E. M. Forster

When a young English widow takes off on the grand tour and along the way marries a penniless Italian, her in-laws are not amused. That the marriage should fail and poor Lilia die tragically are only to be expected. But that Lilia should have had a baby -- and that the baby should be raised as an Italian -- are matters requiring immediate correction by Philip Herriton, his dour sister Harriet, and their well-meaning friend Miss Abbott.

Howards End is a novel by E. M. Forster, first published in 1910, about social conventions, codes of conduct, and personal relationships in turn-of-the-century England. Howards End is considered by some to be Forster's masterpiece. In 1998, the Modern Library ranked Howards End 38th on its list of the 100 best English-language novels of the 20th century.

First published in 1910, "Howards End" is E. M. Forster's classic story regarding social conventions of different strata of English society at the end of the 19th century. The story centers around three families; the Wilcoxes, a wealthy family who made their fortune in the African colonies; the Schlegels, three siblings, Margaret, Helen, and Tibby, who represent the intellectual bourgeoisie; and the Basts, a young struggling couple from a lower class background. The Schlegels are lively socialites whose spirited and active lifestyles bring them by chance into contact with the Wilcoxes and the Basts. Through the entanglement between these three families, Forster masterfully depicts the struggle between the upper and lower classes that would dominate England at the end of the 19th century. Forster drew upon memories of his childhood home, Rooks Nest in Hertfordshire, for the titular Howards End, a country estate of the Wilcoxes where part of the story takes place, and whose ownership comes into question when the Wilcox matriarch, Ruth, makes a death-bed bequeath of the estate to Margaret Schlegel. The fate of Howards End, and the lives of the family's affiliated with it, is brilliantly represented by Forster as a parallel to the fate of English Society itself at the turn of the century. This edition is printed on premium acid-free paper.

Rickie Elliot, a sensitive and congenitally lame young man, orphaned at the age of 15, escapes from the misery of suburban life and the bullying of public school to Cambridge, where, like Forster himself, he finds sympathetic friends, chief amongst them Ansell, a grocer's son. He has literary aspirations (his short stories, Arcadian pastoral fantasies, are remarkably like Forster's own), but is also attracted by Agnes Pembroke, the conventional but beautiful sister of a schoolmaster friend and protector, and by her handsome, athletic, ex-bully fianc Gerald

A traveler steps off the road and finds himself in an alternate reality. A sullen boy accidentally summons a spirit. A man gets more than he bargained for when he buys his fianc e a plot of wooded land. These six stories deal with transformations, the truth of the imagination, and the effect of the unseen on ordinary lives. By juxtaposing the Edwardian English with pagan mythology, E. M. Forster created in this collection a work of lasting strangeness and great beauty

Full text. One of the best romantic novels ever written. A 1908 story by English writer E. M. Forster, about a young woman, Lucy Honeychurch, in the restrained culture of Edwardian era England. Lucy has her rigid, middle-class life mapped out for her until she visits Florence with her uptight cousin Charlotte, and finds her neatly ordered existence thrown off balance. Her eyes are opened by the unconventional characters she meets at the Pension Bertolini: flamboyant romantic novelist Eleanor Lavish, the Cockney Signora, curious Mr Emerson and, most of all, his passionate son George. Lucy finds herself torn between the intensity of life in Italy and the repressed morals of Edwardian England, personified in her terminally dull fianc Cecil Vyse. Will she ever learn to follow her own heart?

In common with much of his other writing, this work by the eminent English novelist and essayist E. M. Forster (1879-1970) displays an unusually perceptive view of British society in the early 20th century. Written in 1908, A Room with a View is a social comedy set in Florence, Italy, and Surrey, England. Its heroine, Lucy Honeychurch, struggling against straitlaced Victorian attitudes of arrogance, narrow-mindedness and snobbery, falls in love-while on holiday in Italy-with the socially unsuitable George Emerson. Caught up in a claustrophobic world of pretentiousness and rigidity, Lucy ultimately rejects her fianc , Cecil Vyse, and chooses, instead, to wed her true love, the young man whose sense of freedom and lack of artificiality became apparent to her in the Italian pensione where they first met. This classic exploration of passion, human nature and social convention is reprinted here complete and unabridged.