Donna Campbell

In over 270 color photographs, this book is a tour through modern aircraft paint schemes and markings, with its shark's teeth, heavy metal magic, and racy ladies. The reader will journey to: a European Tiger Meet where tiger and jungle cat paint schemes are the rule and not the exception - A-10 Thunderbolts and F-4 Phantom IIs - a stroll into Operation Desert Storm, and a first hand look at the Tornados, Victors, and C-130s which were participants - for perhaps the first time, a close-up look into the weapons bays of the now infamous F-117 Stealth fighter and the hidden humor of weapons bay art - a look at the colorful metaphors painted on the weapons to be delivered to Saddam Hussein - rare F-105 Thunderchief bomb bay door art, and the clever names on the intakes and panels of just about any active duty aircraft of the last twenty years. John and Donna Campbell are the authors of Talisman - A Collection of Nose Art, from Schiffer Military/ Aviation History.

"My Mommy and Daddy Co-Parent" by author DonnaCampbell is a lovingly written and beautifully illustrated resource for parents seeking a wayto explain why they live with only one parent at a time, while other children may live withboth parents.

Oliver Copeland is the kind, courageous, and altruistic son of the wealthy Copeland family, CEO of a major world corporation, and a prisoner of his own pride. For years he has tried to hide the effects of the horrific skiing accident that left him impaired. Still wearing the scars from an ex-wife that abused him physically and emotionally, he only wants to get back to being the man he used to be, take care of his daughter Sarah, and be a good son to the magnanimous Catherine Copeland. While Catherine wants her son to find romance, Oliver doesn't trust anyone could love the broken man he sees when he looks in the mirror. His search for recognition as who he used to be is leading him down a dangerous path to people willing to give him what he is looking for while they try to take his money and maybe his life. This is the second novel in The Belle Cay Saga. The first book, Masquerade has been called, "A great read," "a page turner," with great fleshed out characters, and unexpected turns.

I pray this devotional will be a help to you. Whether you are new to Jesus or have followed Him for many years, knowing who you are in Him will free you to revel in His love, walk in the image of Christ, and realize the potential of who you were created to be. You are a child of God, His friend, His bride, and a citizen of Heaven. This devotional will help you understand just what that can mean to your life. To understand who you are to God completely, you need to know who God is. This book about your identity in Christ also studies what the Bible says about who God is. Knowing Him gives you the ability to trust Him more, grow your faith, and walk in the obedience of a powerful, kingdom affecting Christian. I have written this book, one devotional at a time, one day at a time. I have prayed over each and every study and have leaned on the Holy Spirit to help me. I have also prayed for you, Reader that you will be overwhelmed with the awesome love of God, experience who He is and celebrate both God and who you are to Him so that you can go out and be Salt & Light to the world.

When James Lane Allen defined the "Feminine Principle" and the "Masculine Principle" in American fiction for the Atlantic Monthly in 1897, he in effect described local color fiction and naturalism, two branches of realism often regarded as bearing little relationship to each other. In this award-winning study of both movements, Resisting Regionalism explores the effect the cultural dominance of women's local color fiction in the 1890's had on young male naturalist writers, who rebelled against the local colorists and their "teacup tragedies." An immensely popular genre, local color fiction reached its peak in the 1880s in such literary journals as Harper's Monthly, Scribner's, the Atlantic Monthly, and the Century. These short stories exhibited local "characters," depicted marginal groups and vanishing folkways, and addressed issues of absence, loss, limitation, and the past. Despite such prickly themes, according to Donna Campbell, local color fiction "fulfilled some specific needs of the public – for nostalgia, for a retreat into mildly exotic locales, for a semblance of order preserved in ritual." By the turn of the century, however, local color fiction was fading from the scene, supplanted by writers of adventure fiction and historical romances, with whom local colorists increasingly merged, and opposed by the naturalists. In examining this historic shift, Resisting Regionalism shows that far from being distanced from local color fiction, nationalism emerged in part as a dissenting response to its popularity and to the era's concerns about the dominance of feminine influence in American literature. The new generation of authors, including Crane, Norris, London, Frederic, Wharton, resisted the cultural myths and narrative strategies common to local colorists Sarah Orne Jewett, Rose Terry Cooke, Mary E. Wilkins Freeman, and Constance Fenimore Woolson. Yet, as Campbell underscores in her analysis of Stephan Crane's The Monster, the naturalists could, and did, integrate local color conventions with the grotesque and horrifying to powerful effect. In clear, accessible prose, Resisting Regionalism provides fresh readings of naturalistic works in the context of the dispute between local color and naturalism. In the process, this book shows the debt naturalism owes to local color fiction and illuminates a neglected but significant literary era.