John Clare

A Champion for the Poor brings together for the first time John Clare's longest poem, The Parish - in a new and corrected text - and his forceful satires 'The Hue & Cry' and 'The Summons'. Some previously unpublished poems are included, too. There are also essays, letters and fragments - advice to his children, reflections on Enclosure, observations of social custom and social ill - which illuminate the poems and enhance our sense of Clare and his attitudes to the political and social conditions and events of his age. The Introduction evokes the context of Clare's writings and the difficulties he faced as a labourer voicing the concerns of his class at a time when such matters were regarded as the exclusive province of the educated and propertied classes. Notes and a glossary of unfamiliar words are included. Readers can at last assess a neglected aspect of Clare's work.

Clare's highly personal evocations of landscape and place are some of the most poignant lyrics in English poetry. His celebration of all forms of natural life and his laments for the death of rural England grew directly out of his intimate knowledge of the labourer's life, the wheatfields and hedgerows of his village in Northamptonshire. This authoritative and engaging selection includes poems from every stage of Clare's poetic career, organised by theme, from 'Birds and Beasts' to 'Madhouses, Prisons and Whorehouses'.

This text gathers together all of John Clare's autobiographical writing. The book extends, corrects and replaces the "Autobiographical Writings of John Clare", edited by Eric Robinson (Oxford, 1983). Clare's "Journal" is set beside "Sketches" and "Autobiographical Fragments", as well as his "Journey Out of Essex". Extracts from his asylum letters are included, his will, and two maps of Clare's countryside and his "Journey".

John Clares verse is a celebration of country life. Clare ended his life in an asyum, yet his work expresses an innate wisdom and a profound understanding of nature and of his contemporary rural society.

The additional material in this volume of poems from Clare's middle period includes some of his finest poems, such as `The Last of Summer', `The Mole Catcher' and the whole manuscript, now lost, entitled `Birds Nesting'. Clare's but his original language and usage has here been restored, his distinctive idiom and highlighting the more powerful voice evident throughout his verse written in the late 1820s. These volumes will make an important contribution to the ongoing reassessment of Clare as a major English poet. This is the second of five volumes devoted to Clare's `middle period', between 1822 and 1837, arguably the years of his finest creativity. These Poems of the Middle Period, which will complete the nine volume series of Clare's work, reveal the poet at his best.

Clare's `The Shepherd's Calendar' has become the classic poem of English rural life and ceremony. It was accompanied, when first published, by other poems, pastorals and verse-tales, all of which appear in these two volumes, along with many others which were not selected for publication in 1827. Clare's first editors also tidied up and standardized his vocabulary, grammar and spelling, but his original language has here been restored. By the later 1820s Clare had developed his own distinctive idiom and had adopted a more powerful voice. These volumes will make an important contribution to the ongoing assessment of Clare as a major English poet. This is the first of five volumes devoted to Clare's `middle period', between 1822 and 1837, arguably the years of his finest creativity. These Poems of the Middle Period, which will complete the nine volume series of Clare's work, reveal the poet at his best.

The first literary experiences of John Clare (1793-1864) included the tales handed down by word of mouth in his native village, and as a mature poet he reworked them in his narrative verse. This edition, published for Clare's bicentenary, comprises the tales he wished to include in his third collection, "The Shepherd's Calendar" (1827), and previously unpublished poems which show the range of his narrative achievement. The detailed introduction traces the composition of the poems. Clare's own description of local customs, his previously unpublished draft essay on English pastoral poetry, and a full glossary are included. Clare's original spelling and punctuation are preserved.

John Clare was an assiduous practitioner of the sonnet form at all periods of his poetic career. The sonnets he produced in the last few years before his institutionalisation in 1837, fist at High Beech and then in Northampton General Asylum, are of particular interest, since he exploited the inherent brevity of the form to express a simultaneous precision of observation and starkness of vision that he rarely achieved either before or after. The present volume prints all the sonnets that Clare wrote at Northborough between 1832 and 1837 with the exception of those included in The Midsummer Cushion and The Rural Muse, both also available from Carcanet. Northborough Sonnets allows the reader to trace the development of Clare's handling of the form in this period. They constitute fascinating vignettes of rural life in the early nineteenth century and the record of a unique poetic sensibility. They are accompanied by an introduction, informative notes, and a glossary of dialect and unfamiliar words.

More than a century after his death, John Clare is being recognized as a poet of importance and stature. Yet in his own day he was at best a marginal figure, briefly celebrated as a 'Peasant Poet' before declining into neglect and long years of decay in a Northampton asylum. His letters, drawn from the whole of his adult life until a few years before his death, provide a fascinating and frequently moving insight into his work and thoughts, charting his progress from youthful enthusiasm to poignant decline. Drawn from Mark Storey's complete Oxford edition of the Letters (1986), this edition preserves all Clare's idiosyncrasies of spelling and punctuation. The letters are fully annotated, and the book includes brief biographies of the major correspondents, and a chronology of Clare's life.

The letters, to a large circle of correspondents, cover his whole writing life and provide a remarkable portrait of the poet.

The Natural History Prose Writings, 1793-1864