James Phillips

Busby Berkeley’s big-production numbers are emblematic of the Hollywood dream factory. Exploring the tensions between escapism and ideological over-coding in the Warner Bros. musical, this book tracks the ways in which Berkeley created spectacles that are both critical and complacent in relation to the society that produced and received them. Berkeley carried into his images of utopia the assembly plant, the misogyny, the fascism and racism of his day, but his collaboration with the filmmakers (Enright, Bacon and LeRoy) into whose narratives his numbers were spliced likewise involved taking care to draw a line between spectacle and the everyday. The book makes the case that the Warner Bros. musical, with its attention to the specificity and containment of the aesthetic dimension, has corrective lessons to impart for the aestheticized politics not only of the 1930s, but also of the current age.

Busby Berkeley’s big-production numbers are emblematic of the Hollywood dream factory. Exploring the tensions between escapism and ideological over-coding in the Warner Bros. musical, this book tracks the ways in which Berkeley created spectacles that are both critical and complacent in relation to the society that produced and received them. Berkeley carried into his images of utopia the assembly plant, the misogyny, the fascism and racism of his day, but his collaboration with the filmmakers (Enright, Bacon and LeRoy) into whose narratives his numbers were spliced likewise involved taking care to draw a line between spectacle and the everyday. The book makes the case that the Warner Bros. musical, with its attention to the specificity and containment of the aesthetic dimension, has corrective lessons to impart for the aestheticized politics not only of the 1930s, but also of the current age.

Work with business scenarios and discover best practices to get the most out of Microsoft Forms and Microsoft Dynamics 365 Customer VoiceKey FeaturesExplore step-by-step instructions to integrate surveys with Microsoft 365 appsAutomate surveys and follow-up actions from survey results using Microsoft FormsCreate custom report dashboards and explore advanced analytics for managing insightsBook DescriptionMicrosoft Forms and Dynamics 365 Customer Voice enable organizations to collect and analyze feedback from employees and customers, helping developers to integrate their feedback and business users to collect feedback that will guide them to develop customer-centric solutions. This book takes a hands-on approach to leveraging Microsoft Forms and Dynamics 365 Customer Voice capabilities for common feedback scenarios and covers best practices and tips and tricks to have your solution up and running in no time. You'll start by exploring common scenarios where organizations collect feedback from employees and customers and implement end-to-end solutions with Forms. You'll then discover how to create surveys and get to grips with different configuration options commonly used for each scenario. Throughout the book, you'll also find sample questions and step-by-step instructions for integrating the survey with related technology such as Microsoft Teams, Power Automate, and Power BI for an end-to-end scenario. By the end of this Microsoft book, you'll be able to build and deploy your complete solution using Microsoft Forms and Dynamics 365 Customer Voice, allowing you to listen to customers or employees, interpret their feedback, take timely follow-up action, and monitor results. What you will learnGet up and running with Microsoft Forms and Dynamics 365 Customer Voice servicesExplore common feedback scenarios and survey best practices Understand how to administer Microsoft Forms and Dynamics 365 Customer VoiceUse Microsoft Forms or Dynamics 365 Customer Voice to monitor your survey resultsSet up the Microsoft Forms app for Teams for conducting live pollsAutomate feedback collection and follow-up actionsWho this book is forThis book is for business users who want to increase customer and employee engagement and collect data for measuring user satisfaction and driving product and process improvements. Beginner-level knowledge of Microsoft products such as Office 365 (including Teams, Outlook, and Excel) is expected. The book also includes advanced topics for citizen developers to automate sending Customer Voice surveys, follow-up actions, and creating custom dashboards using Microsoft Power Platform applications like Power Automate and Power BI.

Wolley is a bookworm who loves reading at his local library with his best friend Wilma the bookworm. When a young bookworm visits the library for the first time, Wolley learns to help him find the perfect book.

Fiery Red-head Razilyn visits from New Hampshire and pulls James away from Nashville. They do get engaged but even her parents David and Bonnie prove they can't even handle these two After the split; James returns to his home town. He eventually falls in love again, gets engaged with a fiery lady named Jasilyn from Pilot, Va. She winds up having such a time with James, that she takes him to a neurophysiologist named Dr. P in VA. There; they discover that James has (HFA) high functioning autism, (ADHD), anxiety disorder etc. See in this book how the new revised James of 39, slows it down quiet-a-bit with just a little help from doctors, medicine and counseling Also, see the high- speed police chase involving 13 cars that nearly gets James shot and killed And whatever you do, don't miss out on reading about James' new blood-hound dog named "Justus" McClintock Phillips and new "Teddy-Bear breed of a dog he got from "Puppy-Love" named "Sophie Rae Phillips".

James Phillips's Sternberg and Dietrich: The Phenomenology of Spectacle reappraises the cinematic collaboration between the Austrian-American filmmaker Josef von Sternberg (1894-1969) and the German-American actor Marlene Dietrich (1901-92). Considered by his contemporaries one of the most significant directors of interwar Hollywood, Sternberg made seven films with Dietrich that helped establish her as a style icon and star and entrenched his own reputation for extravagance and aesthetic spectacle. These films enriched the technical repertoire of the industry, challenged the sexual mores of the times and notoriously tried the patience of management at Paramount Studios. Sternberg and Dietrich: The Phenomenology of Spectacle demonstrates how under Sternberg's direction Paramount's sound stages became laboratories for novel thought experiments. Analysing in depth the last four films on which Sternberg and Dietrich worked together, Phillips reconstructs the "cinematic philosophy" that Sternberg claimed for himself in his autobiography and for whose fullest expression Dietrich was indispensable. This book makes a case for the originality and perceptiveness with which these films treat such issues as the nature of trust, the status of appearance, the standing of women, the ethics and politics of the image, and the relationship between cinema and the world. Sternberg and Dietrich: The Phenomenology of Spectacle reveals that more is at stake in these films than the showcasing of a new star and the confectionery of glamour: Dietrich emerges here as a woman who is at ease in the world without being at home in it, an image of autonomy whose critical potential has yet to be realized, let alone exhausted.

