Keith Kahn-Harris

This is a compelling discussion of transformations within British Jewry in the recent times. The first study of contemporary British Jewry since the 1970s, "Turbulent Times: The British Jewish Community Today" examines the changing nature of the British Jewish community and its leadership since 1990. Keith Kahn-Harris and Ben Gidley contend that there has been a shift within Jewish communal discourse from a strategy of security, which emphasized Anglo-Jewry's secure British belonging and citizenship, to a strategy of insecurity, which emphasizes the dangers and threats Jews face individually and communally. Addressing key questions on the transitions in the history of Anglo-Jewish community and leadership, and tackling the concept of the new anti-Semitism, this important and timely study addresses the question: how has UK Jewry adapted from a shift from monoculturalism to multiculturalism?

This book contains a compelling discussion of transformations within British Jewry in recent times. The first study of contemporary British Jewry since the 1970s, "Turbulent Times: The British Jewish Community Today" examines the changing nature of the British Jewish community and its leadership since 1990. Keith Kahn-Harris and Ben Gidley contend that there has been a shift within Jewish communal discourse from a strategy of security, which emphasized Anglo-Jewry's secure British belonging and citizenship, to a strategy of insecurity, which emphasizes the dangers and threats Jews face individually and communally.

In the run up to the anniversary of his death, acclaimed metal writer Keith Kahn-Harris presents a unique exploration of Ozzy Osbourne, metal, and the positive legacy his life and culture leaves for the rest of us. What is a 'good death'? How about this: After years of terrible health, you gather friends and admirers for one last, glorious party. A couple of weeks later, you slip away, surrounded by your loving family. And then, the world comes to mourn. That is how Birmingham’s Ozzy Osbourne died. By his death – at an age few would have ever believe he’d reach – Ozzy was much-loved, far beyond metal. Once a feared, demonic figure, his Back to the Beginning farewell concert at Villa Park raised $190 million, the highest-grossing charity concert ever. In concise, arresting chapters interspersed with black and white photos and named after the fundamentals of life and metal (Death, Love, Bodies, Hate, Politics, Voice and more), Kahn-Harris explores how Ozzy, of all people, attracted such generosity of spirit. The answer, he finds, is deeply embedded within the story and culture of metal – and has lessons for us all.

Can Jews be allowed to become boring? With Israel and antisemitism constantly in the news, it seems as though the Jewish people - a fraction of a percentage of the world's population - have become synonymous with controversy, drama and anxiety. But what if there was another side to this persistently interesting people; one that non-Jews often don't know about and Jews rarely talk about? This is the stuff of 'everyday' Jewishness; the capacity to be ordinary, mundane and sometimes just plain dull. Keith Kahn-Harris lifts the lid on this surprising world in a book for Jews and non-Jews alike. Arguing that his people's extraordinary public visibility today is harming their ability to live everyday Jewish lives, he celebrates the mundanity and mediocrity of a people before it vanishes completely.

'Quite simply, and quite ridiculously, one of the funniest and most illuminating books I have ever read. I thought I was obsessive, but Keith Kahn-Harris is playing a very different sport. He really has discovered the whole world in an egg.' Simon Garfield'There is a delicious humour implicit in every page . . . [the book] is filled with a sense of wonder, gazing at languages that neither the writer nor reader understands . . . The Babel Message was such fun that I even went out and bought a Kinder Surprise Egg.' - Mark Forsyth, The SpectatorA thrilling journey deep into the heart of language, from a rather unexpected starting point. Keith Kahn-Harris is a man obsessed with something seemingly trivial - the warning message found inside Kinder Surprise eggs:WARNING, read and keep: Toy not suitable for children under 3 years. Small parts might be swallowed or inhaled. On a tiny sheet of paper, this message is translated into dozens of languages - the world boiled down to a multilingual essence. Inspired by this, the author asks: what makes 'a language'? With the help of the international community of language geeks, he shows us what the message looks like in Ancient Sumerian, Zulu, Cornish, Klingon - and many more. Along the way he considers why Hungarian writing looks angry, how to make up your own language, and the meaning of the heavy metal umlaut. Overturning the Babel myth, he argues that the messy diversity of language shouldn't be a source of conflict, but of collective wonder. This is a book about hope, a love letter to language.'This is a wonderful book. A treasure trove of mind-expanding insights into language and humanity encased in a deliciously quirky, quixotic quest. I loved it. Warning: this will keep you reading.' - Ann Morgan, author of Reading the World: Confessions of a Literary Explorer

