Daniel Cohen

In these retellings, Daniel Cohen draws on ancient myths, ballads and tales with an insightful new twist, telling them against the conventional grain to act as a critique of men and society. His stories teach us much about ourselves, providing new insights into gender roles, especially those involving heroism today. We have a real need for magical champions, but not male heroes who dominate. Daniel reveals heroes who relate. These stories address men's relationships with women and each other, and their role in the natural world. They are designed to support men in using their talents and strengths to heal rather than harm, to find new and non-oppressive ways of behaving. The insights of feminism and Goddess spirituality shine through the stories. To Cohen, stories form a prism through which we see the world. We define our lives by the stories we tell ourselves and each other about our childhoods, friends, work, ambitions, and hopes. It is not the world of facts, he says, which gives us meaning, but the world of imagination, making stories supremely important. But his depth of understanding of the world brings to his tales many fine details that other storytellers might miss. Old stories, says Cohen, have great power, because they relate to matters that have remained important through many changes in society. That is why they have survived. Public stories help define our culture, telling us what is permissible and what is not, what and who are admired, and how we wish to treat each other. By changing the stories we tell we can change our understanding and behaviour. The stories in this remarkable little book are not presented here merely as teaching tools. These well-crafted tales have their own intrinsic value and their own life. They are told because they simply came bubbling up, insisting that they be heard, and would not let go of the author until he wrote them down and shared them with the world. Daniel Cohen's retellings of Greek and Celtic myths take my breath away and make my spine tingle, pointing the way to a transformation of the cultures of domination that have shaped our world, causing so much damage to all of us and the web of life. Carol P. Christ (author of Rebirth of the Goddess and She Who Changes.)Daniel draws on ancient texts, myths, ballads and tales with an insightful new twist, wry and uniquely his own. Robin Williamson (bard, storyteller, founder-member of the Incredible String Band.)These retellings are brave, beautiful and original, combining a genuine appreciation of the original myths and legends with a rigorous new system of ethics. Ronald Hutton (author of The Triumph of the Moon, The Pagan Religions of the Ancient British Isles, and many other books and articles.)I've read no better storyteller than Daniel Cohen. And my standards are high. I laugh with joy at his mysticism and perceptive wit, sigh with relief, find healing through his gifts. Francesca De Grandis (author of Bardic Alchemy: Enchanted Tales about the Quest for Goddess and Self.)This witty, insightful book inspires us to incubate myths in the rich ground of daily life and discover how they can still surprise us. Caitlin Matthews (author of Sophia, Goddess of Wisdom, King Arthur's Raid. Mabon and the Guardians of Celtic Britain, and many other books.)Cohen's stories teach us insights into gender roles, especially those involving heroism today. The author sees behind stories' seams through his critical eye and voice. These are long-polished re-viewing and re-insighting narratives of classical and late-European stories. They make me wish I had children to tell them to. Notes at the end explain starting points for these engaging narratives. William G. Doty (author of Myths: a Handbook, Myths of Masculinity, and other writings on myth.)This small but mould-shattering volume left me stunned and breathless many times over. Wildheart

Selected by Choice magazine as an Outstanding Academic Title Digital History: A Guide to Gathering, Preserving, and Presenting the Past on the Web provides for the first time a plainspoken and thorough introduction to the web for historians-teachers and students, archivists and museum curators, professors as well as amateur enthusiasts-who wish to produce online historical work or to build upon and improve the projects they have already started in this important new medium. The book takes the reader step by step through planning a project, understanding the technologies involved and how to choose the appropriate ones, designing a site that is both easy to use and scholarly, digitizing materials in a way that makes them web-friendly while preserving their historical integrity, and reaching and responding to an intended audience effectively. It also explores the repercussions of copyright law and fair use for scholars in a digital age and examines more cutting-edge web techniques involving interactivity, such as sites that use the medium to solicit and collect historical artifacts. Finally, the book provides basic guidance for ensuring that the digital history the reader creates will not disappear in a few years. Throughout, Digital History maintains a realistic sense of the advantages and disadvantages of putting historical documents, interpretations, and discussions online. The authors write in a tone that makes Digital History accessible to those with little knowledge of computers, while including a host of details that more technically savvy readers will find helpful. And although the book focuses particularly on historians, those working in related fields in the humanities and social sciences will also find this to be a useful introduction. Digital History builds upon more than a decade of experience and expertise in creating pioneering and award-winning work by the Center for History and New Media at George Mason University.

In this book, Daniel Cohen explores the connections between arguments and metaphors most pronounced in philosophy, because philosophical discourse is both thoroughly metaphorical and replete with argumentation. The metaphors we use for arguments, as well as the ways we use metaphors as arguments and in arguments, provides the basis for a tripartite theoretical framework for understanding and evaluating arguments. There are logical, rhetorical, and dialectical dimensions to arguments, each providing norms for conduct, vocabulary for evaluation, and criteria for success. In turn, the identified roles for arguments in general discourse can be applied to metaphors, helping to explain what they mean and how they work. Cohen covers the nature of arguments, their modes and structures, and the principles of their evaluation. He also addresses the nature of metaphors, their place in language and thought, and their connections to arguments, identifying and reconciling arguments' and metaphors' respective roles in philosophy.