Homer

This text provides a line-by-line commentary on Books XIII-XXIV of Homer's epic poem, the Iliad. The ‘red Macmillan’ Iliad in the edition of W. Leaf, which had served since the 1880s, was replaced by the two volume edition of M. M. Willcock. Coverage of twelve books in each volume demands concise introduction and commentary, but Willcock is not omissive. He includes, for example, mention of significant aspects of Homeric diction more fully in the early lines of the book, in order that the student may begin on any particular one; and the tight compass does not prevent him engaging in, or referring to, problems of composition or text addressed by scholars more advanced than sixth formers, and undergraduates for whom the edition is primarily intended.

Die Bibliotheca Teubneriana, gegrundet 1849, ist die weltweit alteste, traditionsreichste und umfangreichste Editionsreihe griechischer und lateinischer Literatur von der Antike bis zur Neuzeit. Pro Jahr erscheinen 4-5 neue Editionen. Samtliche Ausgaben werden durch eine lateinische Praefatio erganzt. Die wissenschaftliche Betreuung der Reihe obliegt einem Team anerkannter Philologen: Gian Biagio Conte (Scuola Normale Superiore di Pisa)James Diggle (University of Cambridge)Donald J. Mastronarde (University of California, Berkeley)Franco Montanari (Universita di Genova)Heinz-Gunther Nesselrath (Georg-August-Universitat Goettingen)Dirk Obbink (University of Oxford)Oliver Primavesi (Ludwig-Maximilians Universitat Munchen)Michael D. Reeve (University of Cambridge)Richard J. Tarrant (Harvard University)Vergriffene Titel werden als Print-on-Demand-Nachdrucke wieder verfugbar gemacht. Zudem werden alle Neuerscheinungen der Bibliotheca Teubneriana parallel zur gedruckten Ausgabe auch als eBook angeboten. Die alteren Bande werden sukzessive ebenfalls als eBook bereitgestellt. Falls Sie einen vergriffenen Titel bestellen moechten, der noch nicht als Print-on-Demand angeboten wird, schreiben Sie uns an: Kerstin. [email protected] Samtliche in der Bibliotheca Teubneriana erschienenen Editionen lateinischer Texte sind in der Datenbank BTL Online elektronisch verfugbar.

George Chapman's translations of Homer are the most famous in the English language. Keats immortalized the work of the Renaissance dramatist and poet in the sonnet "On First Looking into Chapman's Homer." Swinburne praised the translations for their "romantic and sometimes barbaric grandeur," their "freshness, strength, and inextinguishable fire." The great critic George Saintsbury (1845-1933) wrote: "For more than two centuries they were the resort of all who, unable to read Greek, wished to know what Greek was. Chapman is far nearer Homer than any modern translator in any modern language." This volume presents the original (1611) text of Chapman's translation of the Iliad, making only a small number of modifications to punctuation and wording where they might confuse the modern reader. The editor, Allardyce Nicoll, provides an introduction and a glossary. Garry Wills contributes a preface, in which he explains how Chapman tapped into the poetic consonance between the semi-divine heroism of the Iliad's warriors and the cosmological symbols of Renaissance humanism.

First published in the outstanding and long-running 'red Macmillan' series in 1948 and revised in 1958 and 1962 (with, for example, a new section on Mycenaean Greek in relation to Homer), This second volume on the Odyssey has remained the standard edition used by upper school and university students to guide their early reading of the epic. The introduction covers many of the questions that lie behind the poem, and includes a useful summary of Homeric grammar; the text is elucidated with full annotations, indexes and bibliography. Also available: Odyssey I-XII

The Bibliotheca Teubneriana, established in 1849, has evolved into the world's most venerable and extensive series of editions of Greek and Latin literature, ranging from classical to Neo-Latin texts. Some 4-5 new editions are published every year. A team of renowned scholars in the field of Classical Philology acts as advisory board: Gian Biagio Conte (Scuola Normale Superiore di Pisa)Marcus Deufert (Universitat Leipzig)James Diggle (University of Cambridge)Donald J. Mastronarde (University of California, Berkeley)Franco Montanari (Universita di Genova)Heinz-Gunther Nesselrath (Georg-August-Universitat Goettingen)Dirk Obbink (University of Oxford)Oliver Primavesi (Ludwig-Maximilians Universitat Munchen)Michael D. Reeve (University of Cambridge)Richard J. Tarrant (Harvard University) Formerly out-of-print editions are offered as print-on-demand reprints. Furthermore, all new books in the Bibliotheca Teubneriana series are published as eBooks. The older volumes of the series are being successively digitized and made available as eBooks. If you are interested in ordering an out-of-print edition, which hasn't been yet made available as print-on-demand reprint, please contact us: Tessa. [email protected] editions of Latin texts published in the Bibliotheca Teubneriana are collected in the online database BTL Online.

