Mavis Gallant

In stories of astonishing compression and insight, Mavis Gallant wrote of characters severed from their home, exiles disconnected from each other and from themselves. Tracing the fault lines of the post-war world in the intimate lives of her characters, she could conjure an entire worldview in a telling gesture or passing comment. This new volume, selected and introduced by Tessa Hadley, collects the finest work from across Gallant's career. Here are stories of young men returning from wartime internment to changed families, snobbish social climbers haunted by the words of their downtrodden colleagues, and children peering through glass at the secrets and infidelities of their parents. Complex, moving and painfully true, they secure her position among the world's great short story writers.

A collection of over thirty short stories by a great modern writer, now available in a single volume for the first time ever. Mavis Gallant's extraordinary mastery of the short story remains insufficiently recognized. She may be the best writer of stories since the early-1950s prime of John Cheever, Eudora Welty, and Flannery O'Connor, and even in such august company, her work is sui generis. Gallant's short fiction refines the art of the story even as it expands the boundaries of what a story can be. Above and beyond that, however, it constitutes a striking, almost avant-garde reduction. To read her is to discover something about the very nature of story: how for better or worse life is caught up in it, and how on the page that common predicament can come to life. The Uncollected Stories of Mavis Gallant includes more than thirty stories never before gathered into one volume, including "The Accident" and "His Mother" and "An Autobiography" and "Dédé." With the publication of this book, finally all of this modern master's fiction will be in print.

"A superb collection... Page after page, Gallant dazzles. Her voice and sensibility are penetrating, canny, graceful, and incisive."--Washington Post Best of the Year from Our Pages--The New Yorker Enthralling essays on the expatriate experience in Paris and shrewd literary criticism by one of the twentieth century's finest writers. Mavis Gallant is revered as one of the great short story writers of her generation, but she was also an astute observer and formidable reporter. This selection of Gallant's essays and reviews written between 1968 and 1985 begins with her impressions of the Parisian student uprising in May 1968. Originally published in The New Yorker, "The Events in May" inspired Wes Anderson's film The French Dispatch and Gallant herself served as inspiration for the journalist portrayed by Frances McDormand. Paris Notebooks presents a whole range of subjects portraying French society, ranging from architecture and literature to the gripping story of Gabrielle Russier, a young French schoolteacher driven to imprisonment, madness, and suicide as the result of an affair with one of her students. Also included are Gallant's astute reviews of books by major figures such as Vladimir Nabokov, Simone de Beauvoir, Colette, and G nter Grass. No matter what form she's working in, Mavis Gallant's flawless prose is always full of wit and acuity. This Nonpareil edition includes a new introduction by acclaimed literary biographer Hermione Lee.

This generous collection of fifty-two stories, selected from across her prolific career by the author, includes a preface in which she discusses the sources of her art. A widely admired master of the short story, Mavis Gallant was a Canadian-born writer who lived in France and died in 2014 at the age of ninety-one. Her more than one hundred stories, most published in The New Yorker over five decades beginning in 1951, have influenced generations of writers and earned her comparisons to Anton Chekhov, Henry James, and George Eliot. She has been hailed by Michael Ondaatje as "one of the great story writers of our time." With irony and an unfailing eye for the telling detail, Gallant weaves stories of spare complexity, often pushing the boundaries of the form in boldly unconventional directions. The settings in The Collected Stories range from Paris to Berlin to Switzerland, from the Italian Riviera to the C te d'Azur, and her characters are almost all exiles of one sort or another, as she herself was for most of her expatriate life. The wit and precision of her prose, combined with her expansive view of humanity, provide a rare and deep reading pleasure. With breathtaking control and compression, Gallant delivers a whole life, a whole world, in each story.

This generous collection of fifty-two stories selected from across her prolific career by the author, is preceded by a preface in which she discusses the sources of her art. With irony and an unfailing eye for the telling detail, Gallant weaves stories of spare complexity, often pushing the boundaries of the form in boldly unconventional directions. The settings in the COLLECTED STORIES range from Paris to Berlin to Switzerland, from the Riviera to the Côte d'Azur, and her characters are almost all exiles of one sort or another, as she herself was the most of her expatriate life. The wit and precision of her prose, combined with her expansive view of humanity, provide a rare and deep reading pleasure. With breathtaking control and compression, Gallant delivers a whole life, a whole world, in each story.

