H. Rider Haggard

The People of the Mist is a classic lost race fantasy novel written by H. Rider Haggard. It was first published serially in the weekly magazine Tit-Bits, between December 1893 and August 1894; the first edition in book form was published in London by Longmans in October, 1894. It was reprinted in December, 1973 by Ballantine Books as the sixty-third paperback volume of the Ballantine Adult Fantasy series.

The People of the Mist is a classic lost race fantasy novel written by H. Rider Haggard. It was first published serially in the weekly magazine Tit-Bits, between December 1893 and August 1894; the first edition in book form was published in London by Longmans in October, 1894. It was reprinted in December, 1973 by Ballantine Books as the sixty-third paperback volume of the Ballantine Adult Fantasy series.

King Solomon's Mines is a popular novel by the Victorian adventure writer and fabulist Sir H. Rider Haggard. It tells of a search of an unexplored region of Africa by a group of adventurers led by Allan Quatermain for the missing brother of one of the party. It is the first English fictional adventure novel set in Africa, and is considered to be the genesis of the Lost World literary genre. Sir H. Rider Haggard, in full Sir Henry Rider Haggard, (born June 22, 1856, Bradenham, Norfolk, Eng.--died May 14, 1925, London), English novelist best known for his romantic adventure King Solomon's Mines (1885). The son of a barrister, Haggard was educated at Ipswich grammar school and by private tutors. In 1875, at age 19, he went to southern Africa as secretary to the governor of Natal, Sir Henry Bulwer. Then he served on Sir Theophilus Shepstone's staff and himself hoisted the flag at the brief first annexation of the Transvaal (1877-81). He then became master of the high court there. In 1879 he returned to England, wrote a history of recent events in southern Africa, Cetywayo and His White Neighbours (1882), and read for the bar. He published two unsuccessful novels but captured the public with his African adventure story King Solomon's Mines. He followed this with She (1887) and further stories of Africa, notably Allan Quatermain (1887), Nada the Lily (1892), Queen Sheba's Ring (1910), Marie (1912), and The Ivory Child (1916). He used other settings for such striking romances as Cleopatra (1889), Montezuma's Daughter (1893), and Heart of the World (1896). Haggard was also a practical farmer; he served on several government commissions concerning agriculture and was knighted in 1912 for these services. A Farmer's Year (1899) and Rural England, 2 vol. (1902), are works of some importance. His autobiography, The Days of My Life: An Autobiography by Sir H. Rider Haggard (1926), was edited by C. J. Longman and published posthumously. With Robert Louis Stevenson, George MacDonald, and William Morris, Haggard was part of the literary reaction against domestic realism that has been called a romance revival. (britannica.com)

King Solomon's Mines is a popular novel by the Victorian adventure writer and fabulist Sir H. Rider Haggard. It tells of a search of an unexplored region of Africa by a group of adventurers led by Allan Quatermain for the missing brother of one of the party. It is the first English fictional adventure novel set in Africa, and is considered to be the genesis of the Lost World literary genre. Sir H. Rider Haggard, in full Sir Henry Rider Haggard, (born June 22, 1856, Bradenham, Norfolk, Eng.--died May 14, 1925, London), English novelist best known for his romantic adventure King Solomon's Mines (1885). The son of a barrister, Haggard was educated at Ipswich grammar school and by private tutors. In 1875, at age 19, he went to southern Africa as secretary to the governor of Natal, Sir Henry Bulwer. Then he served on Sir Theophilus Shepstone's staff and himself hoisted the flag at the brief first annexation of the Transvaal (1877-81). He then became master of the high court there. In 1879 he returned to England, wrote a history of recent events in southern Africa, Cetywayo and His White Neighbours (1882), and read for the bar. He published two unsuccessful novels but captured the public with his African adventure story King Solomon's Mines. He followed this with She (1887) and further stories of Africa, notably Allan Quatermain (1887), Nada the Lily (1892), Queen Sheba's Ring (1910), Marie (1912), and The Ivory Child (1916). He used other settings for such striking romances as Cleopatra (1889), Montezuma's Daughter (1893), and Heart of the World (1896). Haggard was also a practical farmer; he served on several government commissions concerning agriculture and was knighted in 1912 for these services. A Farmer's Year (1899) and Rural England, 2 vol. (1902), are works of some importance. His autobiography, The Days of My Life: An Autobiography by Sir H. Rider Haggard (1926), was edited by C. J. Longman and published posthumously. With Robert Louis Stevenson, George MacDonald, and William Morris, Haggard was part of the literary reaction against domestic realism that has been called a romance revival. (britannica.com)

