Fanny Burney

Born into a musical family as the daughter of Charles Burney, Frances 'Fanny' Burney (1752–1840) opted for a life of letters. Her epistolary novel Evelina generated both sensation and sales upon its appearance early in 1778, and when her identity as the author was soon revealed, it opened the door to intellectual circles frequented by the likes of Samuel Johnson and fellow diarist Hester Thrale. Appearing under her married name of Madame d'Arblay, her witty and candid journals and correspondence, from her breakthrough until her final years, were edited by her niece Charlotte Barrett (1786–1870) and first published in seven volumes between 1842 and 1846. Reissued here is the new edition of 1854, including biographical notes. Volume 5 covers the period from March 1789 through to September 1793, during which she married an émigré officer as the French Revolution shook Europe.

Born into a musical family as the daughter of Charles Burney, Frances 'Fanny' Burney (1752–1840) opted for a life of letters. Her epistolary novel Evelina generated both sensation and sales upon its appearance early in 1778, and when her identity as the author was soon revealed, it opened the door to intellectual circles frequented by the likes of Samuel Johnson and fellow diarist Hester Thrale. Appearing under her married name of Madame d'Arblay, her witty and candid journals and correspondence, from her breakthrough until her final years, were edited by her niece Charlotte Barrett (1786–1870) and first published in seven volumes between 1842 and 1846. Reissued here is the new edition of 1854, including biographical notes. Volume 3 covers the period from July 1786 to December 1787, during which she reluctantly took up an onerous court appointment to Queen Charlotte.

Born into a musical family as the daughter of Charles Burney, Frances 'Fanny' Burney (1752–1840) opted for a life of letters. Her epistolary novel Evelina generated both sensation and sales upon its appearance early in 1778, and when her identity as the author was soon revealed, it opened the door to intellectual circles frequented by the likes of Samuel Johnson and fellow diarist Hester Thrale. Appearing under her married name of Madame d'Arblay, her witty and candid journals and correspondence, from her breakthrough until her final years, were edited by her niece Charlotte Barrett (1786–1870) and first published in seven volumes between 1842 and 1846. Reissued here is the new edition of 1854, including biographical notes. Volume 2 covers the period from the beginning of 1781 to July 1786, during which Cecilia (1782), her second novel, was published.

Born into a musical family as the daughter of Charles Burney, Frances 'Fanny' Burney (1752–1840) opted for a life of letters. Her epistolary novel Evelina generated both sensation and sales upon its appearance early in 1778, and when her identity as the author was soon revealed, it opened the door to intellectual circles frequented by the likes of Samuel Johnson and fellow diarist Hester Thrale. Appearing under her married name of Madame d'Arblay, her witty and candid journals and correspondence, from her breakthrough until her final years, were edited by her niece Charlotte Barrett (1786–1870) and first published in seven volumes between 1842 and 1846. Reissued here is the new edition of 1854, including biographical notes. Detailing the success of her literary debut and the friendships she forged as a result, Volume 1 captures the excitement of the period from 1778 to 1780.

Born into a musical family as the daughter of Charles Burney, Frances 'Fanny' Burney (1752–1840) opted for a life of letters. Her epistolary novel Evelina generated both sensation and sales upon its appearance early in 1778, and when her identity as the author was soon revealed, it opened the door to intellectual circles frequented by the likes of Samuel Johnson and fellow diarist Hester Thrale. Appearing under her married name of Madame d'Arblay, her witty and candid journals and correspondence, from her breakthrough until her final years, were edited by her niece Charlotte Barrett (1786–1870) and first published in seven volumes between 1842 and 1846. Reissued here is the new edition of 1854, including biographical notes. Volume 4 covers the period from the beginning of 1788 through to the end of February 1789. It features the notable episode in which an unbalanced George III chased Fanny through Kew Gardens.

Born into a musical family as the daughter of Charles Burney, Frances 'Fanny' Burney (1752–1840) opted for a life of letters. Her epistolary novel Evelina generated both sensation and sales upon its appearance early in 1778, and when her identity as the author was soon revealed, it opened the door to intellectual circles frequented by the likes of Samuel Johnson and fellow diarist Hester Thrale. Appearing under her married name of Madame d'Arblay, her witty and candid journals and correspondence, from her breakthrough until her final years, were edited by her niece Charlotte Barrett (1786–1870) and first published in seven volumes between 1842 and 1846. Reissued here is the new edition of 1854, including biographical notes. Volume 7 covers the period from 1813 until her death, a time of bereavement in which she lost her father, brother, husband and son. Also included is a general index to all the volumes.

Volume V of The Early Journals and Letters of Fanny Burney covers a period of significant gains and losses for the young writer. Professionally, Burney consolidated her reputation as England's premier novelist with the publication of Cecilia. Through a mutual friendship she gained an appointment as Keeper of the Robes to Queen Charlotte, a position that provided both financial security and an insider's view to life at Court. Burney's professional success during these years was balanced by countless personal setbacks. Deprived of the companionship of her favourite sister following her sister's marriage, she also lost the friendship of Hester Lynch Thrale who grew increasingly distant during her romantic attachment to Gabriel Piozzi (whom she married in 1784). The death of her dear friend and mentor Samuel Crisp causes Burney deep sadness, and her emotional turmoil is further exacerbated by her introduction to George Owen Cambridge, a young clergyman to whom she is clearly attracted but who refuses to either declare himself to her, or leave her in peace. Throughout these trials and triumphs, Burney - an artist with an acute sense of the complexities and vagaries of human nature - never ceases to fix her lens on the fashions and follies of English society as they emerge in the manners of her time.