F. Scott Fitzgerald

In 1913, when Anthony Patch was twenty-five, two years were already gone since irony, the Holy Ghost of this later day, had, theoretically at least, descended upon him. Irony was the final polish of the shoe, the ultimate dab of the clothes-brush, a sort of intellectual "There "-yet at the brink of this story he has as yet gone no further than the conscious stage. As you first see him he wonders frequently whether he is not without honor and slightly mad, a shameful and obscene thinness glistening on the surface of the world like oil on a clean pond, these occasions being varied, of course, with those in which he thinks himself rather an exceptional young man, thoroughly sophisticated, well adjusted to his environment, and somewhat more significant than any one else he knows. This was his healthy state and it made him cheerful, pleasant, and very attractive to intelligent men and to all women. In this state he considered that he would one day accomplish some quiet subtle thing that the elect would deem worthy and, passing on, would join the dimmer stars in a nebulous, indeterminate heaven half-way between death and immortality. Until the time came for this effort he would be Anthony Patch-not a portrait of a man but a distinct and dynamic personality, opinionated, contemptuous, functioning from within outward-a man who was aware that there could be no honor and yet had honor, who knew the sophistry of courage and yet was brave.

The Curious Case of Benjamin Button: Large Print by Francis Scott Fitzgerald This story was inspired by a remark of Mark Twain's to the effect that it was a pity that the best part of life came at the beginning and the worst part at the end. By trying the experiment upon only one man in a perfectly normal world I have scarcely given his idea a fair trial. Several weeks after completing it, I discovered an almost identical plot in Samuel Butler's "Note-books." The story was published in "Collier's" last summer and provoked this startling letter from an anonymous admirer in Cincinnati: "Sir-- I have read the story Benjamin Button in Colliers and I wish to say that as a short story writer you would make a good lunatic I have seen many peices of cheese in my life but of all the peices of cheese I have ever seen you are the biggest peice. I hate to waste a peice of stationary on you but I will."

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Part of the Chiltern Classics range. Nick Carraway rents a property on Long Island, where the new moneyed class are given to ostentatious displays of wealth. None more so than the mysterious Jay Gatsby, a man who throws lavish parties for uninvited guests. After befriending his enigmatic neighbour, Nick helps reconnect Gatsby with his lost love Daisy Buchanan, now married and living tantalizingly close by. The rekindling of their passion has explosive ramifications, and the secrets of Gatsby's murky past are finally revealed. Part of the Chiltern Classics range. Chiltern are publishers of exquisitely crafted editions of the world's finest classic literature. These beautiful books are a perfect mix of tradition and the very latest in printing techniques. With wonderful original, detailed and embossed covers, sparkling gilt edges, cream art paper, ribbon markers and stitched binding they are simply the most beautiful classics ever published. This book has a matching lined journal (sold separately). They make a great gift when paired together but are also just as beautiful on their own.

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The heir to his grandfather’s considerable fortune, Anthony Patch is led astray from the path to gainful employment by the temptations of the 1920s Jazz Age. His descent into dissolution and profligacy is accelerated by his marriage to the attractive but turbulent Gloria, and the couple soon discover the dangerous flip side of a life of glamour and debauchery. Containing obvious parallels with F. Scott and Zelda Fitzgerald’s own lives, The Beautiful and Damned is a tragic examination of the pitfalls of greed and materialism and the transience of youth and beauty.

Den store Gatsby [The Great Gatsby] är jazzerans, det dekadenta tjugotalets portalverk och den ultimata romanen om »den amerikanska drömmen«. Det kvittar hur många gånger den blir film. Eller teater. Eller opera. Det är genom F. Scott Fitzgeralds mästerliga prosa som historien om den skrupellöse och extravagante Jay Gatsby, berättad av den redlige Nick Carraway, lever vidare som den stora amerikanska klassikern. I svensk översättning av Gösta Olzon. F. SCOTT FITZGERALD [1896-1940] var en amerikansk författare, född i St. Paul, Minnesota. Det ter sig passande att han myntade begreppet »jazzeran«. Äktenskapet med Zelda Montgomery är legendariskt, så även parets bekantskaper med till exempel Gertrude Stein och Ernest Hemingway och deras livsstil i Paris på tjugotalet. Mästare i novellgenren som han också var, är det logiskt att den mest berömda romanen är den kortaste: The Great Gatsby [1925]. Rankad 2:a [efter James Joyces Odysseus] på Modern Librarys lista över »Världens hundra bästa engelskspråkiga romaner«. Rankad på plats 46 i franska Le Mondes lista över »Världens hundra bästa romaner«.

