José Eduardo Agualusa

Winner of the 2017 Dublin International Literary Award Shortlisted for the Man Booker International Prize 2016 "Who is this solitary young woman on the top floor of a luxury building in Luanda, Angola's capital, and why has she walled off her apartment? Her name is Ludo... Her brooding presence is inescapable" -- Kirkus Reviews On the eve of Angolan independence, an agoraphobic woman named Ludo bricks herself into her Luandan apartment for 30 years, living off vegetables and the pigeons she lures in with diamonds, burning her furniture and books to stay alive and writing her story on the apartment's walls. Almost as if we're eavesdropping, the history of Angola unfolds in A General Theory of Oblivion through the stories of those Ludo sees from her window in a a wild patchwork of a novel, playing on a love of storytelling and fable.

A journalist - the autobiographical features are quite deliberate - is trying to find out what happened to Lidia, who disappeared in Luanda in 1992, a point in time when the civil war flared up again with unprecedented ferocity after rebel leader Jonas Savimbi and his UNITA movement refused to accept defeat in the country's first free and democratic elections. The story, a tangled mesh of facts and fiction, tells of the disappointment of the two protagonists, which represents the disappointment of a whole nation.