The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revolution of its own: digitization of epic proportions to preserve these invaluable works in the largest archive of its kind. Now for the first time these high-quality digital copies of original 18th century manuscripts are available in print, making them highly accessible to libraries, undergraduate students, and independent scholars. The Age of Enlightenment profoundly enriched religious and philosophical understanding and continues to influence present-day thinking. Works collected here include masterpieces by David Hume, Immanuel Kant, and Jean-Jacques Rousseau, as well as religious sermons and moral debates on the issues of the day, such as the slave trade. The Age of Reason saw conflict between Protestantism and Catholicism transformed into one between faith and logic -- a debate that continues in the twenty-first century.++++The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++British LibraryT106932London, 1791. 23, 1]p.; 12

She came to us one dawn. The girl. Far outOne dawn alone beneath the wine dark sea. One day it starts to rain and no-one knows why. And it doesn’t stop. Far out on the North Sea a fisherman raises a girl in his net, miraculously alive from the deep sea. Is she one of the migrants now washing up on English shores? Or someone sent for some higher purpose? Commissioned by Hull UK City of Culture 2017 this epic and extraordinary collaboration between multi-award-winning artists James Phillips and Slung Low is the culmination of a year-long project. Four parts told across three different mediums, this complete text includes four stunningly written dramas that ask fundamental questions about our future, our communities and our collective responsibilities. “A State of the Nation Parable” BBC Arts “Visually stunning, and deeply moving” The Stage

A caution to Great Britain and her colonies is an unchanged, high-quality reprint of the original edition of 1784. Hansebooks is editor of the literature on different topic areas such as research and science, travel and expeditions, cooking and nutrition, medicine, and other genres. As a publisher we focus on the preservation of historical literature. Many works of historical writers and scientists are available today as antiques only. Hansebooks newly publishes these books and contributes to the preservation of literature which has become rare and historical knowledge for the future.

Camelot: The Shining City is a modern re-telling of the myth of King Arthur, by award-winning playwright James Phillips. Developed in collaboration with Slung Low, specialists in spectacular theatrical experiences, and Sheffield People's Theatre, Camelot: The Shining City is written for a company of over 150 actors, bringing the medieval story to breathtaking life. An epic story told in three parts, this edition was published to coincide with the world premiere, staged on 9 July 2015.

You look otherworldly. Like all my girls. This will make you a queen. Like years ago and people wore clothes like weapons, like weapons against poor people, because even is you were hungry how could you raise your fist against what looked like a god? But I can make things that are weapons against day to day stuff. A girl has watched McQueen’s Mayfair house for eleven consecutive days. Tonight, she climbs down from her watching tree and breaks into his house, to steal a dress, to become someone special. He catches her, but, instead of calling the police, they embark together on a journey through London and into his heart. The play captures the fairy-story landscape of McQueen’s mind - the landscape seen in his immortal shows - where, with a dress, an urchin can become an Amazon and where beauty might just help us survive the night. McQueen is a journey into the visionary imagination and dark dream world of Alexander McQueen, fashion’s greatest contemporary artist. James Phillips's play received its world premiere at St James Theatre, London, on 12 May 2015.

What happens when someone tells you that you’re the answer to the riddle of life? What happens when a stranger in Starbucks gives you something that will change your world forever? What happens if the world starts to fall asleep, hour by hour? City Stories is a new type of cabaret drama, a sequence of interwoven love stories, and a love-letter to London. Composed up of five discrete yet interwoven stories, each taking the form of a monologue or duologue, and performed with specifically composed songs, City Stories looks at a variety of experiences of love and loss via a range of people living in the UK’s capital. Elegantly written and beautifully constructed, these pieces look at the varieties of love and how it might save us, showing James Phillips’s writing at his very best. City Stories received its world premiere at St James’s Theatre, London, in 2013 and has since gone on to establish a year-long residency at the theatre.

You remember when we started to hunt whales again? We fought monsters and we killed them and wrestled the oil from their dead bodies and we sold it. In the future we hunt whales for the oil in their bodies. Just like they did in centuries past. The oil of a single whale can run an army for a week. This is new science. This is our future. So we send gangs of men out onto the dark, cold sea to bring back the things we need. The crew of the Pequod are going to sea because it’s their job. But Ahab, captain of the Pequod, is not going to sea for the oil or for the money. Ahab is going for revenge. Revenge on the vast whale that took him down into the black depths of the ocean. Revenge on the greatest whale in all the oceans: a perfectly white whale. And Ishmael, a young man new to whaling, is going to sea seeking a hunter’s violence, trying to stop the thoughts of violence in his heart. And we are all going with them. The White Whale premiered on 4 September 2014, at Leeds Dock, UK in a production by Slung Low theatre company.

Sometimes we don’t live, we cope. I have coped, not lived, for a long time. So have you I think. A passionate love story set between London and Cyprus. Alexandra, a refugee from the Turkish invasion of Cyprus in 1974, has made a home in London and cocooned herself from ghosts of the past. There, she meets Jonathan, an English classical scholar, who falls deeply in love with her. Against a backdrop of war and the partition of countries, can love overcome the grief of the past?