Charles Dickens

Charles Dickens died half way through writing The Mystery of Edwin Drood, and ever since speculation has been rife as to how the tale might have unfolded. For this intriguing two-part adaptation for BBC2, for prime-time January 2012, acclaimed screenwriter Gwyneth Hughes (Five Days, Miss Austen Regrets) scoured the text for clues indicating how the great author might have finished this masterpiece, and has drawn from those leads a seamless, compelling and surprisingly modern story of obsessive love, betrayal and murder. This tie-in edition of Dickens's unfinished text will also include an Afterword by Gwyneth Hughes, offering her own conclusion, and revealing how she knitted the strands from the original plot and her own work together to bring the book to a satisfying close. Key cast list: Matthew Rhys (Brothers & Sisters) as John Jasper; Rory Kinnear (Hamlet, Women In Love, Lennon Naked) as Reverend Septimus Crisparkle; Freddie Fox (Worried About The Boy, The Shadow Line) as Edwin Drood; Tamzin Merchant (Jane Eyre, Miranda, The Tudors) plays Rosa Bud; Alun Armstrong (New Tricks, Garrow's Law) as Hiram Grewgious, Rosa's guardian; Julia McKenzie (Cranford, Miss Marple) plays the Reverend's mother, Mrs Crisparkle; David Dawson (Luther, The Road To Coronation Street) as Bazzard; Ron Cook (Little Dorrit) as Durdles; Sacha Dhawan (Five Days 2) as Neville Landless; Amber Rose Revah (House Of Saddam) plays Helena Landless, Neville's twin sister; Ian McNeice (Doctor Who) as Mayor Sapsea; Janet Dale (Holby; Casualty) as Miss Twinkleton; Ellie Haddington (Luther) as Princess Puffer; and young Alfie Davis plays Deputy.

One of Charles Dickens's most critically admired novels, this story of a monumental and life-consuming court case features one of his most vast and varied casts of colorful characters. In "Bleak House, " competing claims of love and inheritance--complicated by murder--have given rise to a costly and decades-long legal battle that one litigant refers to as "the family curse." The insidious London fog that rises from the river Thames and seeps into the very bones of the characters symbolizes the pervasive corruption of the legal system and the society that supports it, targets of Dickens's satirical wrath. Displaying Dickens's familiar panoramic sweep and brilliant characters--including the mysterious orphan Esther Summerson, her gentle guardian John Jarndyce, the haughty Lady Dedlock, and the scheming lawyer Mr. Tulkinghorn--the novel is also a bold experimental narrative that unforgettably dramatizes our most basic human conflicts.

One Christmas Eve, after being particularly cruel to his employee, the miserly Ebenezer Scrooge is visited by the ghost of his dead business partner, Jacob Marley, who tells him that he will be visited by the ghosts of Christmas Past, Present, Future. Each ghost shows him things that rekindle the joy and spirit of Christmas within his heart and awaken his goodwill toward his fellow man. In typical fashion, Dickens deals with social injustice in a way that transcends the 19th century. This illustrated version of the classic holiday tale is brough to life with an illustrated Character List (like a Dramatis Personae), 134 pages of color story artwork, and fascinating support material that details the life and work of Charles Dickens as well as information on Victorian England.

Great Expectations will form the centrepiece of the Dickens season this Christmas. Part thriller, part mystery, with a powerful love story at its heart, Sarah Phelps's (Oliver Twist, EastEnders) three-part adaptation embraces all of these qualities, delivering a vibrant, visceral, story. The stellar cast includes Gillian Anderson, David Suchet and Ray Winstone, and it will be broadcast on BBC1 in a prime-time slot in December this year.

