Laynie Browne

Poetry that considers how we live with constant shifts, positioning alchemy as an example of endless change. The poetry of Laynie Browne’s Apprentice to a Breathing Hand explores alchemy, connectivity, and perception. Throughout the collection, Browne considers the formation and limits of personhood, the experience of a body moving through time, and the imperative to continually learn and unlearn. Browne looks to alchemy as a practice for cultivating the impossible, positioning it as a fitting model for our current moment. In the material of language, meaning must be unmade and remade endlessly, and in this continual regeneration, Browne considers the alchemy of how a poem can in turn transform the poet. Moving through methods of making and unmaking, the collection centers on the figure of an apprentice working in a space of indeterminacy, lack, breath, and constant shifting.

Author's note: Intaglio Daughters is an homage text for the poet Lyn Hejinian. All titles (in italics above each poem) are taken from her book The Unfollowing. In the preface to her book she writes "I wanted each line to be as difficult to accept on the basis of the previous and subsequent lines as death is for we who are alive-a comparison that I make intentionally, since my intention in writing the sequence of poems I'm calling 'The Unfollowing' was to compose a set of elegies." In considering a form for Intaglio Daughters I wondered-what follows loss and rupture? What follows unfollowing? The mourning process often involves a non-sequential experience of time-and many returns, wavelike, in spirals or contractions. In keeping with this idea of rounds, sinuous or labyrinth-time, reaching backward and forward simultaneously, my book is a series of rondels, with the final line in each poem returning to, and resounding Hejinian's language.

Laynie Browne's latest poetry collection, Translation of the Lilies Back into Lists playfully employs the list poem and delivers poems which evade genre and subvert the quotidian material of daily life. These poems consider elegy, absence and bewilderment while allowing associative logic to make poetic leaps in imagination and mood that belie convention. This book explores the myriad ways one could attempt to categorize a lived experience with its dizzying infinitudes by marking it in finite language, and ultimately shows how poetry is an experiment for that translation Browne's exquisite collection considers language, time, and poetics in a way that is as electrifying as it is elusive. In homage to poet C. D. Wright, her title is inspired by Translations of the Gospel Back into Tongues.

Laynie Browne's latest poetry collection, Translation of the Lilies Back into Lists playfully employs the list poem and delivers poems which evade genre and subvert the quotidian material of daily life. These poems consider elegy, absence and bewilderment while allowing associative logic to make poetic leaps in imagination and mood that belie convention. This book explores the myriad ways one could attempt to categorize a lived experience with its dizzying infinitudes by marking it in finite language, and ultimately shows how poetry is an experiment for that translation Browne's exquisite collection considers language, time, and poetics in a way that is as electrifying as it is elusive. In homage to poet C. D. Wright, her title is inspired by Translations of the Gospel Back into Tongues.

Is there such a thing as a 'poet's novel, ' a text which uniquely traverses boundaries between genres? Why do poets turn to prose? If such a form does exist, how is it characterized? The Poet's Novel, a talk by Laynie Browne, presented with drawings by Noah Saterstrom, examines this erratic, hybrid and often elusive form. Writers discussed include Virginia Woolf, Marcel Proust, and Lydia Davis, among others. Poet and novelist Laynie Browne is the editor of a forthcoming collection of essays, A Forest on Many Stems: Essays on the Poet's Novel.

How does one in mourning converse with those absent, yet ever present? How is a motherless daughter conceived? What befalls those who succumb to waves of grief akin to contractions of birth? You Envelop Me is woven from contemplative practices that permit us to approach the unimaginable. The world with the beloved removed is permanently altered, perhaps most significantly in the way the living learn that indispensable vision occurs beyond the visible world.

Endlessly inclusive, The Desires of Mothers to Please Others in Letters, first published in 1994 and long out of print, evokes the complexity of real persons as it simultaneously reinvents multiple genres: epistle, prose poem, and memoir. Written between 1979 and 1980 while pregnant with her third child, Mayer extends her imaginative letters into meditations for us all on life as it is lived in real time, with its responsibilities and manifold desires. Fierce, lyrical, intimate, and wise, both new and familiar readers, both mothers and non-mothers, will find this book beckoning again and again to offer delicious writing, timely information, consolation, and advice.

Selected by Alice Notley for the National Poetry Series, Laynie Browne's sixth collection casts a spell. In these fragmented poetic tales, characters disappear and reemerge, their charms reconfigured, their stories unraveling, their happy endings elusive. The book's coda consists of a fantastical poetic dictionary, asking readers to redefine their sense of meaning. Laynie Browne was born in 1966 and grew up in Los Angeles. She is the author of six collections of poetry, including Daily Sonnets and Mermaid's Purse. She has taught creative writing at the University of Washington Bothell and Mills College.

How do we experience the world before memory, before language, before the senses have separated, or before the concepts of “you” and “I” have been distinguished? Laynie Browne investigates both the limits and potential of such an inchoate world in her new book of poetry, Drawing of a Swan Before Memory. In a series of elegant prose poems, Browne guides the reader through the intricate development of human perception, where the haunting vastness of childhood slowly gives way to the defining features of adult cognition. Subtly nuanced verse constructs a world of color before sight and utterance before language—all the while aware that, ironically, language itself makes this ethereal world possible.