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H. G. Wells
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THE WORLD SET FREE was written in 1913 and published early in 1914, and it is the latest of a series of three fantasias of possibility, stories which all turn on the possible developments in the future of some contemporary force or group of forces. The World Set Free was written under the immediate shadow of the Great War. Every intelligent person in the world felt that disaster was impending and knew no way of averting it, but few of us realised in the earlier half of 1914 how near the crash was to us. The reader will be amused to find that here it is put off until the year 1956. Noteworthy for its depiction of fictional ''atomic bombs'' which eerily prefigure the development of real nuclear weapons.
This anthology is a thorough introduction to classic literature for those who have not yet experienced these literary masterworks. For those who have known and loved these works in the past, this is an invitation to reunite with old friends in a fresh new format. From Shakespeare s finesse to Oscar Wilde s wit, this unique collection brings together works as diverse and influential as The Pilgrim s Progress and Othello. As an anthology that invites readers to immerse themselves in the masterpieces of the literary giants, it is must-have addition to any library.
On the Night of the Strange Bird, many people at Sidderton (and some nearer) saw a Glare on the Sidderford moor. But no one in Sidderford saw it, for most of Sidderford was abed. All day the wind had been rising, so that the larks on the moor chirruped fitfully near the ground, or rose only to be driven like leaves before the wind. The sun set in a bloody welter of clouds, and the moon was hidden. The glare, they say, was golden like a beam shining out of the sky, not a uniform blaze, but broken all over by curving flashes like the waving of swords. It lasted but a moment and left the night dark and obscure. There were letters about it in Nature, and a rough drawing that no one thought very like. (You may see it for yourself-the drawing that was unlike the glare-on page 42 of Vol. cclx. of that publication.) None in Sidderford saw the light, but Annie, Hooker Durgan's wife, was lying awake, and she saw the reflection of it-a flickering tongue of gold-dancing on the wall.
The First Men in the Moon is a science fiction novel written by H. G. Wells. The action centers around a businessman and an eccentric scientist who embark on a journey to the moon where they find many surprises. H. G. Wells was a prominent English author in the late 19th and early 20th centuries. Wells wrote many of the most famous science fiction novels in literature which has led to him being considered one of the fathers of science fiction. Wells was also a prolific and accomplished writer in other genres and he was nominated for the Nobel Prize in Literature four times. Classic novels such as The Time Machine, The Island of Doctor Moreau, The Invisible Man, and The War of the Worlds have been adapted into numerous films and other media over the years.
The War of the Worlds (1898), by H. G. Wells, is an early science fiction novel which describes an invasion of England by aliens from Mars. It is one of the earliest and best-known depictions of an alien invasion of Earth, and has influenced many others, as well as spawning several films, radio dramas, comic book adaptations, and a television series based on the story. The 1938 radio broadcast caused public outcry against the episode, as many listeners believed that an actual Martian invasion was in progress, a notable example of mass hysteria.
Designed specifically for students of literature and bibliophiles. We are pleased to bring you the complete and unabridged text of this classic book. Because this is the original work by the author, you may find slight differences in spellings and punctuation than those you
The Invisible Man is an 1897 science fiction novella by H. G. Wells. Wells' novel was originally serialised in Pearson's Magazine in 1897, and published as a novel the same year. The Invisible Man of the title is Griffin, a scientist who theorises that if a person's refractive index is changed to exactly that of air and his body does not absorb or reflect light, then he will be invisible. He successfully carries out this procedure on himself, but cannot become visible again, becoming mentally unstable as a result.
So begins the Time Traveller's astonishing firsthand account of his journey 800,000 years beyond his own era-and the story that launched H. G. Wells's successful career and earned him his reputation as the father of science fiction. With a speculative leap that still fires the imagination, Wells sends his brave explorer to face a future burdened with our greatest hopes...and our darkest fears. A pull of the Time Machine's lever propels him to the age of a slowly dying Earth. There he discovers two bizarre races-the ethereal Eloi and the subterranean Morlocks-who not only symbolize the duality of human nature, but offer a terrifying portrait of the men of tomorrow as well. Published in 1895, this masterpiece of invention captivated readers on the threshold of a new century.
