Henry Ward

Henry Ward (b.1971) is an artist, educator and writer based in London. This monograph documents a major new body of work created during and following a residency at the Josef & Anni Albers Foundation in Bethany, Connecticut, in 2023, and a subsequent residency in the Morvan, Burgundy, in summer 2024. Ward is interested in line, shape, form and colour relationships. He works primarily as a painter, but also makes drawings and small sculptures. He explores the language of paint by investigating the threshold between abstraction and representation. During the two months he spent at the Albers Foundation, Ward took advantage of the vast studio space and began pinning together cut painted pieces to make assemblages. While there, he produced fifteen paintings on canvas and wood, forty paintings on paper, sixty drawings, twenty ‘cut-outs’ and a full sketchbook. Exclusively working with acrylic paints, he began experimenting, using masking tape and mixing in different mediums so that he could ‘push the paint around’. The publication includes reproductions of many the works Ward made during his stay at the Albers Foundation, organised into ‘Paintings’, ‘Works on Paper’ and ‘Drawings’. The final section, ‘After Bethany’, brings together twenty-two acrylic paintings on canvas that the artist created the following year, including during a two-week residency in France. In his foreword, Fritz Horstman, Education Director of the Albers Foundation, sets the scene in Bethany, detailing the studio buildings and the rural winter landscape, as well as Ward’s ‘exciting path of exploration and growth’ during his time there. While in residence, Ward travelled to nearby New York to meet the artist Amy Sillman in her Brooklyn studio. An edited transcript of their conversation is included here, in which they discuss their individual approaches to painting, writing and language. In his essay, the curator and writer Jonathan Watkins charts Ward’s thirty-year career as an artist and teacher, drawing out his belief that ‘art is, by its very nature, educational’. In her contribution, Jenni Lomax interviewed Ward in his Woolwich studio about the works he created during both residencies, and the lasting impact they have had on his practice. Edited by Matt Price and designed by Joe Gilmore, the book is published by Anomie Publishing, London. Henry Ward (b.1971) is an artist, educator and writer based in London. Ward has exhibited nationally and internationally for over thirty years. He was shortlisted for the Trinity Buoy Wharf Drawing Prize in 2018, 2019 and 2022 and was included in the Wells Art Contemporary in both 2020 and 2024. Ward has shown in numerous group exhibitions including with Flowers Gallery, London, Messums London and Sid Motion Gallery, London. In 2024 his solo exhibition Medusa & Other Stories, with Kittoe Contemporary, won the Artlogic best exhibition award at the London Art Fair.

Reprint of the original, first published in 1843.

Reprint of the original, first published in 1843.

Reprint of the original, first published in 1872. The publishing house Anatiposi publishes historical books as reprints. Due to their age, these books may have missing pages or inferior quality. Our aim is to preserve these books and make them available to the public so that they do not get lost.

Reprint of the original, first published in 1872. The publishing house Anatiposi publishes historical books as reprints. Due to their age, these books may have missing pages or inferior quality. Our aim is to preserve these books and make them available to the public so that they do not get lost.

The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revolution of its own: digitization of epic proportions to preserve these invaluable works in the largest archive of its kind. Now for the first time these high-quality digital copies of original 18th century manuscripts are available in print, making them highly accessible to libraries, undergraduate students, and independent scholars. Western literary study flows out of eighteenth-century works by Alexander Pope, Daniel Defoe, Henry Fielding, Frances Burney, Denis Diderot, Johann Gottfried Herder, Johann Wolfgang von Goethe, and others. Experience the birth of the modern novel, or compare the development of language using dictionaries and grammar discourses. ++++The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++British LibraryT119162Anonymous. By Henry Ward. With a final leaf of advertisements. Belfast: printed by James Magee, 1766. 34, 2]p.; 12

Title: Ward's Canterbury Guide. ... Tenth edition. With illustrations.]Publisher: British Library, Historical Print EditionsThe British Library is the national library of the United Kingdom. It is one of the world's largest research libraries holding over 150 million items in all known languages and formats: books, journals, newspapers, sound recordings, patents, maps, stamps, prints and much more. Its collections include around 14 million books, along with substantial additional collections of manuscripts and historical items dating back as far as 300 BC. The HISTORY OF TRAVEL collection includes books from the British Library digitised by Microsoft. This collection contains personal narratives, travel guides and documentary accounts by Victorian travelers, male and female. Also included are pamphlets, travel guides, and personal narratives of trips to and around the Americas, the Indies, Europe, Africa and the Middle East. ++++The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++ British Library Ward, Henry; 1847. 88 p.; 8 . 10352.bb.33.(1.)