Gertrude Stein

Gertrude Stein var ein av dei store fornyarane av litteraturen på 1900-tallet. Ho var uredd, snakkesalig, rik, arrogant, lesbisk, kunstkjennar, matglad. Ho er særleg kjend for sitatet «A rose is a rose is a rose is a rose», og for å ha sett merkelappen «the lost generation» på generasjonen som fekk liva sine prega av å ha vore unge under første verdskrigen. Stein har hatt ry på seg for å vere vanskeleg. Men tekstane som her er omsette, har alle vore halde som foredrag. Dei har difor ein munnleg flyt i seg, som gjer dei enklare enn til dømes mange av dikta hennar. I Kva er engelsk litteratur og andre foredrag finn ein Steins slåande fabuleringar om alt frå kva eit meisterverk er og kvifor den engelske litteraturhistoria kan forklarast med at dei budde på ei øy og eigde alt omkring seg, til kvifor spørsmålsteiknet ikkje eignar seg til anna enn brennmerking av kyr. Det er berre å gi seg over, til rytmen, humoren, elegansen og brodden, og nyte «kor fullstendig det som er skrive seier det det gjer.

Mentor and guide to the Lost Generation of expatriate American writers, including Hemingway and Fitzgerald, Gertrude Stein (1874-1946) is perhaps better known for her Parisian salon than her literary works. Yet her innovative approach to writing and her originality of thought make the impact of her books on contemporary literature enormous. Tender Buttons, published in 1914, is vintage Stein. She pushes abstraction to its farthest limits by experimenting with words purely as words in a style more akin to painting than literature. Interested in their melody and color, Stein favors verbs and prepositions in unusual combinations and attempts to avoid using nouns. According to Sherwood Anderson, Tender Buttons "gives words an oddly new intimate flavor and at the same time makes familiar words seem almost like strangers ... For me the work of Gertrude Stein consists in a rebuilding, an entire new recasting of life, in the city of words." Often compared with music and Cubist imagery, the exhilarating prose and thought-provoking experimental techniques of Tender Buttons offer readers a rewarding sojourn through one of Stein's most influential works.

Gertrude Stein's first published work Three Lives is divided into three different stories, each one a psychological portrait of a different women. The Good Anna describes an exacting German house servant; Melanctha explores the love affair of an African-American woman; and The Gentle Lena narrates the fate of a patient German maid. The three narratives are independent of each other, but all are set in the fictional town of Bridgepoint. The innovative style of Three Lives broke with narrative, linear, and temporal conventions and catapulted Stein to the forefront of the American Modernist movement and inspired such later novelists as Ernest Hemingway and Jack Kerouac.

Three Lives (1909) was American writer Gertrude Stein's first published book. The book is separated into three stories, "The Good Anna", "Melanctha", and "The Gentle Lena". The three stories are independent of each other, but all are set in Bridgepoint, a fictional town based on Baltimore." The Good Anna", the first of Gertrude Stein's Three Lives, is a novella set in "Bridgepoint" about Anna Federner, a servant of "solid lower middle-class south german stock". Part I describes Anna's happy life as housekeeper for Miss Mathilda and her difficulties with unreliable under servants and "stray dogs and cats". She loves her "regular dogs" Baby, an old, blind, terrier; "bad Peter," loud and cowardly; and "the fluffy little Rags." Anna is the undisputed authority in the household, and in her five years with Miss Mathilda she oversees in turn four under servants: Lizzie, Molly, Katy, and Sallie. Sometimes even the lazy and benign Miss Mathilda feels rebellious under Anna's iron hand; she is also concerned because Anna is always giving away money, and tries to protect her from her many poor friends. Part II, "The Life of the Good Anna", fills in the background. Born in Germany, in her teens Anna emigrates to "the far South", where her mother dies of consumption. She moves to Bridgepoint near her brother, a baker, and takes charge of the household of Miss Mary Wadsmith and her young nephew and niece, who are orphans. Little Jane resists Anna's strong will, but after Anna has provoked a showdown becomes "careful and respectful" and even gives Anna a green parrot. When after six years Jane is finally married, Anna refuses to follow Miss Mary in the new household. Mrs. Lehntman, a widow and midwife who "was the romance of Anna's life", helps Anna tell Miss Wadsmith that she cannot accompany her. Anna then goes to work for Doctor Shonjen, a hearty bachelor, with whom she gets along. Previously Shonjen has operated on her, and Anna's general health remains poor: she has headaches and is "thin and worn". When Mrs. Lehntman, who has two careless children, adopts a baby without consulting Anna, the latter is offended and spends more time with another large working family, the Drehtens. She also visits her brother the baker, but has trouble with her sister-in-law, though she eventually helps with her savings when her god-daughter niece is married. Mrs. Lehntman rashly decides to open a boarding house, and Anna despite her misgivings lends her the necessary money, for "Romance is the ideal in one's life and it is very lonely living with it lost". Having been once defeated in the matter of Johnny's adoption, she can no longer impose her will in the relationship. ("In friendship, power always has its downward curve.") When Dr. Shonjen marries a "proud" and "unpleasant" woman, Anna seeks a new position. Encouraged by a fortune-teller, she goes to work for Miss Mathilda, and these are her happiest years, until finally her ailing favorite dog Baby dies and Miss Mathilda leaves permanently for Europe........ Gertrude Stein (February 3, 1874 - July 27, 1946) was an American novelist, poet, playwright, and art collector. Born in the Allegheny West neighborhood of Pittsburgh, Pennsylvania, and raised in Oakland, California, Stein moved to Paris in 1903, and made France her home for the remainder of her life. She hosted a Paris salon, where the leading figures of modernism in literature and art, such as Pablo Picasso, Ernest Hemingway, F. Scott Fitzgerald, Sinclair Lewis, Ezra Pound, and Henri Matisse would meet. In 1933, Stein published a kind-of memoir of her Paris years, The Autobiography of Alice B. Toklas, written in the voice of her life partner, Alice B. Toklas, an American-born member of the Parisian avant-garde.....

