CHRISTOPHER HITCHENS

Bristling with inspired observations and wild anecdotes, this first collection offers a unique insight into the voice and mind of the inimitable Hunter S. Thompson, as recorded in the pages of Playboy , The Paris Review , Esquire , and elsewhere. Fearless and unsparing, the interviews detail some of the most storied episodes of Thompson's life: a savage beating at the hands of the Hells Angels, talking football with Nixon on the 1972 Campaign Trail ( the only time in 20 years of listening to the treacherous bastard that I knew he wasn't lying"), and his unlikely run for sheriff of Aspen. Elsewhere, passionate tirades about journalism, culture, guns, drugs, and the law showcase Thompson's voice at its fiercest. Arranged chronologically, and prefaced with Anita Thompson's moving account of her husband's last years, the interviews present Hunter in all his fractured brilliance and provide an exceptional portrait of his times.

Das Kultbuch für Ungläubige und alle, die es werden wollen Religion und der Glaube an Gott sind von Menschen gemachte Dinge, die "alles vergiften". Christopher Hitchens, erfolgreicher Journalist und bekennender Atheist, beschreibt prägnant und schonungslos, wie Religion zur Gewalttätigkeit gegen Andersgläubige und Ungläubige führt. In seinem fulminanten Rundumschlag beleuchtet er Entstehung, Verbreitung und Wirkung von Glaubensgemeinschaften und macht deutlich, wie verheerend ihr Einfluss auf Politik und Gesellschaft gerade heute (wieder) ist. DIE Antwort auf das Thema Glauben: informativ, unterhaltsam, provokant. "Operation gelungen. Gott ist tot." WELT online

Christopher Hitchens, the #1 New York Times best-selling author of God Is Not Great has been called a Tom Paine for our times, and in this addition to the Books that Changed the World Series, he vividly introduces Paine and his Declaration of the Rights of Man, the world's foremost defense of democracy. Inspired by his outrage at Edmund Burke's attack on the French Revolution, Paine's text is a passionate defense of man's inalienable rights, and the key to his reputation. Ever since the day of publication in 1791, Declaration of the Rights of Man has been celebrated, criticized, maligned, suppressed, and co-opted, but in Thomas Paine's Rights of Man, Hitchens marvels at its forethought and revels in its contentiousness. Famous as a polemicist and provocative commentator, Hitchens is a political descendent of the great pamphleteer. In this engaging work he demonstrates how Thomas Paine's book forms the philosophical cornerstone of the United States of America, and how "in a time when both rights and reason are under attack, the life and writing of Thomas Paine will always be part of the arsenal on which we shall need to depend."

Throughout history, arguments for and against the existence of God have been largely confined to philosophy and theology, while science has sat on the sidelines. Despite the fact that science has revolutionized every aspect of human life and greatly clarified our understanding of the world, somehow the notion has arisen that it has nothing to say about the possibility of a supreme being, which much of humanity worships as the source of all reality. This book contends that, if God exists, some evidence for this existence should be detectable by scientific means, especially considering the central role that God is alleged to play in the operation of the universe and the lives of humans. Treating the traditional God concept, as conventionally presented in the Judeo-Christian and Islamic traditions, like any other scientific hypothesis, physicist Stenger examines all of the claims made for God's existence. He considers the latest Intelligent Design arguments as evidence of God's influence in biology. He looks at human behavior for evidence of immaterial souls and the possible effects of prayer. He discusses the findings of physics and astronomy in weighing the suggestions that the universe is the work of a creator and that humans are God's special creation. After evaluating all the scientific evidence, Stenger concludes that beyond a reasonable doubt the universe and life appear exactly as we might expect if there were no God. This paperback edition of the New York Times bestselling hardcover edition contains a new foreword by Christopher Hitchens and a postscript by the author in which he responds to reviewers' criticisms of the original edition.

The Parthenon Marbles (formerly known as the Elgin Marbles), designed and executed by Pheidias to adorn the Parthenon, are perhaps the greatest of all classical sculptures. In 1801, Lord Elgin, then ambassador to the Turkish government, had chunks of the frieze sawn off and shipped to England, where they were subsequently seized by Parliament and sold to the British Museum to help pay off his debts. This scandal, exacerbated by the inept handling of the sculptures by their self-appointed guardians, remains unresolved to this day. In his fierce, eloquent account of a shameful piece of British imperial history, Christopher Hitchens makes the moral, artistic, legal and political case for re-unifying the Parthenon frieze in Athens. The opening of the New Acropolis Museum emphatically trumps the British Museum's long-standing (if always questionable) objection that there is nowhere in Athens to house the Parthenon Marbles. With contributions by Nadine Gordimer and Professor Charalambos Bouras, The Parthenon Marbles will surely end all arguments about where these great treasures belong, and help bring a two-centuries-old disgrace to a just conclusion.