La guerra de los mundos es un relato trepidante que narra la invasi n de la Tierra por los marcianos y que supuso por primera vez la irrupci n de seres de otros planetas en el nuestro, marc en buena medida la fantas a del siglo XX y abri un fil n -el del contacto de los hombres con seres extraterrestres- que no tard en convertirse en uno de los m s importantes de la ciencia ficci n, sirviendo de inspiraci n a numerosos artistas posteriores en los mbitos de la radio, el cine, la literatura, el c mic y la televisi n.
The War of the Worlds (1898), by H. G. Wells, is an early science fiction novel which describes an invasion of England by aliens from Mars. It is one of the earliest and best-known depictions of an alien invasion of Earth, and has influenced many others, as well as spawning several films, radio dramas, comic book adaptations, and a television series based on the story. The 1938 radio broadcast caused public outcry against the episode, as many listeners believed that an actual Martian invasion was in progress, a notable example of mass hysteria.
Boon is a 1915 work of literary satire by H. G. Wells. It purports, however, to be by the fictional character Reginald Bliss, and for some time after publication Wells denied authorship. Boon is best known for its part in Wells's debate on the nature of literature with Henry James, who is caricatured in the book. But in Boon Wells also mocks himself, calling into question and ridiculing a notion he held dear-that of humanity's collective consciousness.
The Passionate Friends is a 1913 novel by H. G. Wells. The protagonist is the novel's first-person narrator, Stephen Stratton. The Passionate Friends is written as if addressed to Stephen's eldest son, who is on the verge of adolescence. Stephen is the only child of a rector who loses his faith due to Darwinism. The most important relationship of Stephen's life is with the Lady Mary Christian (later Lady Mary Justin), a beautiful blue-eyed contemporary who has been his childhood "playmate" and with whom he falls deeply in love at the age of nineteen during the summer before he begins his studies at Oxford. Mary returns his love, but will not promise to marry Stephen. Having resolved to "belong to myself," Mary weds Justin, a wealthy financier, but intends also to remain Stephen's intimate friend. Stephen cannot accept this, breaks off relations, and experiences despair. In an attempt to put his troubles behind him, Stephen volunteers to fight in South Africa, where the Second Boer War has just begun (1899). He becomes an officer and distinguishes himself in the fighting, and also is exposed for the first time to "the social fundamental of Labor." Back in England he decides to pursue a political career, since his father has unexpectedly inherited a substantial fortune. But by chance his father is now living on a property adjacent to Lady Mary Justin's; they meet and become lovers. Stephen had begun to court another near neighbour, Rachel, but the resumption of his passionate relationship with Mary suspends this project. Disaster strikes when Justin sees Stephen kiss his wife. In the following crisis the powerful Justin hides Mary away in an Irish castle and prevails upon Stephen to leave England for a period of three years. Traveling the world, Stephen studies Asian societies and develops convictions about the historical development of humanity. He believes that "Civilization has never yet existed, it has only continually and obstinately attempted to be. Our Civilization is but the indistinct twilight before the dawn." He resolves to devote himself to "the making of a new world-city, a new greater State above your legal States, in which all human life becomes a splendid enterprise, free and beautiful." In a villa on the Rhine he chances to meet Rachel again, and after a trip to America he asks her to become his wife; they are married on 8 November 1906. Stephen undertakes with a progressive American named Giddings a career as a publisher of world literature and reference books. His work is going well when in 1909 Stephen receives a letter from Lady Mary Justin. She asks him to resume writing to her, and over a period of two years challenges him to integrate the problem of sex into his world-historical reflections and plans, warning that "All this great world-state of your man's imagination is going to be wrecked by us if you ignore us, we women are going to be the Goths and Huns of another Decline and Fall." Their correspondence addresses personal as well as religious and political matters, but they have no intention of seeing each other again. However, by chance they do meet again at an inn in the Alps on Engstlen Lake, below Titlis, and share several hours of spiritual communing; they scarcely touch and never kiss. Stephen leaves promptly. But Mary's companion betrays her to husband, whose decision to divorce Mary after a trial for adultery threatens them both with social disaster. To forestall this, Mary commits suicide. In his final remarks to his son, Stephen Stratton judges Mary to have been a victim "caught in the net of animal jealousies and thoughtless motives and ancient rigid institutions." He resolves, in the novel's final sentence: "I give myself, and if I can I will give you, to the destruction of jealousy and of the forms and shelters and instruments of jealousy, both in my own self and in the thought and laws and usage of the world."
