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Johann Sebastian Bach

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151 kirjaa

Kirjojen julkaisuvuodet: 1958–2026.

Best of Bach for Flute Duet

Best of Bach for Flute Duet

Mark Phillips; Johann Sebastian Bach

Independently Published
2020
pokkari
Best of Johann Sebastian Bach for intermediate-level flute duet. Includes 13 gems: Agnus Dei from Mass in B Minor (Excerpt); Air on the G String; Arioso; Bist du bei mir; Bourr e in E Minor; Chorale from St. Matthew Passion; Gavotte from French Suite No. 5; Jesu, Joy of Man's Desiring; three minuets from Anna Magdalena Notebook (Minuet in D Minor, Minuet in G Major, Minuet in G Minor); Sheep May Safely Graze; Sleepers, Wake.
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Best of Bach for Clarinet Duet

Best of Bach for Clarinet Duet

Mark Phillips; Johann Sebastian Bach

Independently Published
2020
nidottu
Best of Johann Sebastian Bach for intermediate-level clarinet duet. Includes 13 gems: Agnus Dei from Mass in B Minor (Excerpt); Air on the G String; Arioso; Bist du bei mir; Bourr e in E Minor; Chorale from St. Matthew Passion; Gavotte from French Suite No. 5; Jesu, Joy of Man's Desiring; three minuets from Anna Magdalena Notebook (Minuet in D Minor, Minuet in G Major, Minuet in G Minor); Sheep May Safely Graze; Sleepers, Wake.
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Best of Bach for Alto Sax Duet

Best of Bach for Alto Sax Duet

Mark Phillips; Johann Sebastian Bach

Independently Published
2020
nidottu
Best of Johann Sebastian Bach for intermediate-level alto sax duet. Includes 13 gems: Agnus Dei from Mass in B Minor (Excerpt); Air on the G String; Arioso; Bist du bei mir; Bourr e in E Minor; Chorale from St. Matthew Passion; Gavotte from French Suite No. 5; Jesu, Joy of Man's Desiring; three minuets from Anna Magdalena Notebook (Minuet in D Minor, Minuet in G Major, Minuet in G Minor); Sheep May Safely Graze; Sleepers, Wake.
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The Bach Violin Sonatas & Partitas for Guitar: In Standard Notation and Tablature

The Bach Violin Sonatas & Partitas for Guitar: In Standard Notation and Tablature

Johann Sebastian Bach

Independently Published
2019
nidottu
The complete six Sonatas and Partitas for solo Violin (BWV 1001-1006) by Johann Sebastian Bach transcribed for guitar in standard notation and tablature. Composed between 1714 and 1720 but not published until 1802, Bach's Sonatas and Partitas are an essential part of the violin repertoire, and they are frequently performed and recorded. The pieces often served as archetypes for solo violin pieces by later generations of composers. Sonata No.1 in G minor BWV 1001Partita No.1 in B minor BWV 1002Sonata No.2 in A minor BWV 1003Partita No.2 in D minor BWV 1004Sonata No.3 in C major BWV 1005Partita No.3 in E major BWV 1006 Bonus: Downloadable audio files for all the pieces in this book.
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32 Bach Chorales for Flute and Guitar

32 Bach Chorales for Flute and Guitar

Mark Phillips; Johann Sebastian Bach

Independently Published
2019
nidottu
32 of Bach's most famous chorales, arranged for flute and guitar (in standard notation and tablature). Includes "O Haupt voll Blut und Wunden" ("O Head, Bloody and Wounded"), "Jesu, meine Freude" ("Jesus, My Joy") and 30 others.
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The Bach Cello Suites for Guitar

The Bach Cello Suites for Guitar

Johann Sebastian Bach

Independently Published
2019
pokkari

Halvin toimitettuna 28,60 €

The complete six Suites for Violoncello solo (BWV 1007-1012) by Johann Sebastian Bach transcribed for guitar in standard notation and tablature. Composed between 1717 and 1723 the six Suites are some of the most frequently performed and recognizable solo compositions ever written for cello. They are considered some of Bach's greatest musical achievements. Includes: Suite No.1 in D major (orig. G major) BWV 1007Suite No.2 in A minor (orig. D minor) BWV 1008Suite No.3 in G major (orig. C major) BWV 1009Suite No.4 in Bb major (orig. Eb major) BWV 1010Suite No.5 in G minor (orig. C minor) BWV 1011Suite No.6 in D major BWV 1012Bonus: Downloadable MIDI-generated audio files for all the pieces in this book.
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Best of Bach for Classical Guitar Duet

Best of Bach for Classical Guitar Duet

Mark Phillips; Johann Sebastian Bach

Createspace Independent Publishing Platform
2018
nidottu
Twelve masterpieces by J. S. Bach for classical guitar duet (in standard notation and tablature). Includes: Agnus Dei (from Mass in B Minor; Excerpt); Air on the G String; Arioso (from Cantata 156); Chorale (from St. Matthew Passion); Gavotte (from French Suite No. 5); Jesu, Joy of Man's Desiring; Jesu, meine Freude; Keep, O My Spirit (from Christmas Oratorio; Excerpt); Prelude No. 1 (from The Well-Tempered Clavier); Prelude for Lute; Siciliano (from Flute Sonata No. 2); Two-Part Invention No. 13.
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Vierstimmige Kirchengesänge; Volume 1

Vierstimmige Kirchengesänge; Volume 1

Johann Sebastian Bach

Franklin Classics
2018
pokkari
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
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Passacaglia in C minor, BWV 582

Passacaglia in C minor, BWV 582

Johann Sebastian Bach

Serenissima Music
2018
pokkari
There have been several orchesatrations of Bach's famous organ masterwork over the years, including some by notable conductors such as Leopold Stokowski, Eugene Ormandy, Rene Leibowitz, Andrew Davis plus a couple by comoposers: Ottorino Respighi and the one offered here by the Russian Aleksandr Gedike. The exact date of Gedike's orchestration is unknown but could date from before the Russian revolution of 1917 which would make it one of the earliest orchestral settings. It's a splendid example of Gedike's typically Russian orchestrational style which employs the full compliment of orchestral forces. The score offered here is a newly engraved edition prepared by Richard W. Sargeant, Jr. IMSLP page Wikipedia article
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