The first short story collection by F. Scott Fitzgerald, "Flappers and Philosophers" was originally published in 1920. The eight stories of the collection are set in the era for which the author is best known, the Jazz Age, a term Fitzgerald himself coined. While perhaps best known for his novels, Fitzgerald was a prolific and accomplished short story writer and found the most fame and fortune during his career in writing short stories for magazines, such as the Saturday Evening Post. Included in this collection are some of his most famous and romantic short stories, such as "The Offshore Pirate" and "Head and Shoulders," which mirror many of the themes in his novels: mismatched lovers, the sacrifice of career goals for love, and bittersweet endings. Fitzgerald's versatility and range as an author can be seen in the melancholy and tragic examination of a long marriage in "The Cut-Glass Bowl" when compared to the tale of youthful competition and revenge in "Bernice Bobs Her Hair." These short stories demonstrate why Fitzgerald is considered one of America's very best authors. This edition is printed on premium acid-free paper.

Amory Blaine inherited from his mother every trait, except the stray inexpressible few, that made him worth while. His father, an ineffectual, inarticulate man with a taste for Byron and a habit of drowsing over the Encyclopedia Britannica, grew wealthy at thirty through the death of two elder brothers, successful Chicago brokers, and in the first flush of feeling that the world was his, went to Bar Harbor and met Beatrice O'Hara. In consequence, Stephen Blaine handed down to posterity his height of just under six feet and his tendency to waver at crucial moments, these two abstractions appearing in his son Amory. For many years he hovered in the background of his family's life, an unassertive figure with a face half-obliterated by lifeless, silky hair, continually occupied in "taking care" of his wife, continually harassed by the idea that he didn't and couldn't understand her.

As long ago as 1860 it was the proper thing to be born at home. At present, so I am told, the high gods of medicine have decreed that the first cries of the young shall be uttered upon the anesthetic air of a hospital, preferably a fashionable one. So young Mr. and Mrs. Roger Button were fifty years ahead of style when they decided, one day in the summer of 1860, that their first baby should be born in a hospital. Whether this anachronism had any bearing upon the astonishing history I am about to set down will never be known. I shall tell you what occurred, and let you judge for yourself. The Roger Buttons held an enviable position, both social and financial, in ante-bellum Baltimore. They were related to the This Family and the That Family, which, as every Southerner knew, entitled them to membership in that enormous peerage which largely populated the Confederacy. This was their first experience with the charming old custom of having babies-Mr. Button was naturally nervous. He hoped it would be a boy so that he could be sent to Yale College in Connecticut, at which institution Mr. Button himself had been known for four years by the somewhat obvious nickname of "Cuff."

Flappers and Philosophers was F. Scott Fitzgerald's first collection. Today Fitzgerald is known primarily for writing the great American novel The Great Gatsby, but during his lifetime he was much better known for his short stories. After reading this wonderful collection you'll understand why. Few writers have ever been capable of such a breadth of range as Fitzgerald displays here. Witty, cutting, insightful, and charming

Flappers and Philosophers was F. Scott Fitzgerald's first collection. Today Fitzgerald is known primarily for writing the great American novel The Great Gatsby, but during his lifetime he was much better known for his short stories. After reading this wonderful collection you'll understand why. Few writers have ever been capable of such a breadth of range as Fitzgerald displays here. Witty, cutting, insightful, and charming