This book is a result of an effort made by us towards making a contribution to the preservation and repair of original classic literature. In an attempt to preserve, improve and recreate the original content, we have worked towards: 1. Type-setting & Reformatting: The complete work has been re-designed via professional layout, formatting and type-setting tools to re-create the same edition with rich typography, graphics, high quality images, and table elements, giving our readers the feel of holding a 'fresh and newly' reprinted and/or revised edition, as opposed to other scanned & printed (Optical Character Recognition - OCR) reproductions. 2. Correction of imperfections: As the work was re-created from the scratch, therefore, it was vetted to rectify certain conventional norms with regard to typographical mistakes, hyphenations, punctuations, blurred images, missing content/pages, and/or other related subject matters, upon our consideration. Every attempt was made to rectify the imperfections related to omitted constructs in the original edition via other references. However, a few of such imperfections which could not be rectified due to intentional\unintentional omission of content in the original edition, were inherited and preserved from the original work to maintain the authenticity and construct, relevant to the work. We believe that this work holds historical, cultural and/or intellectual importance in the literary works community, therefore despite the oddities, we accounted the work for print as a part of our continuing effort towards preservation of literary work and our contribution towards the development of the society as a whole, driven by our beliefs. We are grateful to our readers for putting their faith in us and accepting our imperfections with regard to preservation of the historical content. HAPPY READING

This book is a result of an effort made by us towards making a contribution to the preservation and repair of original classic literature. In an attempt to preserve, improve and recreate the original content, we have worked towards: 1. Type-setting & Reformatting: The complete work has been re-designed via professional layout, formatting and type-setting tools to re-create the same edition with rich typography, graphics, high quality images, and table elements, giving our readers the feel of holding a 'fresh and newly' reprinted and/or revised edition, as opposed to other scanned & printed (Optical Character Recognition - OCR) reproductions. 2. Correction of imperfections: As the work was re-created from the scratch, therefore, it was vetted to rectify certain conventional norms with regard to typographical mistakes, hyphenations, punctuations, blurred images, missing content/pages, and/or other related subject matters, upon our consideration. Every attempt was made to rectify the imperfections related to omitted constructs in the original edition via other references. However, a few of such imperfections which could not be rectified due to intentional\unintentional omission of content in the original edition, were inherited and preserved from the original work to maintain the authenticity and construct, relevant to the work. We believe that this work holds historical, cultural and/or intellectual importance in the literary works community, therefore despite the oddities, we accounted the work for print as a part of our continuing effort towards preservation of literary work and our contribution towards the development of the society as a whole, driven by our beliefs. We are grateful to our readers for putting their faith in us and accepting our imperfections with regard to preservation of the historical content. HAPPY READING

This book is a result of an effort made by us towards making a contribution to the preservation and repair of original classic literature. In an attempt to preserve, improve and recreate the original content, we have worked towards: 1. Type-setting & Reformatting: The complete work has been re-designed via professional layout, formatting and type-setting tools to re-create the same edition with rich typography, graphics, high quality images, and table elements, giving our readers the feel of holding a 'fresh and newly' reprinted and/or revised edition, as opposed to other scanned & printed (Optical Character Recognition - OCR) reproductions. 2. Correction of imperfections: As the work was re-created from the scratch, therefore, it was vetted to rectify certain conventional norms with regard to typographical mistakes, hyphenations, punctuations, blurred images, missing content/pages, and/or other related subject matters, upon our consideration. Every attempt was made to rectify the imperfections related to omitted constructs in the original edition via other references. However, a few of such imperfections which could not be rectified due to intentional\unintentional omission of content in the original edition, were inherited and preserved from the original work to maintain the authenticity and construct, relevant to the work. We believe that this work holds historical, cultural and/or intellectual importance in the literary works community, therefore despite the oddities, we accounted the work for print as a part of our continuing effort towards preservation of literary work and our contribution towards the development of the society as a whole, driven by our beliefs. We are grateful to our readers for putting their faith in us and accepting our imperfections with regard to preservation of the historical content. HAPPY READING

