Henry James

The American is a novel by Henry James, originally published as a serial in The Atlantic Monthly in 1876-77 and then as a book in 1877. The novel is an uneasy combination of social comedy and melodrama concerning the adventures and misadventures of Christopher Newman, an essentially good-hearted but rather gauche American businessman on his first tour of Europe. Newman is looking for a world different from the simple, harsh realities of 19th-century American business. He encounters both the beauty and the ugliness of Europe, and learns not to take either for granted. The core of the novel concerns Newman's courtship of a young widow from an aristocratic Parisian family. The American was popular as one of the first international novels contrasting the rising and forceful New World and the cultured but sinful Old World. James originally conceived the novel as a reply to Alexandre Dumas, fils' play L' trang re, which presented Americans as crude and disreputable. While Newman is occasionally too forward or cocksure, his honesty and optimism offer a much more favorable view of America's potential.

Roderick Hudson is a novel by Henry James. Originally published in 1875 as a serial in The Atlantic Monthly, it is a bildungsroman that traces the development of the title character, a sculptor. Rowland Mallet, a wealthy Bostonian bachelor and art connoisseur, visits his cousin Cecilia in Northampton, Massachusetts, before leaving for Europe. There he sees a Grecian figure he thinks is a remarkable work of art. Cecilia introduces him to the local sculptor, Roderick Hudson, a young law student who sculpts in his spare time. Mallet-who loves art but is without artistic talent himself-sees an opportunity to contribute: he offers to advance Roderick a sum of money against future works which will allow Roderick to join him in moving to Italy for two years. Mallet believes that in Rome, Roderick will be exposed to the kind of artistic influences which will allow his natural talent to fully mature. Roderick is galvanized by the offer, but he fears his highly protective mother's disapproval and urges Mallet to meet with and reassure her. Mallet does so, eventually overcoming the woman's doubts. At the meeting, Mallet is also introduced to Mary Garland, a distant poor cousin of the Hudsons who has been living with them as a companion to Mrs. Hudson. Mallet finds himself unexpectedly attracted to the young woman-to her simplicity, her lack of affectation, her honesty. During a farewell picnic attended by many of the Hudsons' friends and family, Mallet realizes he has fallen in love for the first time in his life. But, because of his natural reserve and imminent departure for two years, he fails to declare his feelings, yet still harbors hopes that something may yet come of the relationship. That hope is crushed when, on the voyage across the Atlantic, Roderick reveals that just before leaving he asked Miss Garland to marry him and she accepted. "... You came and put me into such ridiculous good-humor," Roderick tells Mallet, "that I felt an extraordinary desire to tell some woman that I adored her." Mallet listens to all this with the feeling that fortune has played an elaborately-devised trick on him; that just as he had finally found love, it had been stolen away because of his own act of generosity. After a rough start in Rome, Roderick begins to flourish in the arts community, building a reputation as an original talent and a charming, if ill-mannered, character. Meanwhile, Mallet attempts to suppress his feelings for Mary Garland by cultivating a relationship with Augusta Blanchard, another expatriate American artist living in Italy. When Roderick decides to visit Switzerland or Germany, Mallet travels with him part way before going on to visit friends in England. There Mallet writes to Mrs Hudson to inform her of the situation. She replies saying she is pleased the situation has gone so well. However, when Rowland finally hears from Roderick, he begs him for money to cover the debts he incurred while gambling at Baden-Baden.

One of the great heroines of American literature, Isabel Archer, journeys to Europe in order to, as Henry James writes in his 1908 Preface, "affront her destiny." James began The Portrait of a Lady without a plot or subject, only the slim but provocative notion of a young woman taking control of her fate. The result is a richly imagined study of an American heiress who turns away her suitors in an effort to first establish-and then protect-her independence. But Isabel's pursuit of spiritual freedom collapses when she meets the captivating Gilbert Osmond. "James's formidable powers of observation, his stance as a kind of bachelor recorder of human doings in which he is not involved," writes Hortense Calisher, "make him a first-class documentarian, joining him to that great body of storytellers who amass what formal history cannot."

The Outcry is a novel by Henry James published in 1911. It was originally conceived as a play. James cast the material in a three-act drama in 1909, but like many of his plays, it failed to be produced. (There were two posthumous performances in 1917.) In 1911 James converted the play into a novel, which was successful with the public. The Outcry was the last novel he was able to complete before his death in 1916. The storyline concerns the buying up of Britain's art treasures by wealthy Americans. To cover the gambling debts of his daughter Kitty Imber, the widowed Lord Theign is planning to sell his beautiful painting Duchess of Waterbridge by Sir Joshua Reynolds to American billionaire Breckenridge Bender. Hugh Crimble, a young art critic, argues against the sale, saying that Britain's art treasures should stay in the country. He is supported by Theign's perceptive daughter, Lady Grace. When the newspapers get wind of the potential sale of the Reynolds, they raise a patriotic outcry, which delights Bender. Meanwhile, Crimble has found another painting in Theign's collection that he suspects is a rarity by Mantovano. (James thought this artist was a fiction, but it later turned out that there really was an obscure painter of that name.) Eventually, Crimble's hunch about the Mantovano turns out to be correct. Theign decides to donate the Mantovano to the National Gallery and not to sell the Reynolds to Bender. His friend Lady Sandgate also donates her family's Sir Thomas Lawrence painting to the Gallery, which unites her and Theign.

