Kirjailija
Michael Bracewell
Kirjat ja teokset yhdessä paikassa: 28 kirjaa, julkaisuja vuosilta 2002–2027, suosituimpiin kuuluu Ian Davenport. Vertaile teosten hintoja ja tarkista saatavuus suomalaisista kirjakaupoista.
28 kirjaa
Kirjojen julkaisuvuodet: 2002–2027.
Over the past 25 years Ian Davenport has consistently employed intensely rigorous and unconventional painting processes. This book provides an in-depth examination of his production, from his electric fan paintings, to his poured arches, circles, lines and puddle paintings. He has experimented with method and medium, exploring the qualities and applications of paints, both in his early monochrome paintings and in his later complex colour combinations. His paintings draw upon the rich heritage of European and American abstraction, and also the contemporary urban environment of London. Davenport is a keen drummer and listens to music while he paints. The musical influence is important; in his more recent paintings the repetition of multiple vertical lines of various colours creates an underlying rhythm that pulses through each work.
I am sure that what I remember is not necessarily what actually happened, but I can only write what I remember. Wildly inventive and magnificently surreal, The Smiths: A Novella recounts the impact of an unconventional pop group from Manchester on one man's life. Taking the form of a flâneuring journey through the landscape of memory, our anonymous protagonist is accompanied by the iconic French actress Carole Bouquet, who becomes his guide and interlocutor, asking about his life during the years The Smiths were together and the profound effect of their music upon him. As the unlikely couple perambulate from the old Selfridge Hotel to West Hollywood by way of a park bench in Cavendish Square, their conversation interrogates and celebrates the joys of outlandish pop genius, the zealous dedication of fans and the cult of outsider disaffection given uproarious voice. As such, this is not a book about The Smiths but one that emerges from their music, their emotional register and their literary resonance. Michael Bracewell's novella-cum-fairy tale is at once deeply romantic and laced with comedy - not unlike the band themselves - and perhaps (in fictional form) the most astute and celebratory portrait of The Smiths to date.
I am sure that what I remember is not necessarily what actually happened, but I can only write what I remember. Wildly inventive and beautifully surreal, The Smiths: A Novella asks how one man's life could somehow be irrevocably changed by an unconventional pop group from Manchester. Taking the form of a flâneuring journey through the landscape of memory, our anonymous protagonist accompanied by the actress Carole Bouquet, this is not a book about The Smiths but one that emerges from their music, their emotional register and their literary resonance. As the unlikely couple perambulate from the old Selfridge Hotel to West Hollywood by way of a park bench in Cavendish Square, their conversation interrogates and celebrates the joys of outlandish pop genius, the zealous dedication of fans and the cult of outsider disaffection given uproarious voice. Michael Bracewell's first novella since Perfect Tense (praised by Stephen Fry as a 'unique and priceless pearl of a book'), The Smiths is at once deeply romantic and laced with comedy - not unlike the band themselves.
Beauty: In Some Recent Art
Michael Bracewell; Charles Asprey
RIDINGHOUSE
2025
sidottu
Halvin toimitettuna 33,80 €
This book comprises a timely and controversial assertion of beauty as vital to the energy of contemporary art. As such it surveys work by an international group of artists who share an intense and highly individualistic focus on the processes of making, authorship and aesthetic poise. An essay by Michael Bracewell shares with its subjects the return of aesthetics to the science of feelings; to the individual as opposed to ‘identity’; and to a sensibility in visual art that is literary, flees the stereotype and rejects sociopolitical verbiage. It is a concept of beauty in some recent art that is less about representation than it is about memoir, fictional devices, cultural connoisseurship as praxis and the profundity of human relationships.
A vivid eulogy for London of the late 1970s and early 80s - the last years prior to the rise of the digital city. An elliptical, wildly atmospheric remembrance of the sites and soundtrack, at once aggressively modern and strangely elegiac, that accompanied the twilight of one era and the dawn of another. Haunted bedsits, post-punk entrepreneurs in the Soho Brasserie, occultists in Fitzrovia, Docklands before Canary Wharf, frozen suburbs in the winter of 1980...
UNFINISHED BUSINESS focuses on an ordinary suburban office worker, fundamentally weak but always keeping his eyes fixed on some horizon where a heightened, romantic, better world must surely exist. Faced with the regular stuff of life - work, aspiration, marriage, age, divorce, bereavement - his ordinary plight is sharpened, becoming increasingly urgent. Having lived in a modern condition, confusing pleasure with happiness, wanting the dream to deliver, what do you do when you notice the shadows begin to lengthen on the lawn?
Michael Craig-Martin
Michael Bracewell; Richard Cork; Carolina Grau
Royal Academy of Arts
2024
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Sir Michael Craig-Martin CBE RA (b. 1941) is an important figure in British conceptual art, and among the most influential artists and teachers of his generation. Since his rise to prominence in the late 1960s he has moved between sculpture, installation, painting, drawing and print, creating works that fuse elements of pop, minimalism and conceptual art. His work transforms everyday objects – from buckets and ladders to trainers, mobile phones and laptops – with bold colours and simple, uninflected lines. Renowned as an art educator, he has inspired generations of artists, including the YBAs. This handsome book, the catalogue of the largest exhibition of Craig-Martin’s work to have been mounted in the UK, contains thought-provoking texts by the critics Michael Bracewell and Richard Cork, and an illuminating conversation between the artist and the writer Carolina Grau.
