eventual triumph of good over evil. Great Expectations has become very popular and is now taught as a classic in many English classes. It has been translated into many languages and adapted many times in film and other media.

The printed books from Literary Domain Publishing are made on white quality paper with the size of 6"x9" - with a comfortable font size of 10. Most of the books by Literary Domain Publishing are Public Domain and are "re-published" in order to make the books more readily available to the modern era in a quality and standard size of 6"x9" to "look good" in a bookshelf (instead of a "hodge-podge" of sizes). A commentary is usually supplied so a reader can quickly pre-view to see if it is worthwhile to invest the time in reading the book. It also gives an accurate book review by a qualified source or reader.