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J. M. Coetzee
Kirjat ja teokset yhdessä paikassa: 101 kirjaa, julkaisuja vuosilta 1982–2026, suosituimpiin kuuluu Leben und Zeit des Michael K.. Vertaile teosten hintoja ja tarkista saatavuus suomalaisista kirjakaupoista.
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Here and Now is a collection of letters between Paul Auster and Nobel laureate J. M. Coetzee, two of the greatest writers of our time.'Uniquely insightful.' Independent'Extraordinary.' Times Literary SupplementAlthough Paul Auster and J. M. Coetzee had been reading each other's books for years, the two writers did not meet until February 2008. Not long after, Auster received a letter from Coetzee, suggesting they begin exchanging letters on a regular basis and, 'God willing, strike sparks off each other'. Here and Now is the result of that proposal: an epistolary dialogue between two great writers who became great friends. Over three years their letters touched on nearly every subject, from sports to fatherhood, literature to film, philosophy to politics, from the financial crisis to art, eroticism, marriage, friendship, and love.
Author J. M. Coetzee sold his house in Cape Town, unaware that he was leaving behind unique documents from his teenage years. In the attic of his former home, the new owners discovered a forgotten brown suitcase and a large cardboard box, containing a complete photographic archive of old prints and negatives from Coetzee's childhood never seen before. The book also has an exclusive interview with John Coetzee about his boyhood and photo experiments.
________________'This anthology will help turn your intellectual understanding of oppression into an emotional one' - New Statesman'Thanks for being who you are and for giving us such exposure to wonderful people. Palestine is proud of you' - Suad Amiry________________The Palestine Festival of Literature was established in 2008. Bringing together writers from all corners of the globe, it aims to help Palestinians break the cultural siege imposed by the Israeli military occupation, to strengthen their artistic links with the rest of the world, and to reaffirm, in the words of Edward Said, ‘the power of culture over the culture of power’. Celebrating the tenth anniversary of PalFest, This Is Not a Border is a collection of essays, poems and stories from some of the world’s most distinguished artists, responding to their experiences at this unique festival. Both heartbreaking and hopeful, their gathered work is a testament to the power of literature to promote solidarity and courage in the most desperate of situations. Contributors: Susan Abulhawa, Suad Amiry, Victoria Brittain, Jehan Bseiso, Teju Cole, Molly Crabapple, Selma Dabbagh, Mahmoud Darwish, Najwan Darwish, Geoff Dyer, Yasmin El-Rifae, Adam Foulds, Ru Freeman, Omar Robert Hamilton, Suheir Hammad, Nathalie Handal, Mohammed Hanif, Jeremy Harding, Rachel Holmes, John Horner, Remi Kanazi, Brigid Keenan, Mercedes Kemp, Omar El-Khairy, Nancy Kricorian, Sabrina Mahfouz, Jamal Mahjoub, Henning Mankell, Claire Messud, China Miéville, Pankaj Mishra, Deborah Moggach, Muiz, Maath Musleh, Michael Palin, Ed Pavlic, Atef Abu Saif, Kamila Shamsie, Raja Shehadeh, Gillian Slovo, Ahdaf Soueif, Linda Spalding, Will Sutcliffe, Alice WalkerWith messages from China Achebe, Michael Ondaatje and J. M. Coetzee________________'Every literary act, whether it is a great epic poem or an honest piece of journalism or a simple nonsense tale for children is a blow against the forces of stupidity and ignorance and darkness … The Palestine Festival of Literature exists to do just that – and I salute it for its work. Not only this year but for as long as it is necessary' - Philip Pullman
I betragtning af hans alder, tooghalvtreds og fraskilt, synes han selv, at han har løst problemet med sex ganske godt. Hver torsdag eftermiddag kører han ud til Green Point. Præcis klokken to trykker han på summerknappen ved indgangen til Windsor Mansions, nævner sit navn og træder ind. Ved døren til nr. 113 står Soraya og venter på ham. Sådan begynder historien om David Lurie. En desillusioneret litteraturprofessor i Capetown, der om aftenen kæmper med at komponere en kammeropera og ellers er tilfreds med 90 minutters kvindeligt selskab om ugen. En dag er Soraya pludselig væk. For at udfylde tomrummet indleder David Lurie et forhold til en af sine studerende. Efter en anklage for sexchikane bliver han tvunget til at tage sin afsked og flytter ud til sin datter Lucy på hendes ensomt beliggende gård. Opholdet udvikler sig til et mareridt, da et brutalt overfald vender op og ned på alle hans forestillinger og truer med at ødelægge hans datter.
