James Phelan

'An absolute must read for fans of Clancy, Ludlum et al' Bookseller & PublisherA secret deal, a desperate Russian, one man stands in his wayInvestigative journalist and ex-navy operative Lachlan Fox is holidaying with friends in the French countryside, ready for a well-deserved break. But when the extradition of an infamous criminal goes horribly wrong, and is somehow tied to the assassination of a Russian diplomat in Paris, Fox is forced back into action. Over one relentless day, Fox travels from Paris to Shanghai to unravel a 100-year mystery. With a price on his head and navigating between the FBI, the CIA and the French police, who can he trust? Racing against time, Fox is the one man who can stand in the way of a global catastrophe. The Lachlan Fox SeriesFox HuntPatriot ActBlood OilLiquid GoldRed IcePraise for James Phelan:'James Phelan has produced a big, juicy, rollicking tale in the spirit of Robert Ludlum. We haven't seen an international thriller like this for a long time' Jeffery Deaver'A fast and furious ride through a complicated maze of timely political intrigue. James Phelan has earned a new avid fan' Steve Berry'A corker ... Phelan writes in swift, gritty prose, never wasting a word' Sydney Morning Herald

'An absolute must-read for fans of Clancy, Ludlum et al' Bookseller & PublisherSix names and one GPS location. A death list. When ex-navy operative turned investigative journalist Lachlan Fox blows open the story of the decade, simmering tensions between India and Pakistan hit boiling point. A continent's water -- liquid gold -- is at stake and one man thinks nothing of a potential all-out war when there is big money to be made. Before helpless millions die, Fox is determined to expose the corrupt Umbra Corporation, and the man behind it, to the world. With hefty prices on their heads, Fox and his trusted man-at-arms, Al Gammaldi, are pitted against time, terrorist cells and rogue secret agents funded by dirty money. Flanked by news agency GSR and the FBI, Fox and Gammaldi are going to give as good as they get, but nothing can prepare them for the ferocity of this fight. Fox knows that truth alone triumphs . . . and this time it's going to hurt. The Lachlan Fox SeriesFox HuntPatriot ActBlood OilLiquid GoldRed IcePraise for James Phelan:'James Phelan has produced a big, juicy, rollicking tale in the spirit of Robert Ludlum. We haven't seen an international thriller like this for a long time' Jeffery Deaver'A fast and furious ride through a complicated maze of timely political intrigue. James Phelan has earned a new avid fan' Steve Berry'A corker ... Phelan writes in swift, gritty prose, never wasting a word' Sydney Morning Herald

'An absolute must-read for fans of Clancy, Ludlum et al' Bookseller & PublisherLachlan Fox . . . on a bad day he's the man you needOil prices are rocketing. Terror attacks have destabilised the global economy. The White House believes the Nigerian oil fields are the key to safeguarding America's future . . . but someone else sees them as an opportunity to increase their own power. Enter Lachlan Fox: graduate of ADFA; ex-Navy Clearance Diver; served in Iraq, East Timor and Afghanistan; international investigative journalist. The right man for the wrong place. Travelling from New York to Nigeria, Fox is hunting the story. He's seen combat action before, but this time it's personal. Wrestling with demons that push him right to the edge and leave him exposed like never before, will Fox uncover the truth in time? Or will his quest for revenge see him go too far? The Lachlan Fox SeriesFox HuntPatriot ActBlood OilLiquid GoldRed IcePraise for James Phelan'A big, juicy, rollicking tale in the spirit of Robert Ludlum' Jeffery Deaver 'A fast and furious ride through a complicated maze of timely political intrigue. James Phelan has earned a new avid fan' Steve Berry'A corker . . . Phelan writes in swift, gritty prose, never wasting a word' Sydney Morning Herald

Jed Walker is about to learn that in the murky world of espionage, the rules of war don't apply. An action thriller where the line between the good guys and the bad can be hard to see.

When the hunters become the hunted, ex-CIA agent Jed Walker is the man you need. 'Jed Walker is right there in Reacher's rear-view mirror.' Lee Child

'Jed Walker is right there in Reacher's rear-view mirror.' Lee Child, international bestselling author. Jed Walker is the man you want watching your back.

A roller-coaster terrorist thriller from Australia's answer to a post-Osama Tom Clancy. 'Phelan writes in swift, gritty prose . . . vivid and suspenseful, drawing you right in.' THE AGE

An adrenalin-fuelled action thriller, featuring ex-CIA operative Jed Walker. For Walker, winning is the only option if you want to stay alive!