AN NYRB CLASSICS ORIGINAL Mavis Gallant's novels are as memorable as her renowned short stories. Full of wit and psychological poignancy, A Fairly Good Time, here with Green Water, Green Sky, encapsulates Gallant's unparalleled skill as a storyteller. Shirley Perrigny (n e Norrington, then briefly Higgins), the heroine of A Fairly Good Time, is an original. Derided by the Parisians she lives among and chided by her fellow Canadians, this young widow--recently remarried to a French journalist named Philippe--is fond of quoting Jane Austen and Kingsley Amis and of using her myopia as a defense against social aggression. As the fixed points in Shirley's life begin to recede--Philippe having apparently though not definitively left--her freewheeling, makeshift, and self-abnegating ways come to seem an aspect of devotion to her fellow man. Could this unreliable protagonist be the unwitting heroine of her own story? Green Water, Green Sky, Gallant's first novel, is a darker tale of the fractured family life of Bonnie McCarthy, an American divorc e, and her daughter, Flor. Uprooted and unmoored, mother and daughter live like itinerants--in Venice, Cannes, and Paris--glamorous and dependent. With little hope of escape, Flor attempts to flee this untidy life and the false notes of her mother.

Mavis Gallant is admired and beloved as one of the masters of the modern short story. Selected from early collections and the New Yorker, where many of the author's stories have appeared over the last fifty years, and with an introduction by Jhumpa Lahiri, The Cost of Living reveals a writer coming into her own. The stories span the first twenty years of a long career, from the poise and poignancy of her very first published story, 'Madeleine's Birthday' (1951), to the masterly exploration of the passage of time in the long story 'The Burgundy Weekend' (1971) that appears here in book form for the first time. Gallant's sensibility has always been cosmopolitan and these stories take us from Quebec to postwar Europe, via New York and New England, before settling, like their author, in Paris. Everywhere the book reveals Gallant's subtly penetrating psychological insight, wit and unsentimental sympathy for the excluded and the exiled, not to mention her wonderfully wicked sense of humour.

A New York Review Books OriginalMavis Gallant is renowned as one of the great short-story writers of our day. This new gathering of long-unavailable or previously uncollected work presents stories from 1951 to 1971 and shows Gallant's progression from precocious virtuosity, to accomplished artistry, to the expansive innovatory spirit that marks her finest work. "Madeleine's Birthday," the first of Gallant's many stories to be published in The New Yorker, pairs off a disaffected teenager, abandoned by her social-climbing mother, with a complacent middle-aged suburban housewife, in a subtly poignant comedy of miscommunication that reveals both characters to be equally adrift. "The Cost of Living," the extraordinary title story, is about a company of strangers, shipwrecked over a chilly winter in a Parisian hotel and bound to one another by animosity as much as by unexpected love. Set in Paris, New York, the Riviera, and Montreal and full of scrupulously observed characters ranging from freebooters and malingerers to runaway children and fashion models, Gallant's stories are at once satirical and lyrical, passionate and skeptical, perfectly calibrated and in constant motion, brilliantly capturing the fatal untidiness of life.

"Stories are not chapters of novels. They should not be read one after another, as if they were meant to follow along. Read one. Shut the book. Read something else. Come back later. Stories can wait" - Mavis Gallant. In 1950, "The New Yorker" accepted one of Mavis Gallant's short stories for publication and she has since become the one of the most accomplished and respected short story writers of her time. Gallant is an undisputed master whose peerless prose captures the range of human experience in her sweeping portraits set in Europe in the second half of the last century. An expatriate herself, her stories deal with exile, displacement, of love and of estranged emotions, but they are never conventional. This collection of fifty-two stories, written between 1953 and 1995, is timeless, to be savoured and re-read.

Mavis Gallant is the modern master of what Henry James called the international story, the fine-grained evocation of the quandaries of people who must make their way in the world without any place to call their own. The irreducible complexity of the very idea of home is especially at issue in the stories Gallant has written about Montreal, where she was born, although she has lived in Paris for more than half a century. Varieties of Exile, Russell Banks's extensive new selection from Gallant's work, demonstrates anew the remarkable reach of this writer's singular art. Among its contents are three previously uncollected stories, as well as the celebrated semi-autobiographical sequence about Linnet Muir--stories that are wise, funny, and full of insight into the perils and promise of growing up and breaking loose.

A NEW YORK REVIEW BOOKS ORIGINAL Mavis Gallant is a contemporary legend, a frequent contributor to The New Yorker for close to fifty years who has, in the words of The New York Times, "radically reshaped the short story for decade after decade." Michael Ondaatje's new selection of Gallant's work gathers some of the most memorable of her stories set in Europe and Paris, where Gallant has long lived. Mysterious, funny, insightful, and heartbreaking, these are tales of expatriates and exiles, wise children and straying saints. Together they compose a secret history, at once intimate and panoramic, of modern times.