James Hamilton

American Junkie "Life, Love, and Loss" marks the first internationally published collection of poetry from Author James Hamilton. The collection is an original, unflinching, and visceral look into the sometimes shocking, personal drug culture in America. The afflicted, sometimes gloss over the ghastly damage inflicted on lovers and other family members, however, "Junkie" aims to give these forgotten victims a voice in the mire.

James' commitment to financial wellbeing led him to uncover options many financial advisors had access to but did not pursue with clients. He felt the information and strategies were too important not present to clients for consideration.

Reproduction of the original: Life of Bunyan by James Hamilton

** Selected as a Book of the Year in The Times, Sunday Times and Observer **'Compulsively readable - the pages seem to turn themselves' John Carey, Sunday Times 'Brings one of the very greatest [artists] vividly to life' Literary Review Thomas Gainsborough lived as if electricity shot through his sinews and crackled at his finger ends. He was a gentle and empathetic family man, but had a shockingly loose, libidinous manner and a volatility that could lead him to slash his paintings. James Hamilton reveals the artist in his many contexts: the talented Suffolk lad, transported to the heights of fashion; the rake-on-the-make in London, learning his craft in the shadow of Hogarth; the society-portrait painter in Bath and London who earned huge sums by charming the right people into his studio. With fresh insights into original sources, Gainsborough: A Portrait transforms our understanding of this fascinating man, and enlightens the century that bore him.

A concise history of one of the world's greatest and most comprehensive museum collections, from its founding in 1753. A product and symbol of the 18th-century Enlightenment, the British Museum is as iconic an expression of that cultural tendency as Johnson's Dictionary, the French Encyclopedie and Linnaean plant classification. Its collections embody the raw material of empiricism – the bringing together of things to enable the widest intellectual experiment to take place. James Hamilton explores the establishment of the Museum in the 1750s (from the bequest to the nation of the collections of Sir Hans Sloane); the chosen site of its location; the cultural context in which it came into being; the subsequent development, expansion and diversification of the Museum, both as a collection and as a building, from the early 19th to the 21st century; the controversy occasioned by some of its acquisitions; and the legacy and influence of the Museum nationally and globally.

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