In Somebody Telling Somebody Else, James Phelan proposes a paradigm shift for narrative theory, a turn from viewing narrative as a structure to viewing it as a rhetorical action in which a teller selectively deploys the resources of storytelling in order to accomplish particular purposes in relation to particular audiences. Phelan explores the consequences of this shift for an understanding of various elements of narrative, including reliable and unreliable narration, character-character dialogue, and occasions of narration. In doing so, he offers new readings of a wide range of narratives from Jane Austen's Pride and Prejudice to Joan Didion's The Year of Magical Thinking, from Joseph Conrad's Lord Jim to George V. Higgins's The Friends of Eddie Coyle, from Franz Kafka's "Das Urteil" to Toni Morrison's "Recitatif," from David Small's Stitches to Jhumpa Lahiri's "Third and Final Continent," from John O'Hara's "Appearances" to Ian McEwan's Enduring Love. Phelan contends that the standard view of narrative as a synthesis of story and discourse is inadequate to handle the complexities of narrative communication, and he demonstrates the greater explanatory power of his rhetorical view. Furthermore, Phelan gives new prominence to the presence and activity of the "somebody else," as he shows that an audience's unfolding responses to a narrative often influence its very construction.

In Somebody Telling Somebody Else, James Phelan proposes a paradigm shift for narrative theory, a turn from viewing narrative as a structure to viewing it as a rhetorical action in which a teller selectively deploys the resources of storytelling in order to accomplish particular purposes in relation to particular audiences. Phelan explores the consequences of this shift for an understanding of various elements of narrative, including reliable and unreliable narration, character-character dialogue, and occasions of narration. In doing so, he offers new readings of a wide range of narratives from Jane Austen's Pride and Prejudice to Joan Didion's The Year of Magical Thinking, from Joseph Conrad's Lord Jim to George V. Higgins's The Friends of Eddie Coyle, from Franz Kafka's "Das Urteil" to Toni Morrison's "Recitatif," from David Small's Stitches to Jhumpa Lahiri's "Third and Final Continent," from John O'Hara's "Appearances" to Ian McEwan's Enduring Love. Phelan contends that the standard view of narrative as a synthesis of story and discourse is inadequate to handle the complexities of narrative communication, and he demonstrates the greater explanatory power of his rhetorical view. Furthermore, Phelan gives new prominence to the presence and activity of the "somebody else," as he shows that an audience's unfolding responses to a narrative often influence its very construction.

This astute guide to the literary achievements of American novelists in the twentieth century places their work in its historical context and offers detailed analyses of landmark novels based on a clearly laid out set of tools for analyzing narrative form. Includes a valuable overview of twentieth- and early twenty-first century American literary historyProvides analyses of numerous core texts including The Great Gatsby, Invisible Man, The Sound and the Fury, The Crying of Lot 49 and FreedomRelates these individual novels to the broader artistic movements of modernism and postmodernismExplains and applies key principles of rhetorical readingIncludes numerous cross-novel comparisons and contrasts

This astute guide to the literary achievements of American novelists in the twentieth century places their work in its historical context and offers detailed analyses of landmark novels based on a clearly laid out set of tools for analyzing narrative form. Includes a valuable overview of twentieth- and early twenty-first century American literary history Provides analyses of numerous core texts including The Great Gatsby, Invisible Man, The Sound and the Fury, The Crying of Lot 49 and Freedom Relates these individual novels to the broader artistic movements of modernism and postmodernism Explains and applies key principles of rhetorical reading Includes numerous cross-novel comparisons and contrasts

Narrative Theory: Core Concepts and Critical Debates addresses two frequently asked questions about narrative studies: "what is narrative theory?" and "how do different approaches to narrative relate to each other?" In engaging with these questions, the book demonstrates the diversity and vitality of the field and promotes a broader dialogue about its assumptions, methods, and purposes. In Part One, the co-authors explore the scope and aims of narrative from four distinct perspectives: rhetorical (Phelan and Rabinowitz), feminist (Warhol), mind-oriented (Herman), and unnatural (Richardson). Using case studies (Huckleberry Finn, Persuasion, On Chesil Beach, and Midnight's Children, respectively), the co-authors explain their different takes on the same core concepts: authors, narrators, narration; plot, time, and progression; space, setting, and perspective; character; reception and the reader; and narrative values. In Part Two, the co-authors respond to one another's views. As they discuss the relation of the approaches to each other, they highlight significant current debates and map out key developments in the field. Accessibly written, Narrative Theory can serve as the basis for a wide range of courses, even as its incisive presentation of four major approaches and its lively give-and-take about the powers and limitations of each make the book an indispensable resource for specialists.

Jesse has survived the chasers. He's survived the roving bands of humans. And he might even have started to make some new friends. But the quarantine period is up. The army is coming in. And Jesse's about to learn that the real test of survival has only just begun.

Four teenagers. One destroyed city. Thousands of infected predators.

Four teenagers. One destroyed city. Thousands of infected predators.