Francis Scott Key Fitzgerald (September 24, 1896 - December 21, 1940) was an American writer of novels and short stories, whose works are evocative of the Jazz Age, a term he coined himself. He is widely regarded as one of the twentieth century's greatest writers. Fitzgerald is considered a member of the "Lost Generation" of the Twenties. He finished four novels, including This Side of Paradise, with another published posthumously, and wrote dozens of short stories that treat themes of youth and promise along with despair and age. This Side of Paradise is the debut novel of F. Scott Fitzgerald. Published in 1920, and taking its title from a line of the Rupert Brooke poem Tiare Tahiti, the book examines the lives and morality of post-World War I youth. Its protagonist, Amory Blaine, is an attractive Princeton University student who dabbles in literature and has the book's theme of love warped by greed and status-seeking. In the summer of 1919, 22-year-old Fitzgerald broke up with the girl he had been courting, Zelda Sayre. After being drunk for much of the summer he returned to St. Paul, Minnesota, where his family lived, to complete the novel, hoping that if he became a successful novelist he could win Zelda back. While at Princeton, Fitzgerald had written an unpublished novel called The Romantic Egotist and ultimately 80 pages of the typescript of this earlier work ended up in This Side of Paradise. On September 4, 1919, Fitzgerald gave the manuscript to a friend to deliver to Maxwell Perkins, an editor at Charles Scribner's Sons in New York. The book was nearly rejected by the editors at Scribners, but Perkins insisted, and on September 16 it was officially accepted. Fitzgerald begged for early publication--convinced that he would become a celebrity and impress Zelda--but was told that the novel would have to wait until the spring. Nevertheless, upon the acceptance of his novel for publication he went and visited Zelda and they resumed their courtship. His success imminent, she agreed to marry him. (Wikipedia)

F. Scott Fitzgerald's second novel, which brilliantly satirizes a doomed and glamorous marriage, anticipated the master stroke-The Great Gatsby-that would follow, and marks a key moment in the writer's career. Would-be Jazz Age aristocrats Anthony and Gloria Patch embody the corrupt high society of 1920s New York: they are beautiful, shallow, pleasure-seeking, and vain. As presumptive heirs to a large fortune, they begin their married life by living well beyond their means. Their days are marked by endless drinking, dancing, luxury, and play. But when the expected inheritance is withheld, their lives become consumed with the pursuit of wealth, and their alliance begins to fall apart. Inspired in part by Fitzgerald's own tumultuous union with his wife Zelda, hauntingly rendered and keenly observed, these characters evoke a vivid portrait of a lost world: a city steeped in vice, a society without direction, and the rootless and decadent generation that inhabited it.

The first collection of short stories written by F. Scott Fitzgerald, Flappers and Philosophers was published in 1920 on the heels of Fitzgerald's sensational debut, This Side of Paradise, and anticipated themes in The Great Gatsby. This iconic collection marks the writer's entry into short fiction, and contains some of his most famous early stories, including "Bernice Bobs Her Hair," "The Ice Palace," "Head and Shoulders," and "The Offshore Pirate." In these pages we meet Fitzgerald's trademark characters: the beautiful, headstrong young women and the dissolute, wandering young men who comprised what came to be called the Lost Generation. With their bobbed hair and dangling cigarettes, his characters are sophisticated, witty, and, above all, modern: the spoiled heiress who falls for her kidnapper, the intellectual student whose life is turned upside-down by a chorus girl, the feuding debutantes whose weapons are cutting words and a pair of scissors. An instant classic in its time, a confirmed part of the canon today, this collection evokes 1920s America through the eyes of a writer indelibly linked to that singular era.

'It was one of those rare smiles with a quality of eternal reassurance in it, that you may come across four or five times in life'Jay Gatsby is the man who has everything. But one thing will always be out of his reach ... Everybody who is anybody is seen at his glittering parties. Day and night his Long Island mansion buzzes with bright young things drinking, dancing and debating his mysterious character. For Gatsby - young, handsome, fabulously rich - always seems alone in the crowd, watching and waiting, though no one knows what for. Beneath the shimmering surface of his life he is hiding a secret: a silent longing that can never be fulfilled. And soon this destructive obsession will force his world to unravel. The Penguin English Library - collectable general readers' editions of the best fiction in English, from the eighteenth century to the end of the Second World War.