'Quite simply, and quite ridiculously, one of the funniest and most illuminating books I have ever read. I thought I was obsessive, but Keith Kahn-Harris is playing a very different sport. He really has discovered the whole world in an egg.' Simon Garfield'There is a delicious humour implicit in every page . . . [the book] is filled with a sense of wonder, gazing at languages that neither the writer nor reader understands . . . The Babel Message was such fun that I even went out and bought a Kinder Surprise Egg.' - Mark Forsyth, The SpectatorA thrilling journey deep into the heart of language, from a rather unexpected starting point. Keith Kahn-Harris is a man obsessed with something seemingly trivial - the warning message found inside Kinder Surprise eggs:WARNING, read and keep: Toy not suitable for children under 3 years. Small parts might be swallowed or inhaled. On a tiny sheet of paper, this message is translated into dozens of languages - the world boiled down to a multilingual essence. Inspired by this, the author asks: what makes 'a language'? With the help of the international community of language geeks, he shows us what the message looks like in Ancient Sumerian, Zulu, Cornish, Klingon - and many more. Along the way he considers why Hungarian writing looks angry, how to make up your own language, and the meaning of the heavy metal umlaut. Overturning the Babel myth, he argues that the messy diversity of language shouldn't be a source of conflict, but of collective wonder. This is a book about hope, a love letter to language.'This is a wonderful book. A treasure trove of mind-expanding insights into language and humanity encased in a deliciously quirky, quixotic quest. I loved it. Warning: this will keep you reading.' - Ann Morgan, author of Reading the World: Confessions of a Literary Explorer

How did antisemitism get so strange? Life-long anti-racists accused of antisemitism, life-long Jew haters absolving themselves by declaring their love of Israel. Today, antisemitism and philosemitism seem selective, as if Jews offered themselves up as a kind of buffet, in which non-Jews get to choose the good ones they like and the bad ones they reject. In this passionate yet closely-argued polemic from a writer with an intimate knowledge of the antisemitism controversy, Kahn-Harris argues that the emergence of a selective anti-racism demonstrates how far we are from understanding what living in diverse societies really means. Strange Hate calls for us to abandon selective anti-racism and rethink how we view not just Jews and antisemitism, but the challenge of living with diversity.

For a group of people so limited in number, the Jewish community has had a huge impact on both global events and local politics. In this vibrant new look at Judaism, sociologist and cultural critic Keith Kahn-Harris provides a remarkably sharp insight into this history, and particularly the diverse Jewish communities (and diverse ideas of Jewishness) that exist today.

Extreme metal--one step beyond heavy metal--can appear bizarre or terrifying to the uninitiated. Extreme metal musicians have developed an often impenetrable sound that teeters on the edge of screaming, incomprehensible noise. Extreme metal circulates on the edge of mainstream culture within the confines of an obscure 'scene', in which members explore dangerous themes such as death, war and the occult, sometimes embracing violence, neo-fascism and Satanism. In the first book-length study of extreme metal, Keith Kahn-Harris draws on first-hand research to explore the global extreme metal scene. He shows how the scene is a space in which members creatively explore destructive themes, but also a space in which members experience the everyday pleasures of community and friendship. Including interviews with band members and fans, from countries ranging from the UK and US to Israel and Sweden, Extreme Metal: Music and Culture on the Edge demonstrates the power and subtlety of an often surprising and misunderstood musical form.

Extreme metal--one step beyond heavy metal--can appear bizarre or terrifying to the uninitiated. Extreme metal musicians have developed an often impenetrable sound that teeters on the edge of screaming, incomprehensible noise. Extreme metal circulates on the edge of mainstream culture within the confines of an obscure 'scene', in which members explore dangerous themes such as death, war and the occult, sometimes embracing violence, neo-fascism and Satanism. In the first book-length study of extreme metal, Keith Kahn-Harris draws on first-hand research to explore the global extreme metal scene. He shows how the scene is a space in which members creatively explore destructive themes, but also a space in which members experience the everyday pleasures of community and friendship. Including interviews with band members and fans, from countries ranging from the UK and US to Israel and Sweden, Extreme Metal: Music and Culture on the Edge demonstrates the power and subtlety of an often surprising and misunderstood musical form.