The 'red Macmillan' Iliad in the edition of W. Leaf, which had served since the 1880s, was replaced by this classic two-volume edition of M. M. Willcock. Coverage of twelve books of the Iliad in each volume demands a concise introduction and commentary. The editor also includes, for example, mention of significant aspects of Homeric diction more fully in the early lines of each book, so that the student may begin on any particular line. Although the book is designed for students at sixth form and undergraduates, the tight compass of these books does not prevent the editor engaging in - or referring to - problems of composition or text addressed by more advanced scholars.

First published in the outstanding and long-running 'red Macmillan' series in 1947 and substantially updated in 1959 (with, for example, sections on the relationship between Homer and the Mycenaean world), Stanford's Odyssey - of which this is the first of two volumes - has remained the standard edition used in upper school and by university students to guide their early reading of Homer. A substantial introduction covers many of the questions that lie behind the poem, including a thorough summary of Homeric grammar; the text is elucidated with full annotations, indexes and bibliography.

Homer's best-loved and most accessible poem, recounting the great wandering of Odysseus during his ten-year voyage back home to Ithaca, after the Trojan War. A superb new verse translation, now published in trade paperback, before the standard Penguin Classic B format.

Gripping... Lombardo's achievement is all the more striking when you consider the difficulties of his task...[He] manages to be respectful of Homer's dire spirit while providing on nearly every page some wonderfully fresh refashioning of his Greek. The result is a vivid and disarmingly hardbitten reworking of a great classic. --Daniel Mendelsohn, The New York Times Book Review

Richard P. Martin, Princeton University

A concise introduction, text, and commentary on this Book, the turning point in the plot of the poem and one of its poetical peaks, rich in vivid speech and psychology, and raising fundamental questions about heroism and the meaning of human life. There is a general account of Homeric style and language, and of the formulaic system of composition. The Embassy to Achilles is discussed in the context of an accessible general account of heroic poetry and of the Iliad as a whole. The commentary explains basic points of language and style; it also discusses disputed questions and offers a full literary commentary on all aspects of the text. Quoted Greek is translated.

With an Introduction and Notes by Adam Roberts, Royal Holloway, University of London. The product of more than a decade's continuous work (1598-1611), Chapman's translation of Homer's great poem of war is a magnificent testimony to the power of The Iliad. In muscular, onward-rolling verse Chapman retells the story of Achilles, the great warrior, and his terrible wrath before the walls of besieged Troy, and the destruction it wreaks on both Greeks and Trojans. Chapman regarded the translation of this epic, and of Homer's Odyssey (also available in Wordsworth Editions) as his life's work, and dedicated himself to capturing the 'soul' of the poem. Swinburne praised the resulting translation for its ‘romantic and sometimes barbaric grandeur, its freshness, strength, and inexhaustible fire’, qualities that reflect the grandeur, fire and brutality of the original poem. This new edition includes a critical introduction and extensive notes, rendering Chapman’s extraordinary poetic masterpiece accessible to modern readers.

The English translation of Homer’s masterpiece matches the Greek line for line; no other translation is more faithful to the original. The result is a melodic version that preserves Homer’s style. A glossary and a map of the Greek world accompany the text. The Odyssey in Antiquity provides contextual materials and commentary to increase readers’ appreciation for literature and life in the Homeric age. A collection of nine assessments of The Odyssey by ancient and medieval writers, including Pindar, Aristotle, Seneca, and Scholia, is featured. Essays by G. S. Kirk and Martin P. Nilsson, respectively, discuss poetic conventions and the socioreligious order Homer depicts. Criticism provides sixteen wide-ranging interpretations of The Odyssey. Included are seminal essays by Jean Racine, Johann Wolfgang von Goethe, Ezra Pound, Cedric H. Whitman, and A. C. Goodson. Albert Cook, Elizabeth Storz, Norman Austin, and John Peradotto provide new perspectives on the poem. An updated Selected Bibliography is also included.