Excerpt: IT will lead into my subject most conveniently to contrast and separate two divergent types of mind, types which are to be distinguished chiefly by their attitude toward time, and more particularly by the relative importance they attach and the relative amount of thought they give to the future. The first of these two types of mind, and it is, I think, the predominant type, the type of the majority of living people, is that which seems scarcely to think of the future at all, which regards it as a sort of blank non-existence upon which the advancing present will presently write events. The second type, which is, I think, a more modern and much less abundant type of mind, thinks constantly and by preference of things to come, and of present things mainly in relation to the results that must arise from them. The former type of mind, when one gets it in its purity, is retrospective in habit, and it interprets the things of the present, and gives value to this and denies it to that, entirely with relation to the past. The latter type of mind is constructive in habit, it interprets the things of the present and gives value to this or that, entirely in relation to things designed or foreseen. While from that former point of view our life is simply to reap the consequences of the past, from this our life is to prepare the future. The former type one might speak of as the legal or submissive type of mind, because the business, the practice, and the training of a lawyer dispose him toward it; he of all men must constantly refer to the law made, the right established, the precedent set, and consistently ignore or condemn the thing that is only seeking to establish itself. The latter type of mind I might for contrast call the legislative, creative, organizing, or masterful type, because it is perpetually attacking and altering the established order of things, perpetually falling away from respect for what the past has given us. It sees the world as one great workshop, and the present is no more than material for the future, for the thing that is yet destined to be. It is in the active mood of thought, while the former is in the passive; it is the mind of youth, it is the mind more manifest among the western nations, while the former is the mind of age, the mind of the oriental. Things have been, says the legal mind, and so we are here. The creative mind says we are here because things have yet to be. Now I do not wish to suggest that the great mass of people belong to either of these two types. Indeed, I speak of them as two distinct and distinguishable types mainly for convenience and in order to accentuate their distinction. There are probably very few people who brood constantly upon the past without any thought of the future at all, and there are probably scarcely any who live and think consistently in relation to the future. The great mass of people occupy an intermediate position between these extremes, they pass daily and hourly from the passive mood to the active, they see this thing in relation to its associations and that thing in relation to its consequences, and they do not even suspect that they are using two distinct methods in their minds. As well known as HG Wells is for his science fiction, this is simply HG Wells discussing our view of the present and the future and various nuances related to both. Very interesting.
The Invisible Man is an 1897 science fiction novella by H. G. Wells. Wells' novel was originally serialised in Pearson's Magazine in 1897, and published as a novel the same year. The Invisible Man of the title is Griffin, a scientist who theorises that if a person's refractive index is changed to exactly that of air and his body does not absorb or reflect light, then he will be invisible. He successfully carries out this procedure on himself, but cannot become visible again, becoming mentally unstable as a result.
The book's protagonist is an amateur inventor or scientist living in London who is never named; he is identified simply as The Time Traveller. Having demonstrated to friends using a miniature model that time is a fourth dimension, and that a suitable apparatus can move back and forth in this fourth dimension, he builds a full-scale model capable of carrying himself. He sets off on a journey into the future.
The Invisible Man is an 1897 science fiction novella by H. G. Wells. Wells' novel was originally serialised in Pearson's Magazine in 1897, and published as a novel the same year. The Invisible Man of the title is Griffin, a scientist who theorises that if a person's refractive index is changed to exactly that of air and his body does not absorb or reflect light, then he will be invisible. He successfully carries out this procedure on himself, but cannot become visible again, becoming mentally unstable as a result
The War of the Worlds (1898), by H. G. Wells, is an early science fiction novel which describes an invasion of England by aliens from Mars. It is one of the earliest and best-known depictions of an alien invasion of Earth, and has influenced many others, as well as spawning several films, radio dramas, comic book adaptations, and a television series based on the story. The 1938 radio broadcast caused public outcry against the episode, as many listeners believed that an actual Martian invasion was in progress, a notable example of mass hysteria.
The War of the Worlds (1898), by H. G. Wells, is an early science fiction novel which describes an invasion of England by aliens from Mars. It is one of the earliest and best-known depictions of an alien invasion of Earth, and has influenced many others, as well as spawning several films, radio dramas, comic book adaptations, and a television series based on the story. The 1938 radio broadcast caused public outcry against the episode, as many listeners believed that an actual Martian invasion was in progress, a notable example of mass hysteria.