Kirjailija
James Baldwin
Kirjat ja teokset yhdessä paikassa: 351 kirjaa, julkaisuja vuosilta 1976–2027, suosituimpiin kuuluu Giovanni's Room: Introduction by Colm Tóibín. Vertaile teosten hintoja ja tarkista saatavuus suomalaisista kirjakaupoista.
351 kirjaa
Kirjojen julkaisuvuodet: 1976–2027.
Purchase one of 1st World Library's Classic Books and help support our free internet library of downloadable eBooks. Visit us online at www.1stWorldLibrary. ORG - - Perhaps no other stories have ever been told so often or listened to with so much pleasure as the classic tales of ancient Greece. For many ages they have been a source of delight to young people and old, to the ignorant and the learned, to all who love to hear about and contemplate things mysterious, beautiful, and grand. They have become so incorporated into our language and thought, and so interwoven with our literature, that we could not do away with them now if we would. They are a portion of our heritage from the distant past, and they form perhaps as important a part of our intellectual life as they did of that of the people among whom they originated.
The best of the best from a powerful voice in the American literary landscape who fearlessly tackled race, sex, politics, and art in his internationally acclaimed novels, short stories, plays, and essays. " Baldwin] uses words as the sea uses waves, to flow and beat, advance and retreat, rise and take a bow in disappearing...the thought becomes poetry and the poetry illuminates thought." --Langston HughesJames Baldwin was and remains a powerfully prophetic voice in the American literary landscape. His literary achievement is a lasting legacy about what it means to be American. Vintage Baldwin includes the short story "Sonny's Blues"; the galvanizing civil rights examination "My Dungeon Shook: Letter to My Nephew on the One Hundredth Anniversary of the Emancipation"; the essays "Fifth Avenue, Uptown: A Letter from Harlem," "The Discovery of What It Means to Be an American," and "Nobody Knows My Name: A Letter from the South"; and excerpts from the novel Another Country and the play The Amen Corner. "If Van Gogh was our 19th-century artist-saint, James Baldwin is our 20th-century one." --Michael Ondaatje
James Baldwin's electrifying first novel.'I had to deal with what hurt me most. I had to deal with my father.'Drawing on James Baldwin's own boyhood in a religious community in 1930s Harlem, his first novel tells the story of young Johnny Grimes. Johnny is destined to become a preacher like his father, Gabriel, at the Temple of the Fire Baptized, where the church swells with song and it is as if 'the Holy Ghost were riding on the air'. But he feels only scalding hatred for Gabriel, whose fear and fanaticism lead him to abuse his family. Johnny vows that, for him, things will be different. This blazing tale is full of passion and guilt, of secret sinners and prayers singing on the wind. 'His prose hit me, almost winding me with its intensity. I'd never read a novel that described loneliness and desire with such burning eloquence' Douglas Field, Guardian'A beautiful, enduring, spirtual song of a novel' Andrew O'Hagan
One of the BBC's '100 Novels That Shaped Our World'Baldwin's ground-breaking second novel, which established him as one of the great American writers of his time'Audacious... remarkable... elegant and courageous' Caryl Phillips'Exquisite, a feat of fire-breathing, imaginative daring' Guardian David, a young American in 1950s Paris, is waiting for his fiancée to return from vacation in Spain. But when he meets Giovanni, a handsome Italian barman, the two men are drawn into an intense affair. After three months David's fiancée returns and, denying his sexuality, he rejects Giovanni for a 'safe' future as a married man — a decision that will bring tragedy, longing and regret. 'Gorgeous, fearless, tempered by dark knowledge and pain ... the greatest American prose stylist of his generation' Colm Tóibín 'A layered exploration of queer desire ... It is electric' Hilton Als
'A masterwork... an almost unbearable, tumultuous, blood-pounding experience' Washinton PostWhen Another Country appeared in 1962, it caused a literary sensation. James Baldwin's masterly story of desire, hatred and violence opens with the unforgettable character of Rufus Scott, a scavenging Harlem jazz musician adrift in New York. Self-destructive, bad and brilliant, he draws us into a Bohemian underworld pulsing with heat, music and sex, where desperate and dangerous characters betray, love and test each other to the limit.'In Another Country, Baldwin created the essential American drama of the century' Colm Toibin
James Baldwin's final novel is "the work of a born storyteller at the height of his powers" (The New York Times Book Review). "Not everything is lost. Responsibility cannot be lost, it can only be abdicated. If one refuses abdication, one begins again." The stark grief of a brother mourning a brother opens this stunning, unforgettable novel. Here, in a monumental saga of love and rage, James Baldwin goes back to Harlem, to the church of his groundbreaking novel Go Tell It on the Mountain, to the forbidden passion of Giovanni's Room, and to the political fire that enflames his nonfiction work. Here, too, the story of gospel singer Arthur Hall and his family becomes both a journey into another country of the soul and senses--and a living contemporary history of black struggle in this land.