With its inspired counterpointing of Homeric and Caribbean themes, Derek Walcott's play The Odyssey, commissioned by Britain's Royal Shakespeare Company, springs from the same imaginative sources as his epic poem Omeros. " The Odyssey features Walcott's] voluptuous metaphor making and severe truth telling."--Time Episodes of the story of Odysseus' protracted wanderings from fallen Troy to his island home of Ithaca are pungently interspersed with a commentary by the blind singer Billy Blue. Proteus, the Old Man of the Sea, the giant Cyclops, Circe and her revelers, ghosts, and mermaids are among the cast. With its vast sweep and richly figurative language, The Odyssey confirms that Derek Walcott is as compelling a playwright as he is a poet.

One of the supreme masterpieces of world literature, the Homeric saga of the shipwrecks, wanderings, and homecoming of the master tactician Odysseus encompasses a virtual inventory of the themes and attitudes that have shaped Western culture. The tale of Odysseus's encounters with such obstacles as Calypso, Circe, Scylla and Charybdis, the Sirens, and the lotus-eaters, and his dramatic return to Ithaca and his patient wife, Penelope, forms a prototype for all subsequent Western epics. Robert Fitzgerald's much-acclaimed translation, fully possessing as it does the body and spirit of the original, has helped to assure the continuing vitality of Europe's most influential work of poetry. This edition includes twenty-five new line drawings by Barnaby Fitzgerald.

With an Introduction and Notes by Adam Roberts, Royal Holloway, University of London. Homer's great epic describes the many adventures of Odysseus, Greek warrior, as he strives over many years to return to his home island of Ithaca after the Trojan War. His colourful adventures, his endurance, his love for his wife and son have the same power to move and inspire readers today as they did in Archaic Greece, 2800 years ago. This poem has been translated many times over the years, but Chapman's sinewy, gorgeous rendering (1616) stands in a class of its own. Chapman believed himself inspired by the spirit of Homer himself, and matches the breadth and power of the original with a complex and stunning idiom of his own. John Keats expressed his admiration for the resulting work in the famous sonnet, 'On first looking into Chapman's Homer': 'Much have I travelled in the realms of gold…' This new Wordsworth edition of Chapman’s Homer contains accessible annotation, and a detailed introduction that places his masterpiece in the context of his own day, and discusses its influences on later poets.

A work of tremendous influence that has inspired writers from his ancient Greek contemporaries to modernist writers such as T. S. Eliot, Homer's epic poem The Iliad is translated by Robert Fagles with an introduction and notes by Bernard Knox in Penguin Classics. One of the foremost achievements in Western literature, Homer's Iliad tells the story of the darkest episode in the Trojan War. At its centre is Achilles, the greatest warrior-champion of the Greeks, and his refusal to fight after being humiliated by his leader Agamemnon. But when the Trojan Hector kills Achilles' close friend Patroclus, Achilles storms back into battle to take revenge - although knowing this will ensure his own early death. Interwoven with this tragic sequence of events are powerfully moving descriptions of the ebb and flow of battle, of the domestic world inside Troy's besieged city of Ilium, and of the conflicts between the Gods on Olympus as they argue over the fate of mortals. Seven Greek cities claim the honour of being the birthplace of Homer (c. 8th-7th century BC), the poet to whom the composition of the Iliad and Odyssey are attributed. The Iliad is the oldest surviving work of Western literature, but the identity - or even the existence - of Homer himself is a complete mystery, with no reliable biographical information having survived. If you enjoyed The Iliad, you might like The Odyssey, also available in Penguin Classics.'An astonishing performance'Peter Levi'Plain and direct, noble, above all rapid ... leading the reader forward with an irresistible flow. [Fagles'] version is imbued with humanity'Oliver Taplin, The New York Times Book Review'Robert Fagles has given us an Iliad to read aloud: eloquent, rhythmical, and full of power'Jasper Griffin, Oxford University

This edition of one of the most enduringly popular and familiar books of the Odyssey - the encounter of Odysseus and his men with the cannibal Cyclops Polyphemos - grew out of the classes taken at the Joint Association of Classics Greek Summer School, where students who had completed a beginners' course were making their first acquaintance with Homeric verse. The complete text of the book, with generous narrative headings, and illustrations from Greek art, is complemented by a running vocabulary and translation assistance on facing pages. The brief introduction deals with the composition of the Homeric poems, with the story of the Odyssey as a whole and this book in particular. It considers the peculiarities of Homeric dialect forms and the scansion of hexameter verse. The book is ideal for all those tackling Homer for the first time, and is suitable for use in schools and upwards.