The novels of Charles Dickens (1812–70), with their inimitable energy and their comic, tragic and grotesque characters, are still widely read, and reworked for film and television. Dickens himself had the original manuscripts of his works bound and presented them to his friends. That of Great Expectations was given to Chauncy Hare Townshend, with whom Dickens shared an interest in mesmerism and the occult. Townshend bequeathed his library (including the manuscript), together with collections of paintings and objects, to the Wisbech and Fenland Museum in 1868. The manuscript has been newly photographed and is here reproduced in colour and at actual size. The Cambridge Library Collection is also reissuing the serialised version of Great Expectations (1860–1) and the first book edition (1861, in three volumes). Dickens scholars and enthusiasts can now study the work-in-progress, with all its deletions and revisions, alongside the first two published versions.

A delightful holiday collection that includes “A Christmas Carol” and other classic Charles Dickens Christmas stories. As much a part of Christmas as mistletoe and carolers, Dickens’ “A Christmas Carol” was once read publicly on Christmas Eve each year by Dickens himself. This heartwarming tale continues to stir in us the same feelings of repentance, forgiveness, and love that transformed Ebenezer Scrooge from grumbling, “Bah! Humbug!” to sharing Tiny Tim's happy “God bless us, every one!” Dickens’s other Christmas stories prove as rich as his most famous. “A Christmas Tree” describes a Victorian Christmas as seen through a child’s delighted eyes. “Christmas Dinner” celebrates the reunion of a divided family, while the Christmas chapters from The Pickwick Papers move from the exhilaration of a Christmas wedding to a shivery ghost story that foreshadows the spirits seen by Scrooge. Warmly nostalgic and beautifully written, the Christmas stories of Charles Dickens deserve a very special place in our memories and our hearts.

No holiday season is complete without Charles Dickens's timeless tale of redemption starring the tightfisted Mr. Scrooge, the long-suffering Bob Cratchit, kindhearted Tiny Tim, and the Ghosts of Christmas Past, Present, and Future. But "A Christmas Carol" was only the first and most famous of Dickens's holiday tales. In this edition, everyone's favorite misanthrope appears in company with four more Dickens stories--"The Chimes, The Cricket on the Hearth, The Battle of Life," and "The Haunted Man"--that further develop the Chistmas spirit Dickens did so much to invent.

"Psychologically the latter part of Great Expectations is about the best thing Dickens ever did." --George Orwell Philip Pirrip--known more commonly as Pip--is an orphan. His visits to the mysterious Miss Havisham are his only escape from his childhood of poverty. But then an anonymous bequest changes his life for ever--until secrets from Pip's past emerge, threatening to destroy the genteel new life he has built for himself, and Pip soon discovers the merciless cruelty of love, and the harsh reality of his great expectations.

The novels of Charles Dickens (1812–70), with their inimitable energy and their comic, tragic and grotesque characters, are still widely read, and reworked for film and television. The first book edition of Great Expectations was published in three volumes in 1861. It is now reissued in the Cambridge Library Collection simultaneously with the serialised version, published in Dickens' periodical All the Year Round in 1860–1, and a volume of newly photographed actual-size colour images of the entire original manuscript. Dickens himself had the manuscript bound and presented to his friend Chauncy Hare Townshend, with whom he shared an interest in mesmerism and the occult, and in 1868 Townshend bequeathed his library (including the manuscript) to the Wisbech and Fenland Museum. Dickens scholars and enthusiasts will now be able easily to study this three-volume book edition alongside the serial and the work-in-progress, with all its deletions and revisions.

The novels of Charles Dickens (1812–70), with their inimitable energy and their comic, tragic and grotesque characters, are still widely read, and reworked for film and television. The first book edition of Great Expectations was published in three volumes in 1861. It is now reissued in the Cambridge Library Collection simultaneously with the serialised version, published in Dickens' periodical All the Year Round in 1860–1, and a volume of newly photographed actual-size colour images of the entire original manuscript. Dickens himself had the manuscript bound and presented to his friend Chauncy Hare Townshend, with whom he shared an interest in mesmerism and the occult, and in 1868 Townshend bequeathed his library (including the manuscript) to the Wisbech and Fenland Museum. Dickens scholars and enthusiasts will now be able easily to study this three-volume book edition alongside the serial and the work-in-progress, with all its deletions and revisions.