Tim Eitel initiates an exchange between recollection and painting. The work on his pictures, he says, is " a conversation about reality and memory" in which he engages the canvas. In the course of this dialogue, Eitel reflects on personal experiences, creating a standalone figural-abstract reality that needs to be internally consistent-- the canvas has a strong will of its own. That makes the scenes depicted in his paintings analogues or afterimages of a situation rather than renditions of it. They are characterized by a certain openness that enables the beholders to inject their own recollections into the pictorial space as well. The dialogue between canvas and artist thus gives way to a colloquy between audience and finished work. Not by coincidence, many of the paintings by Eitel gathered in this catalog show people in museums: these scenes facilitate the leap into the pictorial space. The beholders have experienced a situation like the one shown in the pictures in the past or are experiencing it right now, and so they are already at the heart of the works; they become part of the painting, and the picture becomes a particle of their recollection.
Mick Rock. The Rise of David Bowie. 1972–1973
Barney Hoskyns; Michael Bracewell
TASCHEN GMBH
2023
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Halvin toimitettuna 23,70 €
A unique tribute from David Bowie’s official photographer and creative partner, Mick Rock, compiled in 2015, with Bowie’s blessing. In 1972, David Bowie released his groundbreaking album The Rise and Fall of Ziggy Stardust and the Spiders from Mars. With it landed Bowie’s Stardust alter ego: a glitter-clad, mascara-eyed, sexually ambiguous persona who kicked down the boundaries between male and female, straight and gay, fact and fiction into one shifting and sparkling phenomenon of ’70s self-expression. Together, Ziggy the album and Ziggy the stage spectacular propelled the softly spoken Londoner into one of the world’s biggest stars. A key passenger on this glam trip into the stratosphere was fellow Londoner and photographer Mick Rock. Rock bonded with Bowie artistically and personally, immersed himself in the singer’s inner circle, and, between 1972 and 1973, worked as the singer’s photographer and videographer. This collection brings together spectacular stage shots, iconic photo shoots, as well as intimate backstage portraits. It celebrates Bowie’s fearless experimentation and reinvention, while offering privileged access to the many facets of his personality and fame. Through the aloof and approachable, the playful and serious, the candid and the contrived, the result is a passionate tribute to a brilliant and inspirational artist whose creative vision will never be forgotten.
Mick Rock. The Rise of David Bowie. 1972–1973
Barney Hoskyns; Michael Bracewell
TASCHEN GMBH
2023
sidottu
Halvin toimitettuna 69,00 €
A unique tribute from David Bowie’s official photographer and creative partner, Mick Rock, compiled in 2015, with Bowie’s blessing. In 1972, David Bowie released his groundbreaking album The Rise and Fall of Ziggy Stardust and the Spiders from Mars. With it landed Bowie’s Stardust alter ego: a glitter-clad, mascara-eyed, sexually ambiguous persona who kicked down the boundaries between male and female, straight and gay, fact and fiction into one shifting and sparkling phenomenon of ’70s self-expression. Together, Ziggy the album and Ziggy the stage spectacular propelled the softly spoken Londoner into one of the world’s biggest stars. A key passenger on this glam trip into the stratosphere was fellow Londoner and photographer Mick Rock. Rock bonded with Bowie artistically and personally, immersed himself in the singer’s inner circle, and, between 1972 and 1973, worked as the singer’s photographer and videographer. This collection brings together spectacular stage shots, iconic photo shoots, as well as intimate backstage portraits. With a lenticular cover of different headshots, it celebrates Bowie’s fearless experimentation and reinvention, while offering privileged access to the many facets of his personality and fame. Through the aloof and approachable, the playful and serious, the candid and the contrived, the result is a passionate tribute to a brilliant and inspirational artist whose creative vision will never be forgotten.
UNFINISHED BUSINESS focuses on an ordinary suburban office worker, fundamentally weak but always keeping his eyes fixed on some horizon where a heightened, romantic, better world must surely exist. Faced with the regular stuff of life - work, aspiration, marriage, age, divorce, bereavement - his ordinary plight is sharpened, becoming increasingly urgent. Having lived in a modern condition, confusing pleasure with happiness, wanting the dream to deliver, what do you do when you notice the shadows begin to lengthen on the lawn?
The most comprehensive monograph to date on the British artist and writer loved for his witty book-cover-inspired canvases, now updated with forty of his latest works Harland Miller's creativity as both artist and writer culminates in his iconic paintings of battered book covers with cleverly invented titles. Initially appropriating the classic Penguin paperback before devising his own unique designs, Miller combines aspects of pop art, abstraction, and figurative painting to create highly coveted artworks that have won him a cult following. This monograph covers nearly twenty years of his paintings, and features specially commissioned essays by eminent art writers exploring different aspects of his practice and has been updated with forty of his latest works.