The Europeans is a short novel by Henry James, published in 1878. It is essentially a comedy contrasting the behaviour and attitudes of two visitors from Europe with those of their relatives living in the 'new' world of New England. The novel first appeared as a serial in The Atlantic Monthly for July-October 1878. James made numerous minor revisions for the first book publication. The tale opens in Boston and New England in the middle of the 19th century, and describes the experiences of two European siblings shifting from the old to the new world. The two protagonists are Eugenia M nster and Felix Young, who since their early childhood have lived in Europe, moving from France to Italy and from Spain to Germany. In this last place, Eugenia entered into a Morganatic marriage with Prince Adolf of Silberstadt-Schreckenstein, the younger brother of the reigning prince who is now being urged by his family to dissolve the marriage for political reasons. Because of this, Eugenia and Felix decide to travel to America to meet their distant cousins, so that Eugenia may "seek her fortune" in the form of a wealthy American husband. Eugenia and her brother Felix arrive in Boston. The next day Felix visits their cousins. He first meets Gertrude, who is shirking attendance at church. He stays over for dinner. The next day Eugenia visits them. Three days later their uncle Mr Wentworth suggests they stay in a little house close to theirs. Felix suggests making a portrait of his uncle. When Mr. Wentworth refuses, he makes plans to do a painting of Gertrude instead. The latter walks into Mr Brand again and bursts out crying when he asserts that he still loves her. She then sits for Felix to do his painting of her, and he reproaches his American relatives for being very puritanical. Eugenia is talking and flirting with Robert Acton; she says she will divorce her husband. She visits Mrs Acton and says a white lie - that her son has been talking about her a lot - which comes across as a terrible faux-pas. Later, Mr Wentworth tells Felix that Clifford got suspended from Harvard owing to his drinking problem, and that he is improperly in love with Lizzie Acton - Felix suggests fixing him up with Eugenia instead. Later still, Gertrude tells him her father wants her to marry Mr Brand, though she doesn't love him. Mr Brand then criticizes Felix. Gertrude emotionally blackmails Charlotte into keeping him from talking to her, lest she tell him Charlotte likes him. Clifford then visits Eugenia. Robert Acton goes to the Wentworths' but Eugenia is not in their house; he goes into hers and asks her about the divorce note and going to see the Niagara Falls with him. Clifford comes out of his hiding place; the two men get back together.

The Reverberator is an unchanged, high-quality reprint of the original edition of 1888. Hansebooks is editor of the literature on different topic areas such as research and science, travel and expeditions, cooking and nutrition, medicine, and other genres. As a publisher we focus on the preservation of historical literature. Many works of historical writers and scientists are available today as antiques only. Hansebooks newly publishes these books and contributes to the preservation of literature which has become rare and historical knowledge for the future.

The Cambridge Edition of the Complete Fiction of Henry James provides, for the first time, a scholarly edition of a major writer whose work continues to be read, quoted, adapted and studied. The Outcry, James's last completed novel, is an ironic depiction of the contemporary art market in which wealthy Americans are plundering British-owned treasures. James adapted the work, originally written as a play, into novel form with great success. This edition, based on the work's first book appearance in 1911, reconstructs the novel's literary, cultural and historical contexts, includes extensive annotation, and gives a detailed textual history. In exploring the process of adaptation it allows particular insight into James's skills as a novelist. The volume will be of interest to James scholars, art and theatre historians and students of nineteenth- and twentieth-century Anglo-American literature, while also contributing to the developing field of adaptation studies.

The Princess Casamassima - Vol. III is an unchanged, high-quality reprint of the original edition of 1886. Hansebooks is editor of the literature on different topic areas such as research and science, travel and expeditions, cooking and nutrition, medicine, and other genres. As a publisher we focus on the preservation of historical literature. Many works of historical writers and scientists are available today as antiques only. Hansebooks newly publishes these books and contributes to the preservation of literature which has become rare and historical knowledge for the future.

The Princess Casamassima - Vol. II is an unchanged, high-quality reprint of the original edition of 1886. Hansebooks is editor of the literature on different topic areas such as research and science, travel and expeditions, cooking and nutrition, medicine, and other genres. As a publisher we focus on the preservation of historical literature. Many works of historical writers and scientists are available today as antiques only. Hansebooks newly publishes these books and contributes to the preservation of literature which has become rare and historical knowledge for the future.

The Princess Casamassima - Vol. I is an unchanged, high-quality reprint of the original edition of 1886. Hansebooks is editor of the literature on different topic areas such as research and science, travel and expeditions, cooking and nutrition, medicine, and other genres. As a publisher we focus on the preservation of historical literature. Many works of historical writers and scientists are available today as antiques only. Hansebooks newly publishes these books and contributes to the preservation of literature which has become rare and historical knowledge for the future.

The Turn of the Screw, originally published in 1898, is a novella written by Henry James. The story, a part of gothic and ghost story genres, first appeared in serial format in Collier's Weekly magazine (January 27 - April 16, 1898). In October 1898 it appeared in The Two Magics, a book published by Macmillan in New York City and Heinemann in London.