Tender Buttons is a 1914 book by American writer Gertrude Stein consisting of three sections titled "Objects", "Food", and "Rooms". While the short book consists of multiple poems covering the everyday mundane, Stein's experimental use of language renders the poems unorthodox and their subjects unfamiliar. Stein began composition of the book in 1912 with multiple short prose poems in an effort to "create a word relationship between the word and the things seen" using a "realist" perspective.

Three Lives was American writer Gertrude Stein. The book is separated into three stories, "The Good Anna", "Melanctha", and "The Gentle Lena". The book is divided into three stories, "The Good Anna," "Melanctha," and "The Gentle Lena." The three stories are independent of each other, but all are set in the fictional town of Bridgepoint. Each one is a psychological portrait of the named protagonist. All three are members of the lower socioeconomic stratum of Bridgepoint, a fictional town based on Baltimore.

Ahead of Her Time, And Ours As Well... Tender Buttons, Stein's first published work of poetry, debuted in 1914 as a volume of powerful avant-garde expression. This meditation on ordinary living is presented in three compelling sections-"Objects," "Food," and "Rooms"-through which Stein delights in experiments with language. Emphasizing rhythm and sonority over traditional grammar, Stein's wordplay has garnered praise from readers and critics alike. In "A Piece of Coffee," for example, Stein plays with conventional language and cubist imagery to produce a stunningly original literary effect: "A single image is not splendor. Dirty is yellow. A sign of more is not mentioned. A piece of coffee is not a detainer. The resemblance to yellow is dirtier and distincter. The clean mixture is whiter and not coal color, never more coal color than altogether." Get Your Copy Now.

The tradesmen of Bridgepoint learned to dread the sound of "Miss Mathilda", for with that name the good Anna always conquered. The strictest of the one price stores found that they could give things for a little less, when the good Anna had fully said that "Miss Mathilda" could not pay so much and that she could buy it cheaper "by Lindheims."

The MLA Committee on Scholarly Editions has awarded Tender Buttons: The Corrected Centennial Edition its seal designating it an MLA Approved Edition. 2014 marks the one hundredth anniversary of the original publication of Gertrude Stein's groundbreaking modernist classic, Tender Buttons. This centennial edition is the first and only version to incorporate Stein's own handwritten corrections?found in a first-edition copy at the University of Colorado?as well as corrections discovered among her papers at the Beinecke Library at Yale University. Editor Seth Perlow has assembled a text with over one hundred emendations, resulting in the first version of Tender Buttons that truly reflects its author's intentions. These changes are detailed in Perlow's "Note on the Text," which describes the editorial process and lists the specific variants for the benefit of future scholars. The book includes facsimile images of some of Stein's handwritten edits and lists of corrections, as well as an afterword by noted contemporary poet and scholar Juliana Spahr. A compact, attractive edition suitable for general readers as well as scholars, Tender Buttons: The Corrected Centennial Edition is unique among the available versions of this classic text and is destined to become the standard. Gertrude Stein (1874?1946) was one of the most important and innovative American writers of literary modernism, as well as one of the great art collectors and salon hosts of the period. A pioneering lesbian writer, Stein lived most of her life in Paris but became a celebrity in the United States with the publication of The Autobiography of Alice B. Toklas (1933). Seth Perlow teaches English at Oklahoma State University. Juliana Spahr teaches writing at Mills College. "Tender Buttons was recently reissued by City Lights Books, to mark the centennial of a volume that broke language barriers, acknowledging hungers to see more. It challenged with inspired daring."--Barbara Berman, The Rumpus "For the centennial of this masterpiece, Seth Perlow has given us much the best edition of the poem, based on Stein’s manuscript and corrections she made to the first edition. Punctuation, spelling, format, and a few phrases are affected and most especially the change in the capitalization of the section titles. 'The difference is spreading.'"--Charles Bernstein, University of Pennsylvania, author of Attack of the Difficult Poems: Essays and Inventions "Happy 100th birthday, TENDER BUTTONS. You are as explosive, tantalizing, and delicious as you were on the day you were born. Your birthday gift from Seth Perlow and Juliana Spahr is a beautiful new edition that will carry you into your next century, the best edition ever. Your birthday gift from all of us who love literature and culture is to buy this edition for ourselves and all our friends. Congratulations to all."--Catharine R. Stimpson, Professor, New York University, and co-editor of the two-volume Gertrude Stein: Writings published by the Library of America ? The publication of an authoritative edition of Tender Buttons, with Stein’s hitherto unpublished corrections and editions, is a splendid way to celebrate the centennial of this influential modernist work. Scholars will benefit from the full documentation, and readers will appreciate its convenient format, which resembles the original publication.”--Jonathan Culler, Cornell University "This radical multi-dimensional generative cubist text with the simplest words imaginable continues to alter and shape poetics into the post post modernist future. We have Gertrude Stein's 'mind grammar' operating at full tilt, with unpredictability, wit and sensory prevarication. Look to the 'minutes particulars,' Blake admonished, and here she does just that: 'it is a winning cake.' Salvos to the editor and salient 'afterword' that give belletristic notes and political perspective as well. A unique edition."--Anne Waldman, The Jack Kerouac School of Disembodied Poetics