J. M. Coetzee's latest novel, The Schooldays of Jesus, is now available from Viking. Late Essays: 2006-2016 will be available January 2018. Since 1982, J. M. Coetzee has been dazzling the literary world. After eight novels that have won, among other awards, two Booker Prizes, and most recently, the Nobel Prize, Coetzee has once again crafted an unusual and deeply affecting tale. Told through an ingenious series of formal addresses, Elizabeth Costello is, on the surface, the story of a woman's life as mother, sister, lover, and writer. Yet it is also a profound and haunting meditation on the nature of storytelling.
Set in 1869, when Dostoevsky was summoned from Germany to St Petersburg by the sudden death of his stepson, this novel is at once a compelling mystery steeped in the atmosphere of pre-revolutionary Russia and a brilliant and courageous meditation on authority and rebellion, art and imagination.
In a South Africa torn by civil war, Michael K sets out to take his mother back to her rural home. On the way there she dies, leaving him alone in an anarchic world of brutal roving armies.
Elizabeth Costello is an Australian writer of international renown. Her life has become a series of engagements in sterile conference rooms throughout the world - a private consciousness obliged to reveal itself to a curious public: the presentation of a major award at an American college where she is required to deliver a lecture;
Reissue in Vintage. A specialist in pyschological warefare is driven to braekdown and madness by the stressed of a project of macabre ingenuity to win the war in Vietnam. A meglomaniac Boer frontiersman wreaks hideous vengence on a Hottentot tribe for undermining the 'natural' order of his universe with their anarchic rival order,mocking him and subjecting him to the humiliations of his own all too palpable flesh. Both the 18th century Jacobus Coetzee and the 20ht century Euguene Dawn are in the business of pushing back the frontiers of knowledge and are dealers in death who denounce their own humanity and spurn their feelings of guilt. With immense power and economy in these two narratives,coetzee has crystalized in their absurdity and horror,the extremes of scientific evangelism and heroic exploration.
Der Titelheld, der seine Zeit nicht versteht und nichts mit ihr zu tun haben will, macht sich davon. In der Stadt tobt der Aufstand, es kommt zu Plünderungen und Schießereien, Macht und Gegenmacht spielen ihr blutiges Spiel. Michael K., einer der Ärmsten unter den Armen, flieht aufs Land. In einer verlassenen Farm lebt er ein Leben jenseits der Zivilisation. Er lebt von Tieren, die er mit der Hand erhaschen, von Pflanzen, die er unter großen Mühen ziehen kann, ein Robinson am Rande der modernen Welt. Coetzees Ballade über diesen unmöglichen Sonderling, der mit seiner Behauptung einer eigenen Zeit die Zeit herausfordert, hat wegen ihrer Aufrichtigkeit Leser in der ganzen Welt gefunden. Für diesen Roman erhielt J. M. Coetzee 1983 den Booker Award, den bedeutendsten englischen Literaturpreis.
J. M. Coetzee's latest novel, The Schooldays of Jesus, is now available from Viking. Late Essays: 2006-2016 will be available January 2018. In the fall of 1869 Fyodor Mikhailovich Dostoevsky, lately a resident of Germany, is summoned back to St. Petersburg by the sudden death of his stepson, Pavel. Half crazed with grief, stricken by epileptic seizures, and erotically obsessed with his stepson's landlady, Dostoevsky is nevertheless intent on unraveling the enigma of Pavel's life. Was the boy a suicide or a murder victim? Did he love his stepfather or despise him? Was he a disciple of the revolutionary Nechaev, who even now is somewhere in St. Petersburg pursuing a dream of apocalyptic violence? As he follows his stepson's ghost--and becomes enmeshed in the same demonic conspiracies that claimed the boy--Dostoevsky emerges as a figure of unfathomable contradictions: naive and calculating, compassionate and cruel, pious and unspeakably perverse.