'The best evocation I've read of London in the '80s' Neil Tennant'I loved Souvenir . . . it rescued some things for me - a certain aesthetic, a philosophical engagement with time and poignant beauty and lived history that I have found myself looking for, and not finding, elsewhere in recent years . . . the book gave me new hope' John Burnside'A suspended act of retrieval, a partisan recall; a sustained, subtle summary of our recent past, and an epitaph for a future we never had' Philip Hoare'Michael Bracewell proves himself to be nothing less than the poet laureate of late capitalism' Jonathan CoeA vivid eulogy for London of the late 1970s and early 80s - the last years prior to the rise of the digital city. An elliptical, wildly atmospheric remembrance of the sites and soundtrack, at once aggressively modern and strangely elegiac, that accompanied the twilight of one era and the dawn of another. Haunted bedsits, post-punk entrepreneurs in the Soho Brasserie, occultists in Fitzrovia, Docklands before Canary Wharf, frozen suburbs in the winter of 1980...
A new edition as part of the Faber Greatest Hits - books that have taken writing about music in new and exciting directions for the twenty-first century. Re-make/Re-model tells the little known and fascinating story of the individuals and circumstances which combined to form the groundbreaking band Roxy Music -- how the art school avant-garde of the 1960s met the sweat, luck and attitude of chart-topping pop. Written with the co-operation of all of those involved, including Bryan Ferry, Brian Eno, Andy Mackay and Phil Manzanera, this is also the definitive account of a new pop vision that would dominate the 1970s. From student digs and provincial nightclubs to emerald-green eyeshadow and fake leopard skin, Re-make/Re-model is about a band which invented an era.
Stripped of their typical narrative and commercial contexts, the fragmented collages of this collection act as visually tantalizing ciphers, reflecting the desires and imaginings of the beholder.' – Jennie Waldow, Brooklyn Rail This beautifully illustrated catalogue showcases works by British artist John Stezaker made between 1976 and 2017 and brought together in the 2018 show “Love” at The Approach, London. Stezaker is celebrated for his distinctive collage works: interruptions of, and interventions into, found images dating mostly from the mid-20th century – products of modernist culture such as film stills, press and publicity photographs, magazines and postcards. His works engage with themes such as psychological archetypes, fragmentation, identity, self and other, desire, inscrutability and enigma, glamour, fantasy, dreams and the gaze. A sense of romance pervades Stezaker’s imagery. As demonstrated most dramatically by the artist’s 'Love' series (2016), his work seduces and ensnares the viewer’s gaze, arresting their perceptual expectations. Disquieting, poetic, compelling, glamorous and strange, the anatomies of love and desire comprising 'Love' resemble a visual encyclopaedia of human consciousness. Featuring essays by Michael Bracewell and Craig Burnett.
Michaël Borremans: Fire from the Sun
Michael Bracewell
David Zwirner
2018
sidottu
Halvin toimitettuna 38,00 €
The first in a series of small-format publications devoted to single bodies of work, Fire from the Sun highlights Micha l Borremans' (born 1963) new paintings, which feature toddlers engaged in playful but mysterious acts with sinister overtones and insinuations of violence. Borremans' depiction of the uncanny and the bizarre often surprises sometimes disturbs the viewer. In this series, children are presented alone and in groups against a studio-like backdrop that negates time and space while underlining the theatrical atmosphere and artifice that exists throughout Borremans' recent work. Reminiscent of cherubs in Renaissance paintings, the toddlers appear as allegories of the human condition, their archetypal innocence contrasted with their suggested deviousness. In his accompanying essay, critic and curator Michael Bracewell takes an in-depth look into specific paintings.
A book documenting Michael Craig-Martin's installation of twelve new large-scale works in the gardens at Chatsworth House. Each work is an immense, vibrantly coloured line drawing in space, fabricated in steel. The book also documents a concurrent exhibition curated by Craig-Martin at Chatsworth House, including sculptures from the Devonshire Collection, in which Craig-Martin has swapped their traditional bases for bright pink plinths and a visually arresting selection of drawings from the Old Master Drawings Cabinet, including drawings by Hans Holbein, Annibale Carracci, and Ghirlandaio.
The novelist, writer, curator and cultural commentator Michael Bracewell has written extensively for museums and galleries, along with art publications as diverse as Frieze and The Burlington Magazine, approaching visual art through its cultural context, the lens of the recent past and prolonged looking. Bracewell’s art writing focuses on detailed descriptions of works of art, expanding their interpretation to include media, politics, music, poetry and other areas of cultural production. By exploring connections between the visual arts, pop music, modern iconography and subcultures, while appraising the vision and ideas of individual artists, he relates their work to its broader cultural context. This collection of texts reads like a history of British art (and the UK itself) from the 1950s to the 2010s, featuring artists such as Richard Hamilton, Bridget Riley, Gilbert & George, John Stezaker, Wolfgang Tillmans, Leigh Bowery, Glenn Brown and Damien Hirst. Each essay is accompanied by an illustration selected by Bracewell, and the publication concludes with a body of autobiographical writings.