Mark Doidge

Since its emergence in Italy in 1968, one model of football fandom has become the most dominant in the world: the ultras. Producing choreography, chants, banners and pyrotechnics, ultras represent a highly organised style of fandom that has an increasing global reach and visibility. Over the last fifty years, ultras fandom has spread from Southern Europe across North Africa to Northern and Eastern Europe, South East Asia and North America. Their collective performance not only distinguishes ultras from other football fans, but from many other forms of group behaviour. Focusing on their common form of expression, this book shows how members build an emotional attachment to their club that valorises the insignia of that team while mobilising members against opponents. As a collective with a shared, coherent sense of identity based on an act of consumption, ultras represent an important site of enquiry into masculinity and nationalism in contemporary society.

This illuminating book offers a fresh and contemporary guide to the field of sociology. By demonstrating the versatility of the sociological imagination, the authors reveal the ways in which thinking sociologically can help us to understand the personal, social and structural changes going on in the world around us. Using real world case studies, the book addresses key sociological themes such as: · global social transformations · social divisions and inequalities · social theory and its practical applications · the personal and the political Providing a set of concepts, tools and perspectives for analysing our social world, the book equips the reader with an understanding of how to start thinking sociologically. With helpful features such as end-of-chapter summaries, key definitions and recommended readings, it is an invaluable resource for students taking an introductory sociology course or those studying sociology at further or higher education level.

Since its emergence in Italy in 1968, one model of football fandom has become the most dominant in the world: the ultras. Producing complex choreography, chants, banners and pyrotechnics, ultras represent a highly organised style of fandom that has an increasing global reach and visibility. Over the last fifty years, ultras fandom has spread from Southern Europe across North Africa to Northern and Eastern Europe, South East Asia and North America. Their collective performance, unity and harmonisation not only distinguish ultras from other football fans, but from many other forms of group behaviour. By focusing on the common form of expression through the performance of choreographies, chants and sustained support throughout the match, this book shows how members build an emotional attachment to their club that valorises the colours and symbols of that team while mobilising members against opponents. This volume seeks to make a clear theoretical shift in studies of football fandom by asking fundamental sociological questions concerning group formation, collective performance and emotional relationships. As a collective that pride themselves on having a shared, coherent sense of identity based on an act of consumption, ultras represent an important site of enquiry into masculinity and nationalism in contemporary society.

This book draws upon a relational sociological paradigm to explore the processes of collective action in football fandom across Europe and the UK. Through a range of case studies, the authors address pertinent themes in football fandom, including anti-discrimination, ‘home,’ ticketing, name changes, ‘ownership,’ and broader leftist politics. Each of these case studies engages with the theoretical framework of cultural relational sociology, highlighting the different social and cultural changes English and European football has undergone, often over a very short period of time.

This book draws upon a relational sociological paradigm to explore the processes of collective action in football fandom across Europe and the UK. Through a range of case studies, the authors address pertinent themes in football fandom, including anti-discrimination, ‘home,’ ticketing, name changes, ‘ownership,’ and broader leftist politics. Each of these case studies engages with the theoretical framework of cultural relational sociology, highlighting the different social and cultural changes English and European football has undergone, often over a very short period of time.

This book is available as open access through the Bloomsbury Open Access programme and is available on www.bloomsburycollections.com. Football has undergone a period of transformation over the last thirty years. Despite these global processes, different national leagues have adapted in different ways. After an initial period of success directly after Italia ’90, Italian football has gone through a period of sustained crisis. It has been blighted by financial mismanagement, corruption scandals and fan violence. This has impacted Italy's ability to compete on a global stage. Football Italia accounts for the development of Italian football in relation to the wider global transformations impacting football and addresses the reasons for Serie A's initial success and current malaise. Theoretically, this book locates Italian football within the wider power network of the state and how this has impacted political engagement. After an historical overview of the Italian political economy, Football Italia highlights how football is part of the wider political network. Football clubs are owned by powerful businessmen (and they are all men) who are also politicians. This centralisation of power within a small hegemonic group inhibits change. Within this broader structure, wider corruption scandals continue; from regular match-fixing scandals to doping. Meanwhile, stadiums are crumbling and police over-aggressive. It is within this context that we must place the fans. Both the ultras and supporters who attend official supporters’ clubs are disaffected and without the power to change the status quo. Consequently, Italian football has been in decline throughout the 21st century.