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Julian Curry

Kirjat ja teokset yhdessä paikassa: 2 kirjaa, julkaisuja vuosilta 2010–2017, suosituimpiin kuuluu Shakespeare On Stage: Volume 2. Vertaile teosten hintoja ja tarkista saatavuus suomalaisista kirjakaupoista.

2 kirjaa

Kirjojen julkaisuvuodet: 2010–2017.

Shakespeare On Stage: Volume 2

Shakespeare On Stage: Volume 2

Julian Curry; Nicholas Hytner

Nick Hern Books
2017
nidottu
'This book gives some of the very best of Shakespeare’s twenty-first-century colleagues an opportunity to share insights that can only come from playing him' Nicholas Hytner, from his Foreword Twelve leading actors take us behind the scenes of landmark Shakespearean productions, each recreating in detail their memorable performance in a major role. Roger Allam on his Falstaff in both Henry IV plays at Shakespeare’s GlobeEileen Atkins on Viola in two productions of Twelfth Night seventeen years apartSimon Russell Beale on Cassius in Deborah Warner’s modern-dress Julius CaesarChiwetel Ejiofor on his Donmar Warehouse Othello, directed by Michael GrandageSara Kestelman on Hippolyta and Titania in Peter Brook’s iconic white-box DreamIan McKellen on one of Shakespeare’s most demanding of roles: King LearMichael Pennington on stepping in at the eleventh hour as Timon of AthensAlan Rickman on re-evaluating the melancholic Jaques in As You Like ItFiona Shaw on Shakespeare’s Shrew, Katherine, in Jonathan Miller’s productionPatrick Stewart on his Las Vegas-set Shylock, a role he has played many timesHarriet Walter on Imogen in Shakespeare’s late romance, Cymbeline, at the RSCZoë Wanamaker on her National Theatre Beatrice, directed by Nicholas Hytner Each actor leads us through the choices they made in rehearsal, and how the character works in performance, shedding new light on some of the most challenging roles in the canon. The result is a series of individual masterclasses that will be invaluable for other actors and directors, as well as students of Shakespeare – and fascinating for audiences of the plays. Shakespeare On Stage: Volume 2 was shortlisted for the 2018 Theatre Book Prize. ‘Absorbing and original… Curry’s actors are often thinking and talking as that other professional performer, Shakespeare himself, might have done.’ TLS on Shakespeare On Stage: Vol. 1
Shakespeare On Stage

Shakespeare On Stage

Julian Curry

Nick Hern Books
2010
nidottu
Thirteen leading actors take us behind the scenes, each recreating in detail a memorable performance in one of Shakespeare's major roles. * Brian Cox on Titus Andronicus in Deborah Warner's visceral RSC production * Judi Dench on being directed by Franco Zeffirelli as a twenty-three-year-old Juliet * Ralph Fiennes on Shakespeare's least sympathetic hero Coriolanus * Rebecca Hall on Rosalind in As You Like It, directed by her father, Sir Peter * Derek Jacobi on his hilariously poker-backed Malvolio for Michael Grandage * Jude Law on his Hamlet, a palpable hit in the West End and on Broadway * Adrian Lester on a modern-dress Henry V at the National, during the invasion of Iraq * Ian McKellen on his Macbeth, opposite Judi Dench in Trevor Nunn's RSC production * Helen Mirren on a role she was born for, and has played three times: Cleopatra * Tim Pigott-Smith on Leontes in Peter Hall's Restoration Winter's Tale at the National * Kevin Spacey on his high-tech, modern-dress Richard II * Patrick Stewart on Prospero in Rupert Goold's arctic Tempest for the RSC * Penelope Wilton on Isabella in Jonathan Miller's 'chamber' Measure for Measure The actors discuss their characters, working through the play scene by scene, with refreshing candour and in forensic detail. The result is a masterclass on playing each role, invaluable for other actors and directors, as well as students of Shakespeare – and fascinating for audiences of the plays. Together, the interviews give one of the most comprehensive pictures yet of these characters in performance, and of the choices that these great actors have made in bringing them thrillingly to life. 'These passages of times remembered contribute vividly to the sense of a teemingly creative period when Shakespeare seemed to have been rediscovered.' Trevor Nunn, from his Foreword