Martina Droth

A fresh take on one of contemporary art’s most renowned figures Tracey Emin (b. 1963) is widely known for dynamic and autobiographical works that reflect grief, hope, loss, and love. For more than three decades, her art has challenged stereotypes about female experience and sexuality. Rising up with a cohort dubbed the Young British Artists (YBAs), Emin made her mark in London with sculptural installations that became icons of the 1990s. She went on to explore an exceptional range of media, becoming famous for her neon and textile works. Yet Emin has long thought of painting as central to her artistic practice and since the early 2000s has intensified her focus on the medium in large-scale figurative works rooted in emotion and bodily experience. Published to accompany Emin’s first major exhibition in North America, this generously illustrated volume features an exclusive interview with the artist, places her work in its art-historical context, and opens new avenues for approaching her painting and closely related drawing practice. Distributed for the Yale Center for British Art Exhibition Schedule: Yale Center for British Art (March 29–August 10, 2025)

With a career spanning more than sixty years, Anthony Caro (b. 1924) is one of Britain's most acclaimed and best-known sculptors. Caro: Close Up accompanies the first survey exhibition of his work in an American museum since his retrospective at the Museum of Modern Art in 1975. Although celebrated for his large, brightly painted abstract sculptures, Caro has also produced drawings and small-scale works of a more private nature throughout his career. The full range of his oeuvre includes works on paper, sculptures constructed in paper and cardboard, and abstract works of steel, bronze, and clay. Featuring new photography of more than sixty works drawn almost entirely from Caro's studio and family collections, this publication examines the critical responses that Caro's work has elicited from the 1950s to the present and considers his role in current artistic practice. The authors explore the ways the sculptor has used the physical properties of his materials, while Caro himself discusses his exhibition and installation practices. Published for the Yale Center for British ArtExhibition Schedule:Yale Center for British Art(10/18/12–12/30/12)