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This book is a result of an effort made by us towards making a contribution to the preservation and repair of original classic literature. In an attempt to preserve, improve and recreate the original content, we have worked towards: 1. Type-setting & Reformatting: The complete work has been re-designed via professional layout, formatting and type-setting tools to re-create the same edition with rich typography, graphics, high quality images, and table elements, giving our readers the feel of holding a 'fresh and newly' reprinted and/or revised edition, as opposed to other scanned & printed (Optical Character Recognition - OCR) reproductions. 2. Correction of imperfections: As the work was re-created from the scratch, therefore, it was vetted to rectify certain conventional norms with regard to typographical mistakes, hyphenations, punctuations, blurred images, missing content/pages, and/or other related subject matters, upon our consideration. Every attempt was made to rectify the imperfections related to omitted constructs in the original edition via other references. However, a few of such imperfections which could not be rectified due to intentional\unintentional omission of content in the original edition, were inherited and preserved from the original work to maintain the authenticity and construct, relevant to the work. We believe that this work holds historical, cultural and/or intellectual importance in the literary works community, therefore despite the oddities, we accounted the work for print as a part of our continuing effort towards preservation of literary work and our contribution towards the development of the society as a whole, driven by our beliefs. We are grateful to our readers for putting their faith in us and accepting our imperfections with regard to preservation of the historical content. HAPPY READING

This book is a result of an effort made by us towards making a contribution to the preservation and repair of original classic literature. In an attempt to preserve, improve and recreate the original content, we have worked towards: 1. Type-setting & Reformatting: The complete work has been re-designed via professional layout, formatting and type-setting tools to re-create the same edition with rich typography, graphics, high quality images, and table elements, giving our readers the feel of holding a 'fresh and newly' reprinted and/or revised edition, as opposed to other scanned & printed (Optical Character Recognition - OCR) reproductions. 2. Correction of imperfections: As the work was re-created from the scratch, therefore, it was vetted to rectify certain conventional norms with regard to typographical mistakes, hyphenations, punctuations, blurred images, missing content/pages, and/or other related subject matters, upon our consideration. Every attempt was made to rectify the imperfections related to omitted constructs in the original edition via other references. However, a few of such imperfections which could not be rectified due to intentional\unintentional omission of content in the original edition, were inherited and preserved from the original work to maintain the authenticity and construct, relevant to the work. We believe that this work holds historical, cultural and/or intellectual importance in the literary works community, therefore despite the oddities, we accounted the work for print as a part of our continuing effort towards preservation of literary work and our contribution towards the development of the society as a whole, driven by our beliefs. We are grateful to our readers for putting their faith in us and accepting our imperfections with regard to preservation of the historical content. HAPPY READING

This book is a result of an effort made by us towards making a contribution to the preservation and repair of original classic literature. In an attempt to preserve, improve and recreate the original content, we have worked towards: 1. Type-setting & Reformatting: The complete work has been re-designed via professional layout, formatting and type-setting tools to re-create the same edition with rich typography, graphics, high quality images, and table elements, giving our readers the feel of holding a 'fresh and newly' reprinted and/or revised edition, as opposed to other scanned & printed (Optical Character Recognition - OCR) reproductions. 2. Correction of imperfections: As the work was re-created from the scratch, therefore, it was vetted to rectify certain conventional norms with regard to typographical mistakes, hyphenations, punctuations, blurred images, missing content/pages, and/or other related subject matters, upon our consideration. Every attempt was made to rectify the imperfections related to omitted constructs in the original edition via other references. However, a few of such imperfections which could not be rectified due to intentional\unintentional omission of content in the original edition, were inherited and preserved from the original work to maintain the authenticity and construct, relevant to the work. We believe that this work holds historical, cultural and/or intellectual importance in the literary works community, therefore despite the oddities, we accounted the work for print as a part of our continuing effort towards preservation of literary work and our contribution towards the development of the society as a whole, driven by our beliefs. We are grateful to our readers for putting their faith in us and accepting our imperfections with regard to preservation of the historical content. HAPPY READING