Language, historically speaking, has always been slippery. Two dictionaries provide two different maps of the universe: which one is true, or are both false? Speaking in Tongues--taking the form of a dialogue between Nobel laureate novelist J. M. Coetzee and eminent translator Mariana Dim pulos--examines some of the most pressing linguistic issues that plague writers and translators well into the twenty-first century. The authors address questions that we must answer in order to understand contemporary society. They inquire if one can truly love an acquired language, and they question why certain languages, like Spanish, have gender differences built into them. They examine the threat of monolingualism and ask how we can counter, if at all, the global spread of the English language, which seems to maraud like a colonial power. They question whether it should be the duty of the translator to remove morally objectionable, misogynistic, or racist language. And in the conclusion, Coetzee even speculates whether it's only mathematics that can tell the truth about everything. Drawing from decades of experience in the craft of language, both Dim pulos and Coetzee face the reality, as did Walter Benjamin over a century ago in his seminal essay "The Task of the Translator," that when it comes to self-expression, some things will always get lost in translation. Speaking in Tongues finally emerges as an engaging and accessible work of philosophy, shining a light on some of the most important linguistic and philological issues of our time.
This is a book about languages, what languages can and what they cannot do. In this dialogue between a Nobel Laureate and a leading translator, provocative ideas emerge about the evolution of language and the challenge of translation. Language, historically speaking, has always been slippery. Two dictionaries provide two different maps of the universe: which one is true, or are both false? Speaking in Tongues - taking the form of a dialogue between Nobel-Laureate novelist J. M. Coetzee and eminent translator Mariana Dimópulos - explores questions that have constantly plagued writers and translators, now more than ever. Among them:How can a translator liberate meanings imprisoned in the language of a text? Why is the masculine form dominant in gendered languages while the feminine is treated as a deviation? How should we counter the spread of monolingualism? Should a translator censor racist or misogynistic language? Does mathematics tell the truth about everything? In the tradition of Walter Benjamin’s seminal essay 'The Task of the Translator', Speaking in Tongues emerges as an engaging and accessible work of philosophy, shining a light on some of the most important linguistic and philological issues of our time.
Language, historically speaking, has always been slippery. Two dictionaries provide two different maps of the universe: which one is true, or are both false? Speaking in Tongues--taking the form of a dialogue between Nobel laureate novelist J. M. Coetzee and eminent translator Mariana Dim pulos--examines some of the most pressing linguistic issues that plague writers and translators well into the twenty-first century. The authors address questions that we must answer in order to understand contemporary society. They inquire if one can truly love an acquired language, and they question why certain languages, like Spanish, have gender differences built into them. They examine the threat of monolingualism and ask how we can counter, if at all, the global spread of the English language, which seems to maraud like a colonial power. They question whether it should be the duty of the translator to remove morally objectionable, misogynistic, or racist language. And in the conclusion, Coetzee even speculates whether it's only mathematics that can tell the truth about everything. Drawing from decades of experience in the craft of language, both Dim pulos and Coetzee face the reality, as did Walter Benjamin over a century ago in his seminal essay "The Task of the Translator," that when it comes to self-expression, some things will always get lost in translation. Speaking in Tongues finally emerges as an engaging and accessible work of philosophy, shining a light on some of the most important linguistic and philological issues of our time.
Denne lille romanen av J. M. Coetzee, en av vår tids fremste forfattere, stiller spørsmålet om vår forhåndsforståelse av hva kjærlighet er. Kan man drive frem kjærlighet? Er det i det hele tatt mulig å forstå hverandre? Etter en konsert i Barcelona faller den polske pianisten Witold for arrangøren Beatriz. Hun gjengleder ikke følelsene, i alle fall ikke innledningsvis. Med slående utholdenhet sender han henne musikk, brev, poesi, invitasjoner til å reise. Etter hvert, nærmeste motvillig, men også på egne premisser, begynner hun å utforske hans verden.
In this beautifully written and compulsively readable story of love and the mutability of human relationships, pianist Witold's infatuation with Beatriz will change them both. A Sunday Times, Daily Telegraph and Financial Times Book of the Year‘Confirms Coetzee as one of the great writers of fiction’ ObserverAfter his piano recital in Barcelona, Witold Walczykiewicz – white-haired virtuoso, controversial interpreter of Chopin – becomes infatuated with Beatriz, his designated companion at dinner. Beatriz, a stylish patron of the arts, is at first unmoved. But as the stranger’s letters, music, and poetry flood into her home, a dream of love begins that surprises them both.‘One of the world’s most original writers… He is still breaking new ground at the same time as revealing a funny side’ i‘His prose, apparently simple, is so perfected at every turn that it is moving to read, line after line’ Sunday Times