"God Is Not Great" is the ultimate case against religion. In a series of acute readings of the major religious texts, Christopher Hitchens demonstrates the ways in which religion is man-made, dangerously sexually repressive and distorts the very origins of the cosmos. Above all, Hitchens argues that the concept of an omniscient God has profoundly damaged humanity, and proposes that the world might be a great deal better off without 'him'.

Presents excerpts on the subject of religion from the writings of such notable non-believers as John Stuart Mill, Karl Marx, Charles Darwin, Mark Twain, H. L. Mencken, Albert Einstein, Richard Dawkins, and Salman Rushdie.

In a collection of essays and meditations, the popular columnist for "Vanity Fair" and "The Nation" shares his thoughts on the art of being contrary, celebrating the roles of radicals, mavericks, rebels, and dissidents in promoting political, social, andcultural debate.

One of the nation's great polemicists shares essays on a wide range of subjects, including President Clinton, Mother Teresa, Noam Chomsky, Mel Gibson, the Dalai Lama, and Michael Bloomberg, among others.

Since the end of the Cold War so-called experts have been predicting the eclipse of America's "special relationship" with Britain. But as events have shown, especially in the wake of 9/11, the political and cultural ties between America and Britain have grown stronger. Blood, Class and Empire examines the dynamics of this relationship, its many cultural manifestations--the James Bond series, PBS "brit Kitsch," Rudyard Kipling--and explains why it still persists. Contrarian, essayist and polemicist Christopher Hitchens notes that while the relationship is usually presented as a matter of tradition, manners, and common culture, sanctified by wartime alliance, the special ingredient is empire; transmitted from an ancien regime that has tried to preserve and renew itself thereby. England has attempted to play Greece to the American Rome, but ironically having encouraged the United States to become an equal partner in the business of empire, Britain found itself supplanted.

The author of Letters to a Young Contrarian and The Trial of Henry Kissinger evaluates the life of George Orwell, taking a candid look at his revolutionary work and perspectives on fascism, empire, feminism, and England. Reprint. 35,000 first printing.

Är Henry Kissinger ­ vinnare av Nobels fredspris, USA:s utrikesminister under Nixon och Ford och den mest ryktbare diplomaten i sin generation ­ också krigsförbrytare? Den frågan ställer författaren Christopher Hitchens i den här uppmärksammade boken. Med hjälp av ögonvittnesskildringar och tidigare opublicerat material porträtterar Christopher Hitchens en man vars hänsynslösa ambitioner resulterat i både lönnmord och folkmord. Hitchens spårar Kissingers framfart från Sydostasien till Cypern, från Östtimor till Chile. Tvärs genom ett tjockt nät av lögner och mörkläggning frilägger han den fasansfulla verklighet som är en del av usa:s utrikespolitik under 1970-talet. Arresteringen av Pinochet och Milosevic ökar möjligheten för en global lagstiftning att komma åt internationella brottslingar. Henry Kissinger har anledning att vara nervös. Rättvisan står för dörren. Cristopher Hitchens, född 1949 i engelska Portsmouth, är bland annat verksam som kolumnist på Vanity Fair och The Nation. Han har skrivit en lång rad böcker, bl a om Bill Clinton, moder Teresa, Cypern och Irakkriget. Henry Kissinger inför rätta (2001) är den första av Cristopher Hitchens böcker som ges ut på svenska. Översättning: C-M Edenborg

For half a century, the United Nations building in New York has been the focus of international inspiration. Its podium has seen petitioners for peace, for independence, for justice. Its murals and statuary express the loftiest ideals. Born of World War II and the struggle against fascism, the UN has been the parent body of many small states, and an arena for the peaceful composition of disputes between the powers. Yet, under its flag, wars have been fought and imperfect compromises brokered. The high language of its universal declarations on human rights and dignities has become cheapened by cynicism. Its servants and institutions have been exposed to decay and corruption. Meanwhile, the filiations of power and alignment which created the world body have been radically altered, while the hierarchy of the UN itself has not. These and other ironies and contradictions are visible in the Headquarters Building on the East River of Manhattan-a building that enshrined the most optimistic elements of modernism in design and symbolized them in function but which was also, from the first, an occasion of dispute between the Rockefellers and Le Corbusier and thus, indirectly, between two conceptions of world order. In a series of photographs, Adam Bartos affirms the beauty of the UN's modern architecture, while capturing the wear and tear of an idealism thwarted by decades of diplomatic compromise. The text, by Christopher Hitchens, explores the themes of utopia and the limits of governmental good intentions. In a striking series of colour photographs, Adam Bartos affirms the beauty of the UN's modern architecture while capturing the wear and tear of an idealism thwarted by decades of diplomatic compromise. The accompanying text, written with characteristic wit and acuity by Christopher Hitchens, explores the themes of Utopia and the limits of governmental good intentions.