James Baldwin

FIFTY FAMOUS STORIES RETOLD. KING ALFRED AND THE CAKES. KING ALFRED AND THE CAKES. Many years ago there lived in Eng-land a wise and good king whose name was Al-fred. No other man ever did so much for his country as he; and people now, all over the world, speak of him as Alfred the Great. In those days a king did not have a very easy life.

Fifty famous stories retold By James Baldwin Contents: King Alfred and the Cakes King Alfred and the Beggar King Canute on the Seashore The Sons of William the Conqueror The White Ship King John and the Abbot A Story of Robin Hood Bruce and the Spider The Black Douglas Three Men of Gotham Other Wise Men of Gotham The Miller of the Dee Sir Philip Sidney The Ungrateful Soldier Sir Humphrey Gilbert Sir Walter Raleigh Pocahontas George Washington and his Hatchet Grace Darling The Story of William Tell Arnold Winkelried The Bell of Atri How Napoleon crossed the Alps The Story of Cincinnatus The Story of Regulus Cornelia's Jewels Androclus and the Lion Horatius at the Bridge Julius C sar The Sword of Damocles Damon and Pythias A Laconic Answer The Ungrateful Guest Alexander and Bucephalus Diogenes the Wise Man The Brave Three Hundred Socrates and his House The King and his Hawk Doctor Goldsmith The Kingdoms The Barmecide Feast The Endless Tale The Blind Men and the Elephant Maximilian and the Goose Boy The Inchcape Rock Whittington and his Cat Casabianca Antonio Canova Picciola Mignon

Choice English lLyrics is an unchanged, high-quality reprint of the original edition of 1894. Hansebooks is editor of the literature on different topic areas such as research and science, travel and expeditions, cooking and nutrition, medicine, and other genres. As a publisher we focus on the preservation of historical literature. Many works of historical writers and scientists are available today as antiques only. Hansebooks newly publishes these books and contributes to the preservation of literature which has become rare and historical knowledge for the future.

Second only in interest, especially to us of Anglo-Saxon descent, are the hero tales of the ancient North and the stirring legends connected with the "Nibelungen Lied." Of much later origin than the Greek stories, and somewhat inferior to them in refinement of thought and delicacy of imagery, these tales partake of the rugged, forceful character of the people among whom they were composed. Yet, with all their austerity and sternness, they are replete with vivid action, and they charm us by their very strength and the lessons which they teach of heroic endurance and the triumph of eternal justice. Scarcely inferior to these latter, but not so well known to English-speaking people, are the tales of knighthood and chivalry that commemorate the romantic deeds of Charlemagne and his paladins. Written in various languages, and at periods widely separated, these tales present a curious mixture of fact and fiction, of the real and the marvellous, of the beautiful and the grotesque, of pagan superstition and Christian devotion. Although there were, in truth, no knights in the time of Charlemagne, and the institution of chivalry did not exist until many years later, yet these legends are of value as portraying life and manners in that period of history which we call the Dark Ages; and their pictures of knightly courage and generosity, faithfulness, and loyalty, appeal to our nobler feelings and stir our hearts with admiration.

The New York Times bestseller based on the Oscar nominated documentary filmIn June 1979, the writer and civil rights activist James Baldwin embarked on a project to tell the story of America through the lives of three of his murdered friends: Medgar Evers, Malcolm X and Martin Luther King, Jr. He died before it could be completed. In his documentary film, I Am Not Your Negro, Raoul Peck imagines the book Baldwin never wrote, using his original words to create a radical, powerful and poetic work on race in the United States - then, and today. 'Thrilling . . . A portrait of one man's confrontation with a country that, murder by murder, as he once put it, "devastated my universe"' The New York Times'Baldwin's voice speaks even more powerfully today . . . the prose-poet of our injustice and inhumanity . . . The times have caught up with his scalding eloquence' Variety 'A cinematic seance . . . One of the best movies about the civil rights era ever made' Guardian 'I Am Not Your Negro turns James Baldwin into a prophet' Rolling Stone

National Bestseller Nominated for the Academy Award for Best Documentary To compose his stunning documentary film I Am Not Your Negro, acclaimed filmmaker Raoul Peck mined James Baldwin's published and unpublished oeuvre, selecting passages from his books, essays, letters, notes, and interviews that are every bit as incisive and pertinent now as they have ever been. Weaving these texts together, Peck brilliantly imagines the book that Baldwin never wrote. In his final years, Baldwin had envisioned a book about his three assassinated friends, Medgar Evers, Malcolm X, and Martin Luther King. His deeply personal notes for the project have never been published before. Peck's film uses them to jump through time, juxtaposing Baldwin's private words with his public statements, in a blazing examination of the tragic history of race in America. This edition contains more than 40 black-and-white images from the film.

There was once a very brave man whose name was John Smith. He came to this country many years ago, when there were great woods everywhere, and many wild beasts and Indians. Many tales are told of his adventures, some of them true and some of them untrue. The most famous of all these is the following: One day when Smith was in the woods, some Indians came upon him, and made him their prisoner. They led him to their king, and in a short time they made ready to put him to death. A large stone was brought in, and Smith was made to lie down with his head on it. Then two tall Indians with big clubs in their hands came forward. The king and all his great men stood around to see. The Indians raised their clubs. In another moment they would fall on Smith's head. But just then a little Indian girl rushed in. She was the daughter of the king, and her name was Pocahontas. She ran and threw herself between Smith and the uplifted clubs. She clasped Smith's head with her arms. She laid her own head upon his. "O father " she cried, "spare this man's life. I am sure he has done you no harm, and we ought to be his friends"...

From one of the great American writers of the twentieth century--a coming-of-age story about a fourteen-year-old boy questioning the terms of his identity, the racism he faces, and the double-edged role of religion in his life. - Presented here in stunning hardcover with an introduction by Edwidge Danticat, award-winning author of Everything Inside. "Vivid imagery...lavish attention to details.... A] feverish story." --The New York TimesOriginally published in 1953, Go Tell It on the Mountain--based in part on James Baldwin's childhood in Harlem--was his first major work. With a potent combination of lyrical compassion and resonant rage, he portrays fourteen-year-old John Grimes, the stepson of a fire-breathing and abusive Pentecostal preacher in Harlem during the Depression. The action of this short novel spans a single day in John's life, and yet manages to encompass on an epic scale his family's troubled past and his own inchoate longings for the future, set against a shining vision of a city where he both does and does not belong. Baldwin's story illuminates the racism his characters face as well as the double-edged role religion plays in their lives, both oppressive and inspirational. In prose that mingles gritty vernacular cadences with exalted biblical rhythms, Baldwin's rendering of his young protagonist's struggle to invent himself pioneered new possibilities in American language and literature. Everyman's Library pursues the highest production standards, printing on acid-free cream-colored paper, with full-cloth cases with two-color foil stamping, decorative endpapers, silk ribbon markers, European-style half-round spines, and a full-color illustrated jacket. Contemporary Classics include an introduction, a select bibliography, and a chronology of the author's life and times.