Christopher Isherwood

""Vedanta and the West"" is a book written by Christopher Isherwood, which was first published in November-December 1962 as issue No. 158 of a magazine of the same name. The book explores the intersection of Vedanta, a Hindu philosophy, and Western culture. Isherwood, a British-American writer and Vedanta practitioner, offers insights into how Vedanta has influenced Western thought and spirituality. The book is divided into several sections, including essays on Vedanta and its relationship to Christianity, the role of the guru in Vedanta, and the practice of meditation. Isherwood draws on his own experiences as a Vedanta practitioner and his knowledge of Western philosophy and literature to provide a thoughtful and engaging analysis of the topic. The book is recommended for anyone interested in exploring the intersection of Eastern and Western spirituality and philosophy. Includes Introduction To Vivekananda, By Christopher Isherwood; Vivekananda And His Message, By Swami Prabhavananda; And Swamiji In Southern California, By Brahmacharini Usha. This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.

In 1939, Christopher Isherwood and W H Auden emigrated together to the United States. This title describes Isherwood's search for a new life in California; his work as a screenwriter in Hollywood, his pacifism during World War II and his friendships with such gifted artists and intellectuals as Garbo, Chaplin, Thomas Mann, and more.

In this brilliantly perceptive novel, a middle aged professor living in California is alienated from his students by differences in age and nationality, and from the rest of society by his homosexuality. Isherwood explores the depths of the human soul and its ability to triumph over loneliness, alienation and loss.

Isherwood's short, poignant novel is a tender and wistful love story Celebrated as a masterpiece from its first publication, A Single Man is the story of George, an English professor in suburban California left heartbroken after the death of his lover, Jim.

In the 1960s, Christopher Isherwood gave an unprecedented series of lectures at California universities on the theme “A Writer and His World.” During this time Isherwood, who would liberate the memoir and become the founding father of modern gay writing, spoke openly for the first time about his craft—on writing for film, theater, and novels—and on spirituality. Isherwood on Writing brings these public addresses together to reveal a distinctly—and surprisingly—American Isherwood. Given at a critical time in Isherwood’s career, these lectures mark the era when he turned from fiction to memoir. In free-flowing, wide-ranging discussions, he reflects on such topics as why writers write, what makes a novel great, and what influenced his own work. Isherwood talks about his working relationship with W. H. Auden; his literary friendships with E. M. Forster, Virginia Woolf, Stephen Spender, Aldous Huxley, and Somerset Maugham; and his work in the film industry in London and Hollywood. He also explores uncharted territory in candid comments on his own work, something not contained in his diaries. Isherwood on Writing uncovers an important and often-misunderstood time in Isherwood’s life in America. The lectures present, in James J. Berg’s words, “an example of a man, comfortable in his own sexuality and self, trying to talk about himself and his own life in a society that is not yet ready to hear the whole story.” A major figure in twentieth-century fiction and the gay rights movement, Christopher Isherwood (1904–1986) is the author of many books, including A Single Man and Down There on a Visit, available from Minnesota. James J. Berg is dean of liberal arts and sciences at Lake Superior College in Duluth, Minnesota. He is editor, with Chris Freeman, of The Isherwood Century: Essays on the Life and Work of Christopher Isherwood (winner of the Lambda Award) and Conversations with Christopher Isherwood. Claude Summers is professor emeritus of English at the University of Michigan, Dearborn and author of many works, including Gay Fictions: Wilde to Stonewall.

Opening a window into the most fascinating and, in many ways, most mysterious period in Christopher Isherwood's life, Kathleen and Christopher collects more than one hundred previously unpublished letters the young author wrote to his mother between 1935 and 1940. Composed while he was still a struggling writer, they offer a brilliant eyewitness account of Europe on the brink of war and an intimate look at the early career of a major literary figure. Because Isherwood destroyed his diaries from these years, these letters—published for the first time and edited and introduced by Lisa Colletta—provide one of the few records of this part of his life not filtered through the lens of time and memory. They contain requests for money and books, descriptions of his travels, stories of his friends W. H. Auden and Stephen Spender, reactions to the critical reception of his Berlin Stories, and a tense account of his failed attempt to save his lover Heinz from conscription into the Nazi military. The final letters in this volume document Isherwood's journey to Los Angeles, where he permanently settled. Also included are thirty images from Isherwood's personal photo album and reproductions of postcards from his international travels. Warm, confiding, and sometimes quite caustic, the letters also reveal a closer affection between the young Isherwood and his mother than his biographers have portrayed. While Isherwood acknowledged that it took him a long time to come to terms with his mother's influence on his life, the letters in Kathleen and Christopher dispute the prevalent idea that theirs was a relationship rife with conflict. Isherwood's everyday correspondence, written in extraordinary times, reveals a complex yet wholly recognizable and very close bond between mother and son. She was for him, in turns, an agent, a sounding board, and an unbreakable connection to England. Lisa Colletta is assistant professor of English at Babson College. She is the author of Dark Humor and Social Satire in the Modern British Novel.

Christopher Isherwood settled in California in 1939 and spent the war years writing for Hollywood, but by 1945 he had all but ceased to write fiction and even abandoned his habit of keeping a diary. Looking back from the 1970s, Isherwood recreated these years from personal memories to form a remarkably honest mixture of private and social history.

After a chance encounter on a train the English teacher William Bradshaw starts a close friendship with the mildly sinister Arthur Norris. Norris is a man of contradictions; First published in 1933 Mr Norris Changes Trains piquantly evokes the atmosphere of Berlin during the rise of the Nazis.

This is a jointly-authored film treatment, found in one of Huxley's old trunks. The story is set in the 1920s and involves a ranch worker who has the power to heal with his hands.

Christopher Isherwood gives fascinating insight into pre-war Berlin. MR NORRIS CHANGES TRAINSThe first of Christopher Isherwood's classic 'Berlin' novels, this portrays the encounter and growing friendship between young William Bradshaw and the urbane and mildly sinister Mr Norris.

Set in the 1930s, Goodbye to Berlin evokes the glamour and sleaze, excess and repression of Berlin society. Isherwood shows the lives of people at threat from the rise of the Nazis: a wealthy Jewish heiress, Natalia Landauer, a gay couple, Peter and Otto, and an English upper-class waif, the divinely decadent Sally Bowles.