H. Rider Haggard

This book has been considered by academicians and scholars of great significance and value to literature. This forms a part of the knowledge base for future generations. We havent used any OCR or photocopy to produce this book. The whole book has been typeset again to produce it without any errors or poor pictures and errant marks.

This book has been considered by academicians and scholars of great significance and value to literature. This forms a part of the knowledge base for future generations. We havent used any OCR or photocopy to produce this book. The whole book has been typeset again to produce it without any errors or poor pictures and errant marks.

This book has been considered by academicians and scholars of great significance and value to literature. This forms a part of the knowledge base for future generations. We havent used any OCR or photocopy to produce this book. The whole book has been typeset again to produce it without any errors or poor pictures and errant marks.

This book has been considered by academicians and scholars of great significance and value to literature. This forms a part of the knowledge base for future generations. We havent used any OCR or photocopy to produce this book. The whole book has been typeset again to produce it without any errors or poor pictures and errant marks.

In the fourth and final book in the She sequence, the beautiful and immortal Ayesha tells her tale of power, wisdom, love, and deception, in her own words. First Sentence: "TO THE learned man, ugly of form and face but sound at heart, Holly by name, a citizen of a northern land whom at times I think that once I knew as Noot the Holy, that philosopher who was my master in a past which seems far to him and is forgot, but to me is but as yesterday, to this Holly, I say, I, who on earth am named Ayesha, daughter of Yarab the Arab chief, but who have many other titles here and elsewhere, have told certain stories of my past days and the part I played in them."

In the fourth and final book in the She sequence, the beautiful and immortal Ayesha tells her tale of power, wisdom, love, and deception, in her own words. First Sentence: "TO THE learned man, ugly of form and face but sound at heart, Holly by name, a citizen of a northern land whom at times I think that once I knew as Noot the Holy, that philosopher who was my master in a past which seems far to him and is forgot, but to me is but as yesterday, to this Holly, I say, I, who on earth am named Ayesha, daughter of Yarab the Arab chief, but who have many other titles here and elsewhere, have told certain stories of my past days and the part I played in them."

Scientists, or some scientists-for occasionally one learned person differs from other learned persons-tell us they know all that is worth knowing about man, which statement, of course, includes woman. They trace him from his remotest origin; they show us how his bones changed and his shape modified, also how, under the influence of his needs and passions, his intelligence developed from something very humble. They demonstrate conclusively that there is nothing in man which the dissecting-table will not explain; that his aspirations towards another life have their root in the fear of death, or, say others of them, in that of earthquake or thunder; that his affinities with the past are merely inherited from remote ancestors who lived in that past, perhaps a million years ago; and that everything noble about him is but the fruit of expediency or of a veneer of civilisation, while everything base must be attributed to the instincts of his dominant and primeval nature. Man, in short, is an animal who, like every other animal, is finally subdued by his environment and takes his colour from his surroundings, as cattle do from the red soil of Devon. Such are the facts, they (or some of them) declare; all the rest is rubbish.

Sir Henry Rider Haggard, KBE, Kt, known as H. Rider Haggard, was an English writer of adventure novels set in exotic locations, predominantly Africa, and a pioneer of the Lost World literary genre

Sir Henry Rider Haggard, KBE, Kt, known as H. Rider Haggard, was an English writer of adventure novels set in exotic locations, predominantly Africa, and a pioneer of the Lost World literary genre.

Sir Henry Rider Haggard, KBE, Kt, known as H. Rider Haggard, was an English writer of adventure novels set in exotic locations, predominantly Africa, and a pioneer of the Lost World literary genre

Sir Henry Rider Haggard, KBE, Kt, known as H. Rider Haggard, was an English writer of adventure novels set in exotic locations, predominantly Africa, and a pioneer of the Lost World literary genre.

Sir Henry Rider Haggard, KBE, Kt, known as H. Rider Haggard, was an English writer of adventure novels set in exotic locations, predominantly Africa, and a pioneer of the Lost World literary genre.

Sir Henry Rider Haggard, KBE, Kt, known as H. Rider Haggard, was an English writer of adventure novels set in exotic locations, predominantly Africa, and a pioneer of the Lost World literary genre.

Sir Henry Rider Haggard, KBE, Kt, known as H. Rider Haggard, was an English writer of adventure novels set in exotic locations, predominantly Africa, and a pioneer of the Lost World literary genre

Sir Henry Rider Haggard, KBE, Kt, known as H. Rider Haggard, was an English writer of adventure novels set in exotic locations, predominantly Africa, and a pioneer of the Lost World literary genre.

Sir Henry Rider Haggard, KBE, Kt, known as H. Rider Haggard, was an English writer of adventure novels set in exotic locations, predominantly Africa, and a pioneer of the Lost World literary genre.

Sir Henry Rider Haggard, KBE, Kt, known as H. Rider Haggard, was an English writer of adventure novels set in exotic locations, predominantly Africa, and a pioneer of the Lost World literary genre

Sir Henry Rider Haggard, KBE, Kt, known as H. Rider Haggard, was an English writer of adventure novels set in exotic locations, predominantly Africa, and a pioneer of the Lost World literary genre