Told with Baldwin's characteristically unflinching honesty, this collection of illuminating, deeply felt essays examines topics ranging from race relations in the United States to the role of the writer in society, and offers personal accounts of Richard Wright, Norman Mailer and other writers.
A major work of American literature from a major American writer that powerfully portrays the anguish of being Black in a society that at times seems poised on the brink of total racial war. "Baldwin is one of the few genuinely indispensable American writers." --Saturday ReviewAt the height of his theatrical career, the actor Leo Proudhammer is nearly felled by a heart attack. As he hovers between life and death, Baldwin shows the choices that have made him enviably famous and terrifyingly vulnerable. For between Leo's childhood on the streets of Harlem and his arrival into the intoxicating world of the theater lies a wilderness of desire and loss, shame and rage. An adored older brother vanishes into prison. There are love affairs with a white woman and a younger black man, each of whom will make irresistible claims on Leo's loyalty. Tell Me How Long the Train's Been Gone is overpowering in its vitality and extravagant in the intensity of its feeling.
James Baldwin: Early Novels & Stories (LOA #97)
James Baldwin
The Library of America
1998
sidottu
Halvin toimitettuna 32,00 €
A collection of stories penned by one of the greatest African-American writers of the postwar era includes such works as Go Tell It on the Mountain, Giovanni's Room, Another Country, and Going to Meet the Man.
A comprehensive compilation of Baldwin's previously published, nonfiction writings encompasses essays on America's racial divide, the social and political turbulence of his time, and his insights into the poetry of Langston Hughes and the music of Earl Hines.
From one of the most brilliant writers of the twentieth century--a masterpiece of the modern American theater: a play about faith and family, about the gulf between black men and black women and black fathers and black sons." Baldwin] uses words as the sea uses waves." --Langston HughesIn his first work for the theater, James Baldwin brought all the fervor and majestic rhetoric of the storefront churches of his childhood along with an unwavering awareness of the price those churches exacted from their worshipers. For years Sister Margaret Alexander has moved her Harlem congregation with a mixture of personal charisma and ferocious piety. But when Margaret's estranged husband, a scapegrace jazz musician, comes home to die, she is in danger of losing both her standing in the church and the son she has tried to keep on the godly path.
In a small Southern town, a white man murders a black man, then throws his body in the weeds. With this act of violence--which is loosely based on the notorious 1955 killing of Emmett Till--James Baldwin launches an unsparing and at times agonizing probe of the wounds of race. For where once a white storekeeper could have shot a "boy" like Richard Henry with impunity, times have changed. And centuries of brutality and fear, patronage and contempt, are about to erupt in a moment of truth as devastating as a shotgun blast. In his award-winning play, Baldwin turns a murder and its aftermath into an inquest in which even the most well-intentioned whites are implicated--and in which even a killer receives his share of compassion.
"There's no way not to suffer. But you try all kinds of ways to keep from drowning in it." The men and women in these eight short fictions grasp this truth on an elemental level, and their stories, as told by James Baldwin, detail the ingenious and often desperate ways in which they try to keep their head above water. It may be the heroin that a down-and-out jazz pianist uses to face the terror of pouring his life into an inanimate instrument. It may be the brittle piety of a father who can never forgive his son for his illegitimacy. Or it may be the screen of bigotry that a redneck deputy has raised to blunt the awful childhood memory of the day his parents took him to watch a black man being murdered by a gleeful mob. By turns haunting, heartbreaking, and horrifying--and informed throughout by Baldwin's uncanny knowledge of the wounds racism has left in both its victims and its perpetrators--Going to Meet the Man is a major work by one of our most important writers.