Kirjojen hintavertailu – 12 903 724 kirjaa ja 27 kauppaa

Kirjailija

John Tulloch

Kirjat ja teokset yhdessä paikassa: 86 kirjaa, julkaisuja vuosilta 1990–2026, suosituimpiin kuuluu Rational Theology and Christian Philosophy in England in the Seventeenth Century. Vertaile teosten hintoja ja tarkista saatavuus suomalaisista kirjakaupoista.

86 kirjaa

Kirjojen julkaisuvuodet: 1990–2026.

Trevor Griffiths

Trevor Griffiths

John Tulloch

Manchester University Press
2007
sidottu
Trevor Griffiths has been a critical force in British television writing for over three decades. His successes have included the series Bill Brand (1976), his adaptations of Sons and Lovers and The Cherry Orchard (1981) and his television plays, The Comedians (1979), Hope in the Year Two (1994) and Food for Ravens (1997). During his creative life he has negotiated the issues of genre, politics, identity, class, history, memory and televisual form with a sustained creativity and integrity second to none. And he has parallelled this career with one as equally as eminent in the theatre, as well as the slightly more problematic forays into film-writing for Warren Beatty's Reds and Ken Loach's Fatherland. John Tulloch's incisive and wide-ranging volume is a perfect entry point not only for students of Griffiths' oeuvre, but also for anyone entering the discourses of television, media and cultural studies.
Risk and Everyday Life

Risk and Everyday Life

John Tulloch; Deborah Lupton

SAGE Publications Inc
2003
sidottu
Risk and Everyday Life examines how people respond to, experience and think about risk as part of their everyday lives. Bringing together original empirical research and sociocultural theory, the authors examine how people define risk and what risks they see as affecting them, for example in relation to immigration, employment and family life. They emphasise the need to take account of the cultural dimensions of risk and risk-taking to understand how risk is experienced as part of everyday life and consider the influence that gender, social class, ethnicity, sexual orientation, occupation, geographical location and nationality have on our perceptions and experience of risk. Drawing on the work of key theorists - Ulrich Beck, Scott Lash, and Mary Douglas - the authors examine and critique theories of risk in the light of their own research and presents case studies which show how notions of risk interact with day-to-day concerns.
Risk and Everyday Life

Risk and Everyday Life

John Tulloch; Deborah Lupton

SAGE Publications Inc
2003
nidottu

Halvin toimitettuna 104,90 €

Risk and Everyday Life examines how people respond to, experience and think about risk as part of their everyday lives. Bringing together original empirical research and sociocultural theory, the authors examine how people define risk and what risks they see as affecting them, for example in relation to immigration, employment and family life. They emphasise the need to take account of the cultural dimensions of risk and risk-taking to understand how risk is experienced as part of everyday life and consider the influence that gender, social class, ethnicity, sexual orientation, occupation, geographical location and nationality have on our perceptions and experience of risk. Drawing on the work of key theorists - Ulrich Beck, Scott Lash, and Mary Douglas - the authors examine and critique theories of risk in the light of their own research and presents case studies which show how notions of risk interact with day-to-day concerns.
Watching Television Audiences

Watching Television Audiences

John Tulloch

Hodder Arnold
2000
nidottu
Watching Television Audiences offers a comprehensive introduction to the current state of research into TV audiences. Written by a leading scholar in the field, it surveys work done on a variety of genres and programmes, including science fiction from Dr. Who through Star Trek to the X-files, sitcoms, cop shows, cartoons, news, documentary and many others. It explores concepts of audience research from the theory of an implied audience to active audience readings, and examines how scholars are now seeking to synthesis the two areas in a way which will constitute a 'third generation' of audience studies. Above all, it provides students and academics not only with an understanding of the theory but also of the different